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                  <text>Portrait of Antiquity</text>
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                  <text>Crimea was (and still is) uniquely studded with fallen slabs, old foundations, ancient walls, gravestones, and mounds of earth that have grown incrementally over the years to cover the bones of past lives. On my first visit to Sevastopol a friend explained that every good rain dislodged chards of pottery, the occasional coin, and other sundry treasures. And sure enough, when we went trekking in the mountains above Laspi later that week - keeping a sharp eye out for wild boar - I found three small bits of pottery, the edges worn smooth but the greens and blues of their surfaces still vivid. My friend chuckled and dismissed them as insignificant - the pieces dated to the fourteenth or maybe fifteenth century, after all - but I savored the extraordinary feeling of that small weight in my palm, sun-warm and heavy with historical memory.&lt;br /&gt;&lt;br /&gt;In 1837 the Academy of Sciences in St. Petersburg published a remarkable study&amp;nbsp;&lt;em&gt;On the Antiquities of the Southern Coast of Crimea and the Tavridan Mountains&lt;/em&gt;. The book's author,&amp;nbsp;Peter Keppen, spent 5 years living in Crimea while serving as assistant to the chief of silk production (shelkovodstvo). During that time he traveled almost obsessively, collecting material for his geographical and archaeological projects.&lt;br /&gt;&lt;br /&gt;In the dedication (addressed, of course, to Tsar Nicholas I), Keppen describes Crimea as "the most charming of all the countries prospering" under Romanov rule. His book lovingly documents the location, history, and status of inscribed stones, marble columns, churches, and tombstones, but the bulk of material details defensive towers and walls. Keppen saw Crimea - in antiquity - as a territory divided between a savage, predatory north and a luxuriously beautiful south hemmed in by the Tauride (or Tavridan) mountains on one side and the Black Sea on the other. The fortified line that separated one from the other was, to him, one of the two organizing features of Crimean space (or of its antique space anyway).&lt;br /&gt;&lt;br /&gt;The second feature was sedimentation. Keppen was acutely aware of the way in which the passage of time imprinted itself on the landscape. At one point he describes finding the remains of an ancient fortification with thick walls of "wild stone" on the heights of Ayudag. "And is it surprising?" Keppen asks. "One must remember that this place has not been inhabited since 1475. And since then the spring sun has warmed the mountain tops and new growth has sprung from the depths of the earth no fewer than 360 times. 360 times over autumn storms have torn the leaves from trees and ripped the grasses, each year creating a new layer to cover any traces of human existence!"(170)&lt;br /&gt;&lt;br /&gt;Keppen would tell you that to see Crimea, one had to dig.&amp;nbsp;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;This collection contains all of the sites (though not all of the individual stones!) discussed in &lt;em&gt;On the Antiquities of the Southern Coast&lt;/em&gt;. &lt;/strong&gt;It includes 4 mausoleums, 9 Greek churches, and 58 fortifications. Each and every one was a ruin even before Keppen laid eyes on it.&amp;nbsp;&lt;br /&gt;&lt;strong&gt;&lt;br /&gt;Related gallery: &lt;/strong&gt;&lt;a href="http://dighist.fas.harvard.edu/projects/beautifulspaces/collections/show/19" target="_self"&gt;Uvarov's Antiquities&lt;/a&gt;&lt;strong&gt;&lt;br /&gt;Related narrations&lt;/strong&gt;: &lt;a href="http://dighist.fas.harvard.edu/projects/beautifulspaces/collections/show/37" target="_self"&gt;Among the Ruins&lt;/a&gt; &amp;amp; &lt;a href="http://dighist.fas.harvard.edu/projects/beautifulspaces/collections/show/40" target="_self"&gt;A Monumental Inscription&lt;br /&gt;&lt;/a&gt;&lt;strong&gt;Related source map&lt;/strong&gt;: &lt;a href="http://dighist.fas.harvard.edu/projects/beautifulspaces/item/898" target="_blank"&gt;Keppen's Antiquities&lt;/a&gt;&lt;hr /&gt;</text>
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      <name>Antiquity</name>
      <description>Building or item from the past. In most contexts, an antiquity belongs to the ancient, classical, or possibly medieval period. In Crimea and in the Russian south more broadly, archaeologists and collectors used the term to describe the material legacy of the ancient Greeks, Byzantines, Genoese, Karaims, Ottomans, and Crimean Tatars who inhabited the region prior to Russian conquest. </description>
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                <text>Chufut-Kale</text>
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                <text>POINT(3779284.2744 5571961.1631)</text>
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            <description>An account of the resource</description>
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                <text>Site of a durbe (Tatar mausoleum)</text>
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                <text>Petr Keppen, &lt;em&gt;O drevnostiakh IUzhnago Berega Kryma i Gor Tavricheskikh&lt;/em&gt; (Sankt Peterburg, 1837)</text>
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        <name>burial site</name>
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                  <text>Abandoned Villages</text>
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                  <text>&lt;p&gt;At the moment, this collection presents the contents of a list of sites abandoned in 1778 by various elements of the Christian population of the Crimean Khanate.&lt;br /&gt;&lt;br /&gt;Between July and September 1778, a grand total of 31,098 people (half the Christian population of the khanate) deserted Crimea and moved to Russian territory on the shores of the Sea of Azov. Empress Catherine II and a handful of powerful men on the ground clearly engineered this relocation, which has been described as everything from an episode of deportation to one of voluntary migration.&amp;nbsp;&lt;br /&gt;&lt;br /&gt;Catherine II's government spent 130,000 rubles in the process, but the results were priceless. The loss of thousands of Greeks, Georgians, and Armenians dealt a heavy blow to the khanate's economy (they tended lucrative gardens and orchards, cultivated vineyards, and dominated maritime trade through the Black Sea and beyond). Sahin Girey Khan's position was weakened beyond repair (already perceived as a lackey of the empress, his inability to halt the migration made clear Russia's lack of concern for the khan's ability to rule). &lt;br /&gt;&lt;br /&gt;An anxious Ottoman government deployed a fleet to Aktiar (the future site of Sevastopol) in August, only to be repulsed. Negotiations for a new peace settlement between St. Petersburg and the Porte got underway soon thereafter. &lt;br /&gt;&lt;br /&gt;The resulting Treaty of Ainali-Kavak secured the independent status of the khanate and required the removal of all Russian troops. This was no favor to the khan however. His position was tenuous at best; without the support of the empress's troops, he had precious little support. It wasn't long before the political situation in Crimea deteriorated, necessitating the return of Prince Potemkin and, by April 1783, the annexation of the khanate to Russia.&lt;/p&gt;&#13;
&lt;hr /&gt;</text>
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                <text>Churuksu</text>
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                <text>46 Greeks and 40 Armenians abandoned this area in 1778.</text>
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        <name>Armenian settlement</name>
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        <name>Greek settlement</name>
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                  <text>Dachas</text>
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                  <text>gazetteer</text>
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                  <text>In simplest terms, a&amp;nbsp;dacha was a portion of land given out by the tsar. &lt;br /&gt;&lt;br /&gt;The apportioning of land to servitors and favorites was hardly an innovation, but over the course of the eighteenth century the dacha became ever more closely associated with the expansion of the empire. Early in the century, Peter I imbued the dacha with a distinctly strategic character, distributing grants both as a form of incentive and a coercive strategy for affecting the physical transformation of his new capital at St. Petersburg. &lt;br /&gt;&lt;br /&gt;Devoid of any associations with wellness, leisure, comfort, or domesticity – this came later in the nineteenth century – the earlier iteration of the dacha referred to a plot of uninhabited, unbuilt, uncultivated land located some distance away from the proprietor’s primary residence. A diligent proprietor might convert it into an &lt;i&gt;usad'ba&lt;/i&gt; (country estate), with formal or mature gardens and permanent dwellings, or into an agriculturally-productive site – a farm, an orchard, a cultivated woodland. &lt;br /&gt;&lt;br /&gt;The essence of the dacha was that it implied a dynamic relationship between owner and property and the conversion of empty spaces into usable, definable places.&lt;br /&gt;&#13;
&lt;p&gt;&lt;strong&gt;Related narration&lt;/strong&gt;: &lt;a href="http://dighist.fas.harvard.edu/projects/beautifulspaces/exhibits/show/dachageo" target="_self"&gt;Dacha Geography&lt;/a&gt;&lt;/p&gt;&#13;
&lt;hr /&gt;</text>
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              <text>Land for cattle near Sivash</text>
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          <name>Ownership Note</name>
          <description/>
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              <text>Lt. Colonel Iusuf Ibragimovich</text>
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          <name>Dacha Grant Year</name>
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              <text>1787</text>
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              <text>1794 Dacha Reports; 1802 Dacha Reports</text>
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                <text>Churuktiun</text>
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                <text>Cite the Project</text>
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                  <text>Among the Ruins</text>
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                  <text>&lt;p&gt;Ruins are among the most powerful elements of the built environment in Russia's southern empire. For much of the eighteenth and nineteenth centuries Tavrida itself was seen, from a certain perspective, as one sprawling, glorious ruin.&amp;nbsp;The province was strewn with burial sites, churches, fortifications, and cities that had fallen into various states of disrepair, suffered catastrophic destruction, or otherwise been subsumed within deep layers of soil and rock.&amp;nbsp;&lt;/p&gt;&#13;
&lt;p&gt;The presence of architectural monuments, ruined and otherwise, played nearly as important a role in the toponymy of the region as geological and hydrographical features. Cliffs and streams, clearings and ancient walls and burial mounds: such features lent their names to the places they shaped. &lt;br /&gt;&lt;br /&gt;They did more than that. For much of the tsarist period,&amp;nbsp;the surest way to navigate the rocky and&amp;nbsp;tumultuous southern coast was by following rough directions and goat paths, calibrating one's course according to rocky outcroppings, views of the sea, and ruins.&lt;/p&gt;&#13;
&lt;p&gt;Claims to these ubiquitous and treacherous&amp;nbsp;sites were empowering. Knowledge of them was valuable, even vital, to any claim to possession of the peninsula. This narration explores this idea in greater depth and maps the archaeological politics that helped define the significance of Crimea from a global - as well as an intensely local - perspective.&lt;/p&gt;&#13;
&lt;p&gt;&lt;strong&gt;Related galleries&lt;/strong&gt;: &lt;a href="http://dighist.fas.harvard.edu/projects/beautifulspaces/collections/show/19" target="_self"&gt;Uvarov's Antiquities&lt;/a&gt;; &lt;a href="http://dighist.fas.harvard.edu/projects/beautifulspaces/collections/show/25" target="_self"&gt;Keppen's Antiquities&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Related article&lt;/strong&gt;: Kelly O'Neill, "&lt;a href="https://muse.jhu.edu/article/560940/pdf" title="link to pdf (log in to Project Muse via your library for full access)" target="_blank"&gt;Constructing Russian Identity in the Imperial Borderland: Architecture, Islam, and the Transformation of the Crimean Landscape&lt;/a&gt;," &lt;em&gt;Ab Imperio&lt;/em&gt;&amp;nbsp;2 (2006): 163-192.&amp;nbsp;&lt;/p&gt;&#13;
&lt;hr /&gt;</text>
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                <text>Classical terrain</text>
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                <text>The most famous Crimean ruin is that of Chersonesos (Chersonesus, Khersones) near Sevastopol. Peter Simon Pallas was so impressed with this site that he described the area as "truly classic ground": ground that yielded bits and pieces of Greek antiquity at every step. &#13;
&#13;
[HOLD FOR NEATLINE OF EXCAVATION WORK] </text>
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                  <text>Essential Published Sources</text>
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      <description>A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text.</description>
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                <text>Collection of maps and drawings for the study of antiquities of Southern Russia and the Shores of the Black Sea</text>
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                <text>The only known copy is held at the New York Public Library. The glorious illustrations were intended to accompany Uvarov's study, commissioned by the Imperial Archaeological Society in 1847. &lt;br /&gt;&lt;br /&gt;This volume is the basis for the &lt;a title="go to the collection" href="http://dighist.fas.harvard.edu/projects/beautifulspaces/collections/show/19" target="_self"&gt;Uvarov's Antiquities&lt;/a&gt; collection.</text>
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                <text>Aleksei Sergeevich Uvarov</text>
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                <text>1851</text>
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                <text>69 plates : illustrations (some color), maps ; 71 cm</text>
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                <text>CONNECTIVITY</text>
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                <text>&lt;p&gt;The idea of &lt;em&gt;Beautiful Spaces&lt;/em&gt;&amp;nbsp;is to expose the myriad ways in which pieces of the historical record are connected across diverse contexts, at a variety of scales, and with a range of implications. To that end, the project uses three primary tools built into &lt;a title="Read about the digital platform on the Omeka website" href="http://dighist.fas.harvard.edu/projects/beautifulspaces/items/show/574" target="_blank"&gt;Omeka&lt;/a&gt; to organize material and&amp;nbsp;articulate forms of connectivity at Item level:&lt;/p&gt;&#13;
&lt;h3&gt;1. Item Types&lt;/h3&gt;&#13;
&lt;p&gt;Each Item within the site receives a "type" designation. The &lt;a title="read more about Dublin Core here" href="http://dublincore.org/documents/usageguide/elements.shtml" target="_blank"&gt;Dublin Core Metadata Initiative&lt;/a&gt; has a standard Item Type vocabulary. &lt;em&gt;Beautiful Spaces&lt;/em&gt; uses that vocabulary but extends outward from it as well with custom Types. The typology is as follows:&lt;/p&gt;&#13;
&lt;ul&gt;&#13;
&lt;li&gt;Abandoned Place&lt;/li&gt;&#13;
&lt;li&gt;Administrative Unit&lt;/li&gt;&#13;
&lt;li&gt;Annotation&lt;/li&gt;&#13;
&lt;li&gt;Antiquity&lt;/li&gt;&#13;
&lt;li&gt;Archival Record Group&lt;/li&gt;&#13;
&lt;li&gt;Contemporary Account&lt;/li&gt;&#13;
&lt;li&gt;Dacha Property&lt;/li&gt;&#13;
&lt;li&gt;Elite Residence&lt;/li&gt;&#13;
&lt;li&gt;Garden Location&lt;/li&gt;&#13;
&lt;li&gt;Geographical Feature&lt;/li&gt;&#13;
&lt;li&gt;Historical Map&lt;/li&gt;&#13;
&lt;li&gt;Member of the Crimean Tatar Elite&lt;/li&gt;&#13;
&lt;li&gt;Narration Fragment&lt;/li&gt;&#13;
&lt;li&gt;Original Map&lt;/li&gt;&#13;
&lt;li&gt;Person&lt;/li&gt;&#13;
&lt;li&gt;Repository&lt;/li&gt;&#13;
&lt;li&gt;Spatial Data&lt;/li&gt;&#13;
&lt;li&gt;Still Image&lt;/li&gt;&#13;
&lt;li&gt;Vineyard&lt;/li&gt;&#13;
&lt;/ul&gt;&#13;
&lt;p&gt;&lt;em&gt;What is accomplished by using Item Types?&lt;/em&gt;&lt;/p&gt;&#13;
&lt;ul&gt;&#13;
&lt;li&gt;Item Types establish hardwired links between Items of the same type, regardless of whether they derive from the same source or are used for the same purposes within the site.&amp;nbsp;&lt;/li&gt;&#13;
&lt;li&gt;Items of the same type share the same array of metadata elements. This means that whenever you find yourself looking at a "Still Image" you will find it accompanied by a standard set of metadata &amp;nbsp;&lt;/li&gt;&#13;
&lt;/ul&gt;&#13;
&lt;h3&gt;2. Item Relations&lt;/h3&gt;&#13;
&lt;p&gt;These describe one-to-one relationships. For this reason, an Item from a given Collection or of a given Item Type might relate to the rest of the project content in radically different ways than another Item of the same Type or Collection. Item Relations are the edges of the Beautiful Spaces network. They are displayed along with the rest of the Item-level metadata and are defined as follows:&lt;/p&gt;&#13;
&lt;ul&gt;&#13;
&lt;li&gt;[This Item] annotates [This Item]&lt;/li&gt;&#13;
&lt;li&gt;[This Item]&amp;nbsp;belongs to the same clan as&amp;nbsp;[This Item]&lt;/li&gt;&#13;
&lt;li&gt;[This Item]&amp;nbsp;is derived from&amp;nbsp;[This Item]&lt;/li&gt;&#13;
&lt;li&gt;[This Item]&amp;nbsp;owner of&amp;nbsp;[This Item]&lt;/li&gt;&#13;
&lt;li&gt;[This Item]&amp;nbsp;served with&amp;nbsp;[This Item]&lt;/li&gt;&#13;
&lt;li&gt;[This Item]&amp;nbsp;shares a common owner with&amp;nbsp;[This Item]&lt;/li&gt;&#13;
&lt;li&gt;[This Item]&amp;nbsp;visualizes&amp;nbsp;[This Item]&lt;/li&gt;&#13;
&lt;li&gt;[This Item] is an attestation of the same place as [This Item]&lt;/li&gt;&#13;
&lt;/ul&gt;&#13;
&lt;h3&gt;3. Tags&lt;/h3&gt;&#13;
&lt;p&gt;A set of non-hierarchical keywords can serve as an excellent topic map of project content. As you would expect, here the set is composed of thematic, chronological, geographical, and methodological tags that describe one or more Items. For the most part, you can think of the tags as a curated set of Item attributes.&amp;nbsp;They facilitate the identification of connections among groups of Items rather than one particular Item to another. Tags that highlight unique and/or isolated features are few and far between.&lt;/p&gt;</text>
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