22 10 510 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Essential Published Sources Text A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Collection of maps and drawings for the study of antiquities of Southern Russia and the Shores of the Black Sea Description An account of the resource The only known copy is held at the New York Public Library. The glorious illustrations were intended to accompany Uvarov's study, commissioned by the Imperial Archaeological Society in 1847. This volume is the basis for the <a title="go to the collection" href="http://dighist.fas.harvard.edu/projects/beautifulspaces/collections/show/19" target="_self">Uvarov's Antiquities</a> collection. Creator An entity primarily responsible for making the resource Aleksei Sergeevich Uvarov Date A point or period of time associated with an event in the lifecycle of the resource 1851 Format The file format, physical medium, or dimensions of the resource 69 plates : illustrations (some color), maps ; 71 cm Geographical feature manmade or natural Feature type settlement, monument, hydrographical feature, etc. fortress Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Chufut-Kale Description An account of the resource A Karaim fortress two miles east of Bakhchisaray, at the source of the Churuk-Su River. Peter Simon Pallas described it as "situated on a lofty calcareous promontory" and it seems unwise to attempt to improve upon that particular phrasing. In 1793 there were roughly 200 households and 1,200 inhabitants of both sexes (all Karaims). The enclosed town contained a synagogue as well as the famous mausoleum of the daughter of Tokhtamysh Khan. Source A related resource from which the described resource is derived Pallas, vol.2, page 36 Neatline Display Neatline Exhibit 9 Neatline Record 75 fortification Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Annotations Description An account of the resource Collections of the annotations used to reflect upon, expand upon, contextualize, link, or question the content of the site. Each annotation is linked to the material that inspired it via Item Relations. Identifier An unambiguous reference to the resource within a given context annotations Annotation notes on Items, Pages, etc. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Ruins repurposed Description An account of the resource On June 28, 1784 Potemkin ordered Governor Igelstrom to build a house for him in Akmechet using every salvageable bit of the pleasure palace of Aşlama (Я оный вашему попечению препоручаю, рекомендуя употребить для сего построения, все что можно из Ашламыа). Aşlama was the khan's residence outside Bahcesaray, built by Christian laborers at the order of Krym Giray Khan. (See ZOOID I, 377.) Potemkin also ordered the construction of a house in Karasubazar, in which Baron Igel'strom was to live. It was to be large, with a gallery and strong floors. It is to be built "in the Asian manner." Source A related resource from which the described resource is derived ZOOID 12: 301-302 Karasubazar ruin Simferopol Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Annotations Description An account of the resource Collections of the annotations used to reflect upon, expand upon, contextualize, link, or question the content of the site. Each annotation is linked to the material that inspired it via Item Relations. Identifier An unambiguous reference to the resource within a given context annotations Annotation notes on Items, Pages, etc. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The View from London Description An account of the resource At mid-century, a shilling bought you entrance to the French Exhibition Gallery on London's Pall-mall. There, in March 1856, you could take in the "Crimean Exhibition," which consisted of "authentic sketches, drawings, and pictures" of famous events such as the battle of Balaklava and of romantic landscapes such as those executed by Carlo Bossoli. [<a>The Times</a> (London, England), Thursday, Mar 20, 1856; pg. 1; Issue 22320.] https://s3.amazonaws.com/atg-prod-oaas-files/beautifulspaces/original/f8cf9638fa0b596df7f50569c157c40a.jpg 28d2b69900055d7f0007ee824f71e6b1 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Bossoli's Album Description An account of the resource The talents of Carlo Bossoli (1815-1884), a Swiss-born Italian artist who spent his youth in Odessa, attracted the attention of no less a figure than Count Mikhail Vorontsov, governor-general of New Russia and Bessarabia. Vorontsov commissed a series of views of Odessa, which Bossoli executed with success. Between 1840 and 1842 Bossoli lived on Vorontsov's estate at Alupka, using it as a base for exploring the peninsula in its entirety. He produced the album from which these watercolors are taken just as the Crimean War was breaking out in 1853. The timing was auspicious and Bossoli's publisher (Day & Son, lithographers to the Queen) was quite pleased with <a title="the view from London" href="/items/show/615" target="_blank" rel="noopener">the resulting buzz</a>. Bossoli's album is a rarity: no more than 500 copies were printed in 1856. The album consisted of 52 watercolors and pastels. The images shown here were digitized and graciously made available by the Gordon Library at Worcester Polytechnic Institute. They are available here for educational, non-commercial purposes only. Interestingly enough, a bilingual edition (Russian and English) was reproduced in Kiev in 2003. The publication was made possible by 1) the Republican Committee for the Protection of Cultural Heritage, Council of Ministers of the Autonomous Republic of Crimea, 2) the Ministry of Culture of the Autonomous Republic of Crimea, and 3) the vice-chairman of the Council of Ministers of the Autonomous Republic of Crimea. The editors of the 2003 volume had high hopes that Crimea "should become an integral historical-cultural and natural preserve and prosper in the unity of nations living on its land." From their perspective, Bossoli's paintings "show the Crimea as an infinitely beautiful, well-developed, and happy land..."  See for yourself.<hr /> Identifier An unambiguous reference to the resource within a given context bossoli-paintings Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 1 of 34 leaves of colored plates Physical Dimensions The actual physical size of the original image 56 cm Repository Gordon Library, Worcester Polytechnic Institute [<a href="http://gordonlibrary.wpi.edu/vwebv/holdingsInfo?bibId=6520" target="_blank">go to the record</a>] Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource A Tartar House in the Village of Alupka Description An account of the resource View of Tatar house in Alupka with Crimean mountains in the background. Tatars stand and sit in the foreground outside the house. Bossoli's note: "Such houses are generally constructed abutting a large rock, the side of which is used as a wall. The roof is flat, and upon it, when the weather is fair, the inhabitants commonly assemble, working or enjoying one another's society." Source A related resource from which the described resource is derived Carlo Bossoli, The beautiful scenery and chief places of interest throughout the Crimea from paintings (London: Day & Son, 1856) Creator An entity primarily responsible for making the resource Carlo Bossoli Date A point or period of time associated with an event in the lifecycle of the resource 1840-1844 Rights Information about rights held in and over the resource Image courtesy of Preservation, Curation and Archives, Gordon Library, Worcester Polytechnic Institute landscape lithograph mountains Tatar culture Tatar house https://s3.amazonaws.com/atg-prod-oaas-files/beautifulspaces/original/40b018677e8fe42b91855434ab5b39c7.jpg 3488c03d5de18d151a646d52bb112b4a Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Bossoli's Album Description An account of the resource The talents of Carlo Bossoli (1815-1884), a Swiss-born Italian artist who spent his youth in Odessa, attracted the attention of no less a figure than Count Mikhail Vorontsov, governor-general of New Russia and Bessarabia. Vorontsov commissed a series of views of Odessa, which Bossoli executed with success. Between 1840 and 1842 Bossoli lived on Vorontsov's estate at Alupka, using it as a base for exploring the peninsula in its entirety. He produced the album from which these watercolors are taken just as the Crimean War was breaking out in 1853. The timing was auspicious and Bossoli's publisher (Day & Son, lithographers to the Queen) was quite pleased with <a title="the view from London" href="/items/show/615" target="_blank" rel="noopener">the resulting buzz</a>. Bossoli's album is a rarity: no more than 500 copies were printed in 1856. The album consisted of 52 watercolors and pastels. The images shown here were digitized and graciously made available by the Gordon Library at Worcester Polytechnic Institute. They are available here for educational, non-commercial purposes only. Interestingly enough, a bilingual edition (Russian and English) was reproduced in Kiev in 2003. The publication was made possible by 1) the Republican Committee for the Protection of Cultural Heritage, Council of Ministers of the Autonomous Republic of Crimea, 2) the Ministry of Culture of the Autonomous Republic of Crimea, and 3) the vice-chairman of the Council of Ministers of the Autonomous Republic of Crimea. The editors of the 2003 volume had high hopes that Crimea "should become an integral historical-cultural and natural preserve and prosper in the unity of nations living on its land." From their perspective, Bossoli's paintings "show the Crimea as an infinitely beautiful, well-developed, and happy land..."  See for yourself.<hr /> Identifier An unambiguous reference to the resource within a given context bossoli-paintings Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 1 of 34 leaves of colored plates Physical Dimensions The actual physical size of the original image 56 cm Repository Gordon Library, Worcester Polytechnic Institute [<a href="http://gordonlibrary.wpi.edu/vwebv/holdingsInfo?bibId=6520" target="_blank">go to the record</a>] Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Interior of a Tartar House Description An account of the resource Interior view of a Tatar house. A Tatar family clusters close together around a glowing fire. Source A related resource from which the described resource is derived Carlo Bossoli, The beautiful scenery and chief places of interest throughout the Crimea from paintings (London: Day & Son, 1856) Creator An entity primarily responsible for making the resource Carlo Bossoli Date A point or period of time associated with an event in the lifecycle of the resource 1840-1844 Rights Information about rights held in and over the resource Image courtesy of Preservation, Curation and Archives, Gordon Library, Worcester Polytechnic Institute family lithograph Tatar culture Tatar house https://s3.amazonaws.com/atg-prod-oaas-files/beautifulspaces/original/e22f1b2d3c5058eb8ba2891bb270542a.jpg a48f953201fe3c1071cc6dd405472d1a Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Bossoli's Album Description An account of the resource The talents of Carlo Bossoli (1815-1884), a Swiss-born Italian artist who spent his youth in Odessa, attracted the attention of no less a figure than Count Mikhail Vorontsov, governor-general of New Russia and Bessarabia. Vorontsov commissed a series of views of Odessa, which Bossoli executed with success. Between 1840 and 1842 Bossoli lived on Vorontsov's estate at Alupka, using it as a base for exploring the peninsula in its entirety. He produced the album from which these watercolors are taken just as the Crimean War was breaking out in 1853. The timing was auspicious and Bossoli's publisher (Day & Son, lithographers to the Queen) was quite pleased with <a title="the view from London" href="/items/show/615" target="_blank" rel="noopener">the resulting buzz</a>. Bossoli's album is a rarity: no more than 500 copies were printed in 1856. The album consisted of 52 watercolors and pastels. The images shown here were digitized and graciously made available by the Gordon Library at Worcester Polytechnic Institute. They are available here for educational, non-commercial purposes only. Interestingly enough, a bilingual edition (Russian and English) was reproduced in Kiev in 2003. The publication was made possible by 1) the Republican Committee for the Protection of Cultural Heritage, Council of Ministers of the Autonomous Republic of Crimea, 2) the Ministry of Culture of the Autonomous Republic of Crimea, and 3) the vice-chairman of the Council of Ministers of the Autonomous Republic of Crimea. The editors of the 2003 volume had high hopes that Crimea "should become an integral historical-cultural and natural preserve and prosper in the unity of nations living on its land." From their perspective, Bossoli's paintings "show the Crimea as an infinitely beautiful, well-developed, and happy land..."  See for yourself.<hr /> Identifier An unambiguous reference to the resource within a given context bossoli-paintings Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 1 of 34 leaves of colored plates Physical Dimensions The actual physical size of the original image 56 cm Repository Gordon Library, Worcester Polytechnic Institute [<a href="http://gordonlibrary.wpi.edu/vwebv/holdingsInfo?bibId=6520" target="_blank">go to the record</a>] Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Tartar Children's School Description An account of the resource Interior view of a Tatar school. Crimean Tatar children of all ages cluster in groups listening to their teachers or reading. Books lie on low tables and on the floor. Source A related resource from which the described resource is derived Carlo Bossoli, The beautiful scenery and chief places of interest throughout the Crimea from paintings (London: Day & Son, 1856) Creator An entity primarily responsible for making the resource Carlo Bossoli Date A point or period of time associated with an event in the lifecycle of the resource 1840-1844 Rights Information about rights held in and over the resource Image courtesy of Preservation, Curation and Archives, Gordon Library, Worcester Polytechnic Institute education lithograph school Tatar culture https://s3.amazonaws.com/atg-prod-oaas-files/beautifulspaces/original/913821bfc964bc853c7b0737767f9daa.jpg 37affa2f1c80dcf2733a13f623e97d75 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Bossoli's Album Description An account of the resource The talents of Carlo Bossoli (1815-1884), a Swiss-born Italian artist who spent his youth in Odessa, attracted the attention of no less a figure than Count Mikhail Vorontsov, governor-general of New Russia and Bessarabia. Vorontsov commissed a series of views of Odessa, which Bossoli executed with success. Between 1840 and 1842 Bossoli lived on Vorontsov's estate at Alupka, using it as a base for exploring the peninsula in its entirety. He produced the album from which these watercolors are taken just as the Crimean War was breaking out in 1853. The timing was auspicious and Bossoli's publisher (Day & Son, lithographers to the Queen) was quite pleased with <a title="the view from London" href="/items/show/615" target="_blank" rel="noopener">the resulting buzz</a>. Bossoli's album is a rarity: no more than 500 copies were printed in 1856. The album consisted of 52 watercolors and pastels. The images shown here were digitized and graciously made available by the Gordon Library at Worcester Polytechnic Institute. They are available here for educational, non-commercial purposes only. Interestingly enough, a bilingual edition (Russian and English) was reproduced in Kiev in 2003. The publication was made possible by 1) the Republican Committee for the Protection of Cultural Heritage, Council of Ministers of the Autonomous Republic of Crimea, 2) the Ministry of Culture of the Autonomous Republic of Crimea, and 3) the vice-chairman of the Council of Ministers of the Autonomous Republic of Crimea. The editors of the 2003 volume had high hopes that Crimea "should become an integral historical-cultural and natural preserve and prosper in the unity of nations living on its land." From their perspective, Bossoli's paintings "show the Crimea as an infinitely beautiful, well-developed, and happy land..."  See for yourself.<hr /> Identifier An unambiguous reference to the resource within a given context bossoli-paintings Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 1 of 34 leaves of colored plates Physical Dimensions The actual physical size of the original image 56 cm Repository Gordon Library, Worcester Polytechnic Institute [<a href="http://gordonlibrary.wpi.edu/vwebv/holdingsInfo?bibId=6520" target="_blank">go to the record</a>] Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource "Tartars Travelling on the Plains" Description An account of the resource This image shows Crimean Tatars traveling on foot, on horseback, and in camel-driven wagons. Source A related resource from which the described resource is derived Carlo Bossoli, The beautiful scenery and chief places of interest throughout the Crimea from paintings (London: Day & Son, 1856) Creator An entity primarily responsible for making the resource Carlo Bossoli Date A point or period of time associated with an event in the lifecycle of the resource 1840-1844 Rights Information about rights held in and over the resource Image courtesy of Preservation, Curation and Archives, Gordon Library, Worcester Polytechnic Institute Neatline Display Neatline Exhibit 32 camels family lithograph travel weather women https://s3.amazonaws.com/atg-prod-oaas-files/beautifulspaces/original/9be3338f55cded84e9f01f082edb62c2.jpg b565b4477e0505078e163d8fefbd7496 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Bossoli's Album Description An account of the resource The talents of Carlo Bossoli (1815-1884), a Swiss-born Italian artist who spent his youth in Odessa, attracted the attention of no less a figure than Count Mikhail Vorontsov, governor-general of New Russia and Bessarabia. Vorontsov commissed a series of views of Odessa, which Bossoli executed with success. Between 1840 and 1842 Bossoli lived on Vorontsov's estate at Alupka, using it as a base for exploring the peninsula in its entirety. He produced the album from which these watercolors are taken just as the Crimean War was breaking out in 1853. The timing was auspicious and Bossoli's publisher (Day & Son, lithographers to the Queen) was quite pleased with <a title="the view from London" href="/items/show/615" target="_blank" rel="noopener">the resulting buzz</a>. Bossoli's album is a rarity: no more than 500 copies were printed in 1856. The album consisted of 52 watercolors and pastels. The images shown here were digitized and graciously made available by the Gordon Library at Worcester Polytechnic Institute. They are available here for educational, non-commercial purposes only. Interestingly enough, a bilingual edition (Russian and English) was reproduced in Kiev in 2003. The publication was made possible by 1) the Republican Committee for the Protection of Cultural Heritage, Council of Ministers of the Autonomous Republic of Crimea, 2) the Ministry of Culture of the Autonomous Republic of Crimea, and 3) the vice-chairman of the Council of Ministers of the Autonomous Republic of Crimea. The editors of the 2003 volume had high hopes that Crimea "should become an integral historical-cultural and natural preserve and prosper in the unity of nations living on its land." From their perspective, Bossoli's paintings "show the Crimea as an infinitely beautiful, well-developed, and happy land..."  See for yourself.<hr /> Identifier An unambiguous reference to the resource within a given context bossoli-paintings Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 1 of 34 leaves of colored plates Physical Dimensions The actual physical size of the original image 56 cm Repository Gordon Library, Worcester Polytechnic Institute [<a href="http://gordonlibrary.wpi.edu/vwebv/holdingsInfo?bibId=6520" target="_blank">go to the record</a>] Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource River Salgir Description An account of the resource View of the Salgir river, not far from "the village of Mahmud Sultan" according to Bossoli's notes. The Salgir river is the longest river in Crimea. Source A related resource from which the described resource is derived Carlo Bossoli, The beautiful scenery and chief places of interest throughout the Crimea from paintings (London: Day & Son, 1856) Creator An entity primarily responsible for making the resource Carlo Bossoli Date A point or period of time associated with an event in the lifecycle of the resource 1840-1844 Rights Information about rights held in and over the resource Image courtesy of Preservation, Curation and Archives, Gordon Library, Worcester Polytechnic Institute landscape lithograph mountains river Tatar culture https://s3.amazonaws.com/atg-prod-oaas-files/beautifulspaces/original/dc774175656c8df6b21b59a5a49972cc.jpg 946ba20ed28d0b17e8097abb2e80acdd Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Bossoli's Album Description An account of the resource The talents of Carlo Bossoli (1815-1884), a Swiss-born Italian artist who spent his youth in Odessa, attracted the attention of no less a figure than Count Mikhail Vorontsov, governor-general of New Russia and Bessarabia. Vorontsov commissed a series of views of Odessa, which Bossoli executed with success. Between 1840 and 1842 Bossoli lived on Vorontsov's estate at Alupka, using it as a base for exploring the peninsula in its entirety. He produced the album from which these watercolors are taken just as the Crimean War was breaking out in 1853. The timing was auspicious and Bossoli's publisher (Day & Son, lithographers to the Queen) was quite pleased with <a title="the view from London" href="/items/show/615" target="_blank" rel="noopener">the resulting buzz</a>. Bossoli's album is a rarity: no more than 500 copies were printed in 1856. The album consisted of 52 watercolors and pastels. The images shown here were digitized and graciously made available by the Gordon Library at Worcester Polytechnic Institute. They are available here for educational, non-commercial purposes only. Interestingly enough, a bilingual edition (Russian and English) was reproduced in Kiev in 2003. The publication was made possible by 1) the Republican Committee for the Protection of Cultural Heritage, Council of Ministers of the Autonomous Republic of Crimea, 2) the Ministry of Culture of the Autonomous Republic of Crimea, and 3) the vice-chairman of the Council of Ministers of the Autonomous Republic of Crimea. The editors of the 2003 volume had high hopes that Crimea "should become an integral historical-cultural and natural preserve and prosper in the unity of nations living on its land." From their perspective, Bossoli's paintings "show the Crimea as an infinitely beautiful, well-developed, and happy land..."  See for yourself.<hr /> Identifier An unambiguous reference to the resource within a given context bossoli-paintings Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 1 of 34 leaves of colored plates Physical Dimensions The actual physical size of the original image 56 cm Repository Gordon Library, Worcester Polytechnic Institute [<a href="http://gordonlibrary.wpi.edu/vwebv/holdingsInfo?bibId=6520" target="_blank">go to the record</a>] Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Valley of Kokos Description An account of the resource View of Valley of Kokos and surrounding mountains. Five Crimean Tatars stand and sit together on a knoll in the foreground. Source A related resource from which the described resource is derived Carlo Bossoli, The beautiful scenery and chief places of interest throughout the Crimea from paintings (London: Day & Son, 1856) Creator An entity primarily responsible for making the resource Carlo Bossoli Date A point or period of time associated with an event in the lifecycle of the resource 1840-1844 Rights Information about rights held in and over the resource Image courtesy of Preservation, Curation and Archives, Gordon Library, Worcester Polytechnic Institute Belbek River landscape lithograph mountains Tatar culture