25 10 510 https://s3.amazonaws.com/atg-prod-oaas-files/beautifulspaces/original/9fc3fd054cf25188ea7fb187e45adc30.jpg b9553605febefa5552f2f5ef5e46a859 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Demidov's Voyage Illustrations Description An account of the resource Illustrations from a volume held at the John Hay Library, Brown University Creator An entity primarily responsible for making the resource Anatole de Demidoff Source A related resource from which the described resource is derived Voyage dans la Russie Meridionale et la Crimee Identifier An unambiguous reference to the resource within a given context demidov-voyage Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Physical Dimensions The actual physical size of the original image 56 cm Repository John Hay Library, Brown University Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Tatars Praying at the Istrim Cami Description An account of the resource Crimean Tatar men pray inside the Istrim Cami mosque in Karasubazar. 19 October 1837 Source A related resource from which the described resource is derived Anatolii Demidov, Album du Voyage dans la Russie méridionale et la Crimée, par la Hongrie, La Valachie et la Moldavie>, ed. Ernest Bourdin (Paris, 1838) Creator An entity primarily responsible for making the resource Denis Auguste Marie Raffet Date A point or period of time associated with an event in the lifecycle of the resource 1837 Rights Information about rights held in and over the resource Image courtesy of the Anne S.K. Brown Military Collection, Brown University Library Islam lithograph mosque Tatar culture https://s3.amazonaws.com/atg-prod-oaas-files/beautifulspaces/original/4f092566be259c026a9ea10c7959f184.jpg f52ccba9ac6470e961fff3691033db12 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Demidov's Voyage Illustrations Description An account of the resource Illustrations from a volume held at the John Hay Library, Brown University Creator An entity primarily responsible for making the resource Anatole de Demidoff Source A related resource from which the described resource is derived Voyage dans la Russie Meridionale et la Crimee Identifier An unambiguous reference to the resource within a given context demidov-voyage Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Physical Dimensions The actual physical size of the original image 56 cm Repository John Hay Library, Brown University Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Tatar Family, Domestic Interior Description An account of the resource Interior view of a Tatar home near Kapsikhor. A large family is gathered around the father. Food and drink rest on the ground and on a low table. Small tapestries cover the floor. Plates, pitchers, and cloths are are displayed on a high shelf. 21 October 1837 Source A related resource from which the described resource is derived Anatolii Demidov, Album du Voyage dans la Russie méridionale et la Crimée, par la Hongrie, La Valachie et la Moldavie>, ed. Ernest Bourdin (Paris, 1838) Creator An entity primarily responsible for making the resource Denis Auguste Marie Raffet Date A point or period of time associated with an event in the lifecycle of the resource 1837 Rights Information about rights held in and over the resource Image courtesy of the Anne S.K. Brown Military Collection, Brown University Library domestic life lithograph Tatar culture Tatar house https://s3.amazonaws.com/atg-prod-oaas-files/beautifulspaces/original/16412f8369bcf7a4238879a0425df566.jpg b9553605febefa5552f2f5ef5e46a859 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Demidov's Voyage Illustrations Description An account of the resource Illustrations from a volume held at the John Hay Library, Brown University Creator An entity primarily responsible for making the resource Anatole de Demidoff Source A related resource from which the described resource is derived Voyage dans la Russie Meridionale et la Crimee Identifier An unambiguous reference to the resource within a given context demidov-voyage Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Physical Dimensions The actual physical size of the original image 56 cm Repository John Hay Library, Brown University Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource View of the Tatar Village of Alushta Description An account of the resource Panorama of Alushta on Crimea's southern coast. In the foreground, a shepherd herds goats with the help of a few dogs. Crimean mountains (the high peak is Demirdzhi) and the Black Sea, complete with a vessel with furled sails, can be seen in the background. 23 October 1837 Source A related resource from which the described resource is derived Anatolii Demidov, Album du Voyage dans la Russie méridionale et la Crimée, par la Hongrie, La Valachie et la Moldavie>, ed. Ernest Bourdin (Paris, 1838) Creator An entity primarily responsible for making the resource Denis Auguste Marie Raffet Date A point or period of time associated with an event in the lifecycle of the resource 1837 Rights Information about rights held in and over the resource Image courtesy of the Anne S.K. Brown Military Collection, Brown University Library landscape lithograph livestock mountains southern coast https://s3.amazonaws.com/atg-prod-oaas-files/beautifulspaces/original/fa31f4884765bc82eb6e472c832acfae.jpg c52d7fa23ee3921c3859c3a9d327ba4a Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Demidov's Voyage Illustrations Description An account of the resource Illustrations from a volume held at the John Hay Library, Brown University Creator An entity primarily responsible for making the resource Anatole de Demidoff Source A related resource from which the described resource is derived Voyage dans la Russie Meridionale et la Crimee Identifier An unambiguous reference to the resource within a given context demidov-voyage Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Physical Dimensions The actual physical size of the original image 56 cm Repository John Hay Library, Brown University Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Return from the Fountain Description An account of the resource Crimean Tatar women walk with jugs of water toward a house in the distance. A pregnant woman in the foreground wears a head covering; the younger women wear skullcaps (tiubeteikas) - all but the bareheaded women with a jug balanced on her right shoulder. All are barefoot but adorned with belts and embroidered garments. A second group of women remains at the fountain, deep in conversation. Derekoi (near Yalta); 26 October 1837 Source A related resource from which the described resource is derived Anatolii Demidov, Album du Voyage dans la Russie méridionale et la Crimée, par la Hongrie, La Valachie et la Moldavie>, ed. Ernest Bourdin (Paris, 1838) Creator An entity primarily responsible for making the resource Denis Auguste Marie Raffet Date A point or period of time associated with an event in the lifecycle of the resource 1837 Rights Information about rights held in and over the resource Image courtesy of the Anne S.K. Brown Military Collection, Brown University Library domestic life fountains landscape lithograph Tatar culture water women Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Portrait of Antiquity Description An account of the resource Crimea was (and still is) uniquely studded with fallen slabs, old foundations, ancient walls, gravestones, and mounds of earth that have grown incrementally over the years to cover the bones of past lives. On my first visit to Sevastopol a friend explained that every good rain dislodged chards of pottery, the occasional coin, and other sundry treasures. And sure enough, when we went trekking in the mountains above Laspi later that week - keeping a sharp eye out for wild boar - I found three small bits of pottery, the edges worn smooth but the greens and blues of their surfaces still vivid. My friend chuckled and dismissed them as insignificant - the pieces dated to the fourteenth or maybe fifteenth century, after all - but I savored the extraordinary feeling of that small weight in my palm, sun-warm and heavy with historical memory. In 1837 the Academy of Sciences in St. Petersburg published a remarkable study On the Antiquities of the Southern Coast of Crimea and the Tavridan Mountains. The book's author, Peter Keppen, spent 5 years living in Crimea while serving as assistant to the chief of silk production (shelkovodstvo). During that time he traveled almost obsessively, collecting material for his geographical and archaeological projects. In the dedication (addressed, of course, to Tsar Nicholas I), Keppen describes Crimea as "the most charming of all the countries prospering" under Romanov rule. His book lovingly documents the location, history, and status of inscribed stones, marble columns, churches, and tombstones, but the bulk of material details defensive towers and walls. Keppen saw Crimea - in antiquity - as a territory divided between a savage, predatory north and a luxuriously beautiful south hemmed in by the Tauride (or Tavridan) mountains on one side and the Black Sea on the other. The fortified line that separated one from the other was, to him, one of the two organizing features of Crimean space (or of its antique space anyway). The second feature was sedimentation. Keppen was acutely aware of the way in which the passage of time imprinted itself on the landscape. At one point he describes finding the remains of an ancient fortification with thick walls of "wild stone" on the heights of Ayudag. "And is it surprising?" Keppen asks. "One must remember that this place has not been inhabited since 1475. And since then the spring sun has warmed the mountain tops and new growth has sprung from the depths of the earth no fewer than 360 times. 360 times over autumn storms have torn the leaves from trees and ripped the grasses, each year creating a new layer to cover any traces of human existence!"(170) Keppen would tell you that to see Crimea, one had to dig.  This collection contains all of the sites (though not all of the individual stones!) discussed in On the Antiquities of the Southern Coast. It includes 4 mausoleums, 9 Greek churches, and 58 fortifications. Each and every one was a ruin even before Keppen laid eyes on it.  Related gallery: <a href="http://dighist.fas.harvard.edu/projects/beautifulspaces/collections/show/19" target="_self">Uvarov's Antiquities</a> Related narrations: <a href="http://dighist.fas.harvard.edu/projects/beautifulspaces/collections/show/37" target="_self">Among the Ruins</a> & <a href="http://dighist.fas.harvard.edu/projects/beautifulspaces/collections/show/40" target="_self">A Monumental Inscription </a>Related source map: <a href="http://dighist.fas.harvard.edu/projects/beautifulspaces/item/898" target="_blank">Keppen's Antiquities</a><hr /> Antiquity Building or item from the past. In most contexts, an antiquity belongs to the ancient, classical, or possibly medieval period. In Crimea and in the Russian south more broadly, archaeologists and collectors used the term to describe the material legacy of the ancient Greeks, Byzantines, Genoese, Karaims, Ottomans, and Crimean Tatars who inhabited the region prior to Russian conquest. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Beshui (Beshue, Beshev) Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant POINT(3790972.54005 5577806.56533) Source A related resource from which the described resource is derived Petr Keppen, O drevnostiakh IUzhnago Berega Kryma i Gor Tavricheskikh (Sankt Peterburg, 1837): 17-19. [<a href="https://books.google.com/books?id=-PAKAAAAIAAJ&lpg=PA51&ots=5dsqBqEsOO&dq=%D0%BE%20%D0%B4%D1%80%D0%B5%D0%B2%D0%BD%D0%BE%D1%81%D1%82%D1%8F%D1%85%20%D1%8E%D0%B6%D0%BD%D0%B0%D0%B3%D0%BE%20%D0%B1%D0%B5%D1%80%D0%B5%D0%B3%D0%B0&pg=PA18#v=twopage&q&f=true" target="_blank">go to the page</a>] Publisher An entity responsible for making the resource available The Stanford Library copy of Keppen's work was digitized by Google Books. Date A point or period of time associated with an event in the lifecycle of the resource 1837 Description An account of the resource Ruins of a Greek church Neatline Display Neatline Exhibit 10 Neatline Record 146 Greek church ruin Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Portrait of Antiquity Description An account of the resource Crimea was (and still is) uniquely studded with fallen slabs, old foundations, ancient walls, gravestones, and mounds of earth that have grown incrementally over the years to cover the bones of past lives. On my first visit to Sevastopol a friend explained that every good rain dislodged chards of pottery, the occasional coin, and other sundry treasures. And sure enough, when we went trekking in the mountains above Laspi later that week - keeping a sharp eye out for wild boar - I found three small bits of pottery, the edges worn smooth but the greens and blues of their surfaces still vivid. My friend chuckled and dismissed them as insignificant - the pieces dated to the fourteenth or maybe fifteenth century, after all - but I savored the extraordinary feeling of that small weight in my palm, sun-warm and heavy with historical memory. In 1837 the Academy of Sciences in St. Petersburg published a remarkable study On the Antiquities of the Southern Coast of Crimea and the Tavridan Mountains. The book's author, Peter Keppen, spent 5 years living in Crimea while serving as assistant to the chief of silk production (shelkovodstvo). During that time he traveled almost obsessively, collecting material for his geographical and archaeological projects. In the dedication (addressed, of course, to Tsar Nicholas I), Keppen describes Crimea as "the most charming of all the countries prospering" under Romanov rule. His book lovingly documents the location, history, and status of inscribed stones, marble columns, churches, and tombstones, but the bulk of material details defensive towers and walls. Keppen saw Crimea - in antiquity - as a territory divided between a savage, predatory north and a luxuriously beautiful south hemmed in by the Tauride (or Tavridan) mountains on one side and the Black Sea on the other. The fortified line that separated one from the other was, to him, one of the two organizing features of Crimean space (or of its antique space anyway). The second feature was sedimentation. Keppen was acutely aware of the way in which the passage of time imprinted itself on the landscape. At one point he describes finding the remains of an ancient fortification with thick walls of "wild stone" on the heights of Ayudag. "And is it surprising?" Keppen asks. "One must remember that this place has not been inhabited since 1475. And since then the spring sun has warmed the mountain tops and new growth has sprung from the depths of the earth no fewer than 360 times. 360 times over autumn storms have torn the leaves from trees and ripped the grasses, each year creating a new layer to cover any traces of human existence!"(170) Keppen would tell you that to see Crimea, one had to dig.  This collection contains all of the sites (though not all of the individual stones!) discussed in On the Antiquities of the Southern Coast. It includes 4 mausoleums, 9 Greek churches, and 58 fortifications. Each and every one was a ruin even before Keppen laid eyes on it.  Related gallery: <a href="http://dighist.fas.harvard.edu/projects/beautifulspaces/collections/show/19" target="_self">Uvarov's Antiquities</a> Related narrations: <a href="http://dighist.fas.harvard.edu/projects/beautifulspaces/collections/show/37" target="_self">Among the Ruins</a> & <a href="http://dighist.fas.harvard.edu/projects/beautifulspaces/collections/show/40" target="_self">A Monumental Inscription </a>Related source map: <a href="http://dighist.fas.harvard.edu/projects/beautifulspaces/item/898" target="_blank">Keppen's Antiquities</a><hr /> Antiquity Building or item from the past. In most contexts, an antiquity belongs to the ancient, classical, or possibly medieval period. In Crimea and in the Russian south more broadly, archaeologists and collectors used the term to describe the material legacy of the ancient Greeks, Byzantines, Genoese, Karaims, Ottomans, and Crimean Tatars who inhabited the region prior to Russian conquest. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Stilia Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant POINT(3794142.93237 5551613.80685) Source A related resource from which the described resource is derived Petr Keppen, O drevnostiakh IUzhnago Berega Kryma i Gor Tavricheskikh (Sankt Peterburg, 1837): 17-19. [<a href="https://books.google.com/books?id=-PAKAAAAIAAJ&lpg=PA51&ots=5dsqBqEsOO&dq=%D0%BE%20%D0%B4%D1%80%D0%B5%D0%B2%D0%BD%D0%BE%D1%81%D1%82%D1%8F%D1%85%20%D1%8E%D0%B6%D0%BD%D0%B0%D0%B3%D0%BE%20%D0%B1%D0%B5%D1%80%D0%B5%D0%B3%D0%B0&pg=PA18#v=twopage&q&f=true" target="_blank">go to the page</a>] Publisher An entity responsible for making the resource available The Stanford Library copy of Keppen's work was digitized by Google Books. Date A point or period of time associated with an event in the lifecycle of the resource 1837 Description An account of the resource Ruins of a Greek church. Keppen found an inscription on the slab above the door with far more recent provenance than the church itself. The Russian translation of the Greek runs as follows: Gervasij Ieromonakh Sumely, puteshestvie 1754; 176.; 1765. Gervasij, a hieromonk from the famous Sumela monastery near Trabzon, apparently visited Crimea on several occasions in the middle of the eighteenth century. Keppen surmised that he sought alms for his home monastery. Greek church ruin Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Portrait of Antiquity Description An account of the resource Crimea was (and still is) uniquely studded with fallen slabs, old foundations, ancient walls, gravestones, and mounds of earth that have grown incrementally over the years to cover the bones of past lives. On my first visit to Sevastopol a friend explained that every good rain dislodged chards of pottery, the occasional coin, and other sundry treasures. And sure enough, when we went trekking in the mountains above Laspi later that week - keeping a sharp eye out for wild boar - I found three small bits of pottery, the edges worn smooth but the greens and blues of their surfaces still vivid. My friend chuckled and dismissed them as insignificant - the pieces dated to the fourteenth or maybe fifteenth century, after all - but I savored the extraordinary feeling of that small weight in my palm, sun-warm and heavy with historical memory. In 1837 the Academy of Sciences in St. Petersburg published a remarkable study On the Antiquities of the Southern Coast of Crimea and the Tavridan Mountains. The book's author, Peter Keppen, spent 5 years living in Crimea while serving as assistant to the chief of silk production (shelkovodstvo). During that time he traveled almost obsessively, collecting material for his geographical and archaeological projects. In the dedication (addressed, of course, to Tsar Nicholas I), Keppen describes Crimea as "the most charming of all the countries prospering" under Romanov rule. His book lovingly documents the location, history, and status of inscribed stones, marble columns, churches, and tombstones, but the bulk of material details defensive towers and walls. Keppen saw Crimea - in antiquity - as a territory divided between a savage, predatory north and a luxuriously beautiful south hemmed in by the Tauride (or Tavridan) mountains on one side and the Black Sea on the other. The fortified line that separated one from the other was, to him, one of the two organizing features of Crimean space (or of its antique space anyway). The second feature was sedimentation. Keppen was acutely aware of the way in which the passage of time imprinted itself on the landscape. At one point he describes finding the remains of an ancient fortification with thick walls of "wild stone" on the heights of Ayudag. "And is it surprising?" Keppen asks. "One must remember that this place has not been inhabited since 1475. And since then the spring sun has warmed the mountain tops and new growth has sprung from the depths of the earth no fewer than 360 times. 360 times over autumn storms have torn the leaves from trees and ripped the grasses, each year creating a new layer to cover any traces of human existence!"(170) Keppen would tell you that to see Crimea, one had to dig.  This collection contains all of the sites (though not all of the individual stones!) discussed in On the Antiquities of the Southern Coast. It includes 4 mausoleums, 9 Greek churches, and 58 fortifications. Each and every one was a ruin even before Keppen laid eyes on it.  Related gallery: <a href="http://dighist.fas.harvard.edu/projects/beautifulspaces/collections/show/19" target="_self">Uvarov's Antiquities</a> Related narrations: <a href="http://dighist.fas.harvard.edu/projects/beautifulspaces/collections/show/37" target="_self">Among the Ruins</a> & <a href="http://dighist.fas.harvard.edu/projects/beautifulspaces/collections/show/40" target="_self">A Monumental Inscription </a>Related source map: <a href="http://dighist.fas.harvard.edu/projects/beautifulspaces/item/898" target="_blank">Keppen's Antiquities</a><hr /> Antiquity Building or item from the past. In most contexts, an antiquity belongs to the ancient, classical, or possibly medieval period. In Crimea and in the Russian south more broadly, archaeologists and collectors used the term to describe the material legacy of the ancient Greeks, Byzantines, Genoese, Karaims, Ottomans, and Crimean Tatars who inhabited the region prior to Russian conquest. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Ulusala Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant POINT(3783695.47366 5558418.7571) Source A related resource from which the described resource is derived Petr Keppen, O drevnostiakh IUzhnago Berega Kryma i Gor Tavricheskikh (Sankt Peterburg, 1837): 17-19. [<a href="https://books.google.com/books?id=-PAKAAAAIAAJ&lpg=PA51&ots=5dsqBqEsOO&dq=%D0%BE%20%D0%B4%D1%80%D0%B5%D0%B2%D0%BD%D0%BE%D1%81%D1%82%D1%8F%D1%85%20%D1%8E%D0%B6%D0%BD%D0%B0%D0%B3%D0%BE%20%D0%B1%D0%B5%D1%80%D0%B5%D0%B3%D0%B0&pg=PA18#v=twopage&q&f=true" target="_blank">go to the page</a>] Publisher An entity responsible for making the resource available The Stanford Library copy of Keppen's work was digitized by Google Books. Date A point or period of time associated with an event in the lifecycle of the resource 1837 Description An account of the resource Ruins of a Greek church Neatline Display Neatline Exhibit 36 Neatline Record 217 Greek church ruin Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Portrait of Antiquity Description An account of the resource Crimea was (and still is) uniquely studded with fallen slabs, old foundations, ancient walls, gravestones, and mounds of earth that have grown incrementally over the years to cover the bones of past lives. On my first visit to Sevastopol a friend explained that every good rain dislodged chards of pottery, the occasional coin, and other sundry treasures. And sure enough, when we went trekking in the mountains above Laspi later that week - keeping a sharp eye out for wild boar - I found three small bits of pottery, the edges worn smooth but the greens and blues of their surfaces still vivid. My friend chuckled and dismissed them as insignificant - the pieces dated to the fourteenth or maybe fifteenth century, after all - but I savored the extraordinary feeling of that small weight in my palm, sun-warm and heavy with historical memory. In 1837 the Academy of Sciences in St. Petersburg published a remarkable study On the Antiquities of the Southern Coast of Crimea and the Tavridan Mountains. The book's author, Peter Keppen, spent 5 years living in Crimea while serving as assistant to the chief of silk production (shelkovodstvo). During that time he traveled almost obsessively, collecting material for his geographical and archaeological projects. In the dedication (addressed, of course, to Tsar Nicholas I), Keppen describes Crimea as "the most charming of all the countries prospering" under Romanov rule. His book lovingly documents the location, history, and status of inscribed stones, marble columns, churches, and tombstones, but the bulk of material details defensive towers and walls. Keppen saw Crimea - in antiquity - as a territory divided between a savage, predatory north and a luxuriously beautiful south hemmed in by the Tauride (or Tavridan) mountains on one side and the Black Sea on the other. The fortified line that separated one from the other was, to him, one of the two organizing features of Crimean space (or of its antique space anyway). The second feature was sedimentation. Keppen was acutely aware of the way in which the passage of time imprinted itself on the landscape. At one point he describes finding the remains of an ancient fortification with thick walls of "wild stone" on the heights of Ayudag. "And is it surprising?" Keppen asks. "One must remember that this place has not been inhabited since 1475. And since then the spring sun has warmed the mountain tops and new growth has sprung from the depths of the earth no fewer than 360 times. 360 times over autumn storms have torn the leaves from trees and ripped the grasses, each year creating a new layer to cover any traces of human existence!"(170) Keppen would tell you that to see Crimea, one had to dig.  This collection contains all of the sites (though not all of the individual stones!) discussed in On the Antiquities of the Southern Coast. It includes 4 mausoleums, 9 Greek churches, and 58 fortifications. Each and every one was a ruin even before Keppen laid eyes on it.  Related gallery: <a href="http://dighist.fas.harvard.edu/projects/beautifulspaces/collections/show/19" target="_self">Uvarov's Antiquities</a> Related narrations: <a href="http://dighist.fas.harvard.edu/projects/beautifulspaces/collections/show/37" target="_self">Among the Ruins</a> & <a href="http://dighist.fas.harvard.edu/projects/beautifulspaces/collections/show/40" target="_self">A Monumental Inscription </a>Related source map: <a href="http://dighist.fas.harvard.edu/projects/beautifulspaces/item/898" target="_blank">Keppen's Antiquities</a><hr /> Antiquity Building or item from the past. In most contexts, an antiquity belongs to the ancient, classical, or possibly medieval period. In Crimea and in the Russian south more broadly, archaeologists and collectors used the term to describe the material legacy of the ancient Greeks, Byzantines, Genoese, Karaims, Ottomans, and Crimean Tatars who inhabited the region prior to Russian conquest. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Biasala Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant POINT(3779343.28693 5562367.92846) Source A related resource from which the described resource is derived Petr Keppen, O drevnostiakh IUzhnago Berega Kryma i Gor Tavricheskikh (Sankt Peterburg, 1837): 17-19. [<a href="https://books.google.com/books?id=-PAKAAAAIAAJ&lpg=PA51&ots=5dsqBqEsOO&dq=%D0%BE%20%D0%B4%D1%80%D0%B5%D0%B2%D0%BD%D0%BE%D1%81%D1%82%D1%8F%D1%85%20%D1%8E%D0%B6%D0%BD%D0%B0%D0%B3%D0%BE%20%D0%B1%D0%B5%D1%80%D0%B5%D0%B3%D0%B0&pg=PA18#v=twopage&q&f=true" target="_blank">go to the page</a>] Publisher An entity responsible for making the resource available The Stanford Library copy of Keppen's work was digitized by Google Books. Date A point or period of time associated with an event in the lifecycle of the resource 1837 Description An account of the resource Ruins of a Greek church. The only example of an angular (rather than semispherical) altar identified by Keppen. Greek church ruin Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Portrait of Antiquity Description An account of the resource Crimea was (and still is) uniquely studded with fallen slabs, old foundations, ancient walls, gravestones, and mounds of earth that have grown incrementally over the years to cover the bones of past lives. On my first visit to Sevastopol a friend explained that every good rain dislodged chards of pottery, the occasional coin, and other sundry treasures. And sure enough, when we went trekking in the mountains above Laspi later that week - keeping a sharp eye out for wild boar - I found three small bits of pottery, the edges worn smooth but the greens and blues of their surfaces still vivid. My friend chuckled and dismissed them as insignificant - the pieces dated to the fourteenth or maybe fifteenth century, after all - but I savored the extraordinary feeling of that small weight in my palm, sun-warm and heavy with historical memory. In 1837 the Academy of Sciences in St. Petersburg published a remarkable study On the Antiquities of the Southern Coast of Crimea and the Tavridan Mountains. The book's author, Peter Keppen, spent 5 years living in Crimea while serving as assistant to the chief of silk production (shelkovodstvo). During that time he traveled almost obsessively, collecting material for his geographical and archaeological projects. In the dedication (addressed, of course, to Tsar Nicholas I), Keppen describes Crimea as "the most charming of all the countries prospering" under Romanov rule. His book lovingly documents the location, history, and status of inscribed stones, marble columns, churches, and tombstones, but the bulk of material details defensive towers and walls. Keppen saw Crimea - in antiquity - as a territory divided between a savage, predatory north and a luxuriously beautiful south hemmed in by the Tauride (or Tavridan) mountains on one side and the Black Sea on the other. The fortified line that separated one from the other was, to him, one of the two organizing features of Crimean space (or of its antique space anyway). The second feature was sedimentation. Keppen was acutely aware of the way in which the passage of time imprinted itself on the landscape. At one point he describes finding the remains of an ancient fortification with thick walls of "wild stone" on the heights of Ayudag. "And is it surprising?" Keppen asks. "One must remember that this place has not been inhabited since 1475. And since then the spring sun has warmed the mountain tops and new growth has sprung from the depths of the earth no fewer than 360 times. 360 times over autumn storms have torn the leaves from trees and ripped the grasses, each year creating a new layer to cover any traces of human existence!"(170) Keppen would tell you that to see Crimea, one had to dig.  This collection contains all of the sites (though not all of the individual stones!) discussed in On the Antiquities of the Southern Coast. It includes 4 mausoleums, 9 Greek churches, and 58 fortifications. Each and every one was a ruin even before Keppen laid eyes on it.  Related gallery: <a href="http://dighist.fas.harvard.edu/projects/beautifulspaces/collections/show/19" target="_self">Uvarov's Antiquities</a> Related narrations: <a href="http://dighist.fas.harvard.edu/projects/beautifulspaces/collections/show/37" target="_self">Among the Ruins</a> & <a href="http://dighist.fas.harvard.edu/projects/beautifulspaces/collections/show/40" target="_self">A Monumental Inscription </a>Related source map: <a href="http://dighist.fas.harvard.edu/projects/beautifulspaces/item/898" target="_blank">Keppen's Antiquities</a><hr /> Antiquity Building or item from the past. In most contexts, an antiquity belongs to the ancient, classical, or possibly medieval period. In Crimea and in the Russian south more broadly, archaeologists and collectors used the term to describe the material legacy of the ancient Greeks, Byzantines, Genoese, Karaims, Ottomans, and Crimean Tatars who inhabited the region prior to Russian conquest. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Buyuk Lambat Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant POINT(3823703.02186 5553442.692) Source A related resource from which the described resource is derived Petr Keppen, O drevnostiakh IUzhnago Berega Kryma i Gor Tavricheskikh (Sankt Peterburg, 1837): 17-19. [<a href="https://books.google.com/books?id=-PAKAAAAIAAJ&lpg=PA51&ots=5dsqBqEsOO&dq=%D0%BE%20%D0%B4%D1%80%D0%B5%D0%B2%D0%BD%D0%BE%D1%81%D1%82%D1%8F%D1%85%20%D1%8E%D0%B6%D0%BD%D0%B0%D0%B3%D0%BE%20%D0%B1%D0%B5%D1%80%D0%B5%D0%B3%D0%B0&pg=PA18#v=twopage&q&f=true" target="_blank">go to the page</a>] Publisher An entity responsible for making the resource available The Stanford Library copy of Keppen's work was digitized by Google Books. Date A point or period of time associated with an event in the lifecycle of the resource 1837 Description An account of the resource Ruins of a Greek church Greek church ruin Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Portrait of Antiquity Description An account of the resource Crimea was (and still is) uniquely studded with fallen slabs, old foundations, ancient walls, gravestones, and mounds of earth that have grown incrementally over the years to cover the bones of past lives. On my first visit to Sevastopol a friend explained that every good rain dislodged chards of pottery, the occasional coin, and other sundry treasures. And sure enough, when we went trekking in the mountains above Laspi later that week - keeping a sharp eye out for wild boar - I found three small bits of pottery, the edges worn smooth but the greens and blues of their surfaces still vivid. My friend chuckled and dismissed them as insignificant - the pieces dated to the fourteenth or maybe fifteenth century, after all - but I savored the extraordinary feeling of that small weight in my palm, sun-warm and heavy with historical memory. In 1837 the Academy of Sciences in St. Petersburg published a remarkable study On the Antiquities of the Southern Coast of Crimea and the Tavridan Mountains. The book's author, Peter Keppen, spent 5 years living in Crimea while serving as assistant to the chief of silk production (shelkovodstvo). During that time he traveled almost obsessively, collecting material for his geographical and archaeological projects. In the dedication (addressed, of course, to Tsar Nicholas I), Keppen describes Crimea as "the most charming of all the countries prospering" under Romanov rule. His book lovingly documents the location, history, and status of inscribed stones, marble columns, churches, and tombstones, but the bulk of material details defensive towers and walls. Keppen saw Crimea - in antiquity - as a territory divided between a savage, predatory north and a luxuriously beautiful south hemmed in by the Tauride (or Tavridan) mountains on one side and the Black Sea on the other. The fortified line that separated one from the other was, to him, one of the two organizing features of Crimean space (or of its antique space anyway). The second feature was sedimentation. Keppen was acutely aware of the way in which the passage of time imprinted itself on the landscape. At one point he describes finding the remains of an ancient fortification with thick walls of "wild stone" on the heights of Ayudag. "And is it surprising?" Keppen asks. "One must remember that this place has not been inhabited since 1475. And since then the spring sun has warmed the mountain tops and new growth has sprung from the depths of the earth no fewer than 360 times. 360 times over autumn storms have torn the leaves from trees and ripped the grasses, each year creating a new layer to cover any traces of human existence!"(170) Keppen would tell you that to see Crimea, one had to dig.  This collection contains all of the sites (though not all of the individual stones!) discussed in On the Antiquities of the Southern Coast. It includes 4 mausoleums, 9 Greek churches, and 58 fortifications. Each and every one was a ruin even before Keppen laid eyes on it.  Related gallery: <a href="http://dighist.fas.harvard.edu/projects/beautifulspaces/collections/show/19" target="_self">Uvarov's Antiquities</a> Related narrations: <a href="http://dighist.fas.harvard.edu/projects/beautifulspaces/collections/show/37" target="_self">Among the Ruins</a> & <a href="http://dighist.fas.harvard.edu/projects/beautifulspaces/collections/show/40" target="_self">A Monumental Inscription </a>Related source map: <a href="http://dighist.fas.harvard.edu/projects/beautifulspaces/item/898" target="_blank">Keppen's Antiquities</a><hr /> Antiquity Building or item from the past. In most contexts, an antiquity belongs to the ancient, classical, or possibly medieval period. In Crimea and in the Russian south more broadly, archaeologists and collectors used the term to describe the material legacy of the ancient Greeks, Byzantines, Genoese, Karaims, Ottomans, and Crimean Tatars who inhabited the region prior to Russian conquest. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Ulu Uzen Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant POINT(3832173.46395 5582346.27258) Source A related resource from which the described resource is derived Petr Keppen, O drevnostiakh IUzhnago Berega Kryma i Gor Tavricheskikh (Sankt Peterburg, 1837): 17-19. [<a href="https://books.google.com/books?id=-PAKAAAAIAAJ&lpg=PA51&ots=5dsqBqEsOO&dq=%D0%BE%20%D0%B4%D1%80%D0%B5%D0%B2%D0%BD%D0%BE%D1%81%D1%82%D1%8F%D1%85%20%D1%8E%D0%B6%D0%BD%D0%B0%D0%B3%D0%BE%20%D0%B1%D0%B5%D1%80%D0%B5%D0%B3%D0%B0&pg=PA18#v=twopage&q&f=true" target="_blank">go to the page</a>] Publisher An entity responsible for making the resource available The Stanford Library copy of Keppen's work was digitized by Google Books. Date A point or period of time associated with an event in the lifecycle of the resource 1837 Description An account of the resource Ruins of a Greek church Greek church ruin