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                <text>Reign of Mengli Giray Khan</text>
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                <text>1467-01-01 / 1474-01-01</text>
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                  <text>Archival Core</text>
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                  <text>The &lt;em&gt;fondy&lt;/em&gt;&amp;nbsp;and &lt;em&gt;delo&lt;/em&gt; from which the documentary core of the project are drawn. The archival materials were accessed over the course of a series of visits to Russia and Ukraine between 2003 and 2011.</text>
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              <text>State Archive of the Autonomous Republic of Crimea</text>
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              <text>Fond 799, opis' 1, delo 350</text>
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            <description>A name given to the resource</description>
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                <text>Reports "on the composition of the lands and gardens of Tavrida Province held as quitrent properties"</text>
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                <text>State Archive of the Autonomous Republic of Crimea fond 799, opis' 1, delo 350</text>
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            <description>An account of the resource</description>
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                <text>The reports were compiled by the provincial government (such as it was) between 1791 and 1794. There are nine reports in the delo, running 123 &lt;em&gt;listy&lt;/em&gt; (146 pages):&lt;br /&gt;&lt;ol&gt;&#13;
&lt;li&gt;Report on state fruit gardens and vineyards at Ai-Dere, with notes on previous owners&lt;/li&gt;&#13;
&lt;li&gt;Description of state gardens located in the &lt;strong&gt;Kutly valley&lt;/strong&gt; showing the number of desiatinas or square sazhens as well as the number of fruit trees and grape vines&lt;/li&gt;&#13;
&lt;li&gt;Description of state gardens located in the &lt;strong&gt;Kozy valley&lt;/strong&gt; showing the number of desiatinas or square sazhens as well as the number of fruit trees and grape vines&lt;/li&gt;&#13;
&lt;li&gt;Description of state gardens located in the &lt;strong&gt;Sudak valley&lt;/strong&gt; showing the number of desiatinas or square sazhens as well as the number of fruit trees and grape vines&lt;/li&gt;&#13;
&lt;li&gt;Description of state gardens located in the &lt;strong&gt;Otuz valley&lt;/strong&gt; showing the number of desiatinas or square sazhens as well as the number of fruit trees and grape vine&lt;/li&gt;&#13;
&lt;li&gt;Report on state fruit gardens and vineyards on the Tavridan Black Sea coast&lt;/li&gt;&#13;
&lt;li&gt;Report on the fitness of state properties in &lt;strong&gt;Feodosiia district&lt;/strong&gt; consisting of gardens, meadows, and mills in various villages left behind by Christian immigrants to Russia and by Tatars who fled abroad, all of which were leased to Kart Seit Chelebi, a third-guild merchant of Simferopol'&lt;/li&gt;&#13;
&lt;li&gt;Report on the fitness of state properties in &lt;strong&gt;Perekop district&lt;/strong&gt; consisting of gardens, meadows, and mills in various villages left behind by Christian immigrants to Russia and by Tatars who fled abroad, all of which were leased to Kart Seit Chelebi, a third-guild merchant of Simferopol'&lt;/li&gt;&#13;
&lt;li&gt;Report on the fitness of state properties in &lt;strong&gt;Evpatoriia district&lt;/strong&gt;&amp;nbsp;consisting of gardens, meadows, and mills in various villages left behind by Christian immigrants to Russia and by Tatars who fled abroad, all of which were leased to Kart Seit Chelebi, a third-guild merchant of Simferopol'&lt;/li&gt;&#13;
&lt;li&gt;Report on the fitness of state properties in &lt;strong&gt;Simferopol' district&lt;/strong&gt; consisting of gardens, meadows, and mills in various villages left behind by Christian immigrants to Russia and by Tatars who fled abroad, all of which were leased to Kart Seit Chelebi, a third-guild merchant of Simferopol'&lt;/li&gt;&#13;
&lt;li&gt;Report on state gardens and vineyards located along the Belbek, Kacha, and Alma rivers&lt;/li&gt;&#13;
&lt;/ol&gt;</text>
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                <text>1791-1794</text>
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                  <text>Demidov's Voyage Illustrations</text>
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              <description>An account of the resource</description>
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                  <text>Illustrations from a volume held at the John Hay Library, Brown University</text>
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                  <text>Anatole de Demidoff</text>
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              <description>A related resource from which the described resource is derived</description>
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                  <text>Voyage dans la Russie Meridionale et la Crimee</text>
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          <name>Physical Dimensions</name>
          <description>The actual physical size of the original image</description>
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              <text>56 cm</text>
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              <text>John Hay Library, Brown University</text>
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                <text>Return from the Fountain</text>
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                <text>Crimean Tatar women walk with jugs of water toward a house in the distance. A pregnant woman in the foreground wears a head covering; the younger women wear skullcaps (tiubeteikas) - all but the bareheaded women with a jug balanced on her right shoulder. All are barefoot but adorned with belts and embroidered garments. &lt;br /&gt;&lt;br /&gt;A second group of women remains at the fountain, deep in conversation.&lt;br /&gt;&lt;br /&gt;Derekoi (near Yalta);&amp;nbsp;26 October 1837</text>
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                <text>Anatolii Demidov, &lt;em&gt;Album du Voyage dans la Russie méridionale et la Crimée, par la Hongrie, La Valachie et la Moldavie&amp;gt;, ed. Ernest Bourdin (Paris, 1838)&lt;/em&gt;</text>
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                <text>Denis Auguste Marie Raffet</text>
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                <text>1837</text>
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                <text>Image courtesy of the Anne S.K. Brown Military Collection, Brown University Library</text>
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                  <text>The &lt;em&gt;fondy&lt;/em&gt;&amp;nbsp;and &lt;em&gt;delo&lt;/em&gt; from which the documentary core of the project are drawn. The archival materials were accessed over the course of a series of visits to Russia and Ukraine between 2003 and 2011.</text>
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      <description>Russian state archives are organized into fondy (фонды), or record groups. Record groups are then organized into one or more inventories (opisi, описи). Each fond, inventory, and document within the inventory, is assigned an identification code.</description>
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              <text>Russian State Historical Archive</text>
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                <text>RGIA f. 1343, op. 51: Heraldry Department of the Imperial Senate</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
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                <text>&lt;em&gt;Rodoslovnye knigi&lt;/em&gt; (noble registers) and inventories of individuals included in the &lt;em&gt;dvorianstvo&lt;/em&gt; (nobility), 1683-1917</text>
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                <text>Heraldry Department of the Imperial Senate</text>
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                <text>1683-1917</text>
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            <element elementId="50">
              <name>Title</name>
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                  <text>Bossoli's Album</text>
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                  <text>The talents of Carlo Bossoli (1815-1884), a Swiss-born Italian artist who spent his youth in Odessa, attracted the attention of no less a figure than Count Mikhail Vorontsov, governor-general of New Russia and Bessarabia. Vorontsov commissed a series of views of Odessa, which Bossoli executed with success. Between 1840 and 1842 Bossoli lived on Vorontsov's estate at Alupka, using it as a base for exploring the peninsula in its entirety. He produced the album from which these watercolors are taken just as the Crimean War was breaking out in 1853. The timing was auspicious and Bossoli's publisher (Day &amp;amp; Son, lithographers to the Queen) was quite pleased with &lt;a title="the view from London" href="/items/show/615" target="_blank" rel="noopener"&gt;the resulting buzz&lt;/a&gt;.&lt;br /&gt;&lt;br /&gt;&lt;span&gt;Bossoli's album is a rarity: no more than 500 copies were printed in 1856. The album consisted of 52 watercolors and pastels. The images shown here were digitized and graciously made available by the &lt;strong&gt;Gordon Library at Worcester Polytechnic Institute&lt;/strong&gt;. They are available here for educational, non-commercial purposes only.&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Interestingly enough, a bilingual edition (Russian and English) was &lt;strong&gt;reproduced in Kiev in 2003&lt;/strong&gt;. The publication was made possible by 1) the Republican Committee for the Protection of Cultural Heritage, Council of Ministers of the Autonomous Republic of Crimea, 2) the Ministry of Culture of&amp;nbsp;the Autonomous Republic of Crimea, and 3) the vice-chairman of the Council of Ministers of&amp;nbsp;the Autonomous Republic of Crimea.&lt;br /&gt;&lt;br /&gt;The editors of the 2003 volume had high hopes that Crimea "should become an integral historical-cultural and natural preserve and prosper in the unity of nations living on its land." From their perspective, Bossoli's paintings "show the Crimea as an infinitely beautiful, well-developed, and happy land..."&amp;nbsp;&lt;br /&gt;&lt;br /&gt;See for yourself.&lt;hr /&gt;</text>
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              <description>An unambiguous reference to the resource within a given context</description>
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                  <text>bossoli-paintings</text>
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      <name>Still Image</name>
      <description>A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials.</description>
      <elementContainer>
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          <name>Original Format</name>
          <description>The type of object, such as painting, sculpture, paper, photo, and additional data</description>
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            <elementText elementTextId="3225">
              <text>1 of 34 leaves of colored plates</text>
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          <name>Physical Dimensions</name>
          <description>The actual physical size of the original image</description>
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              <text>56 cm</text>
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              <text>Gordon Library, Worcester Polytechnic Institute [&lt;a href="http://gordonlibrary.wpi.edu/vwebv/holdingsInfo?bibId=6520" target="_blank"&gt;go to the record&lt;/a&gt;]</text>
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            <description>A name given to the resource</description>
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                <text>River Salgir</text>
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            <name>Description</name>
            <description>An account of the resource</description>
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                <text>View of the Salgir river, not far from "the village of Mahmud Sultan" according to Bossoli's notes. The Salgir river is the longest river in Crimea. </text>
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            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
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              <elementText elementTextId="3221">
                <text>Carlo Bossoli,&amp;nbsp;&lt;em&gt;The beautiful scenery and chief places of interest throughout the Crimea from paintings&amp;nbsp;&lt;/em&gt;(London: Day &amp;amp; Son, 1856)</text>
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            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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              <elementText elementTextId="3222">
                <text>Carlo Bossoli</text>
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            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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              <elementText elementTextId="3223">
                <text>1840-1844</text>
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            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="3224">
                <text>Image courtesy of Preservation, Curation and Archives, Gordon Library, Worcester Polytechnic Institute</text>
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                  <text>&lt;p&gt;This collection contains six images from the volume published by &lt;a href="/items/show/567" target="_self"&gt;Count A. S. Uvarov&lt;/a&gt; under the title&lt;a href="http://digitalcollections.nypl.org/collections/sobranie-kart-i-risunkov-k-izledovaniam-o-drevnostiakh-iuzhnoi-rossii-i-beregov#/?tab=about"&gt;&lt;img style="float: right;" src="http://images.nypl.org/index.php?id=1507200&amp;amp;t=w" alt="" height="300" /&gt;&lt;/a&gt; &lt;em&gt;&lt;a title="go to the Item" href="/items/show/585" target="_self"&gt;Collection of maps and drawings for the study of the antiquities of Southern Russia and the Shores of the Black Sea&lt;/a&gt;&lt;/em&gt;.&lt;/p&gt;&#13;
&lt;p&gt;In part, this was the illustrated companion to Uvarov's &lt;a title="bibliographic citation" href="https://www.zotero.org/groups/beautiful_spaces/items/itemKey/CFKJ3VJZ" target="_blank" rel="noopener"&gt;&lt;em&gt;Recherches sur les antiquités de la Russie méridionale et des côtes de la mer Noire&lt;/em&gt;&lt;/a&gt;&amp;nbsp;- the written result of the expedition commissioned in 1847. Uvarov's charge came from Maximilian, Duke of Leuchtenberg, President of the Imperial Academy of Arts and of the newly-established (1846) &lt;a title="read about the history of archaeological societies in Russia described in the Brokhaus-Efron Encyclopedia" href="https://ru.wikisource.org/wiki/%D0%AD%D0%A1%D0%91%D0%95/%D0%90%D1%80%D1%85%D0%B5%D0%BE%D0%BB%D0%BE%D0%B3%D0%B8%D1%87%D0%B5%D1%81%D0%BA%D0%B8%D0%B5_%D0%BE%D0%B1%D1%89%D0%B5%D1%81%D1%82%D0%B2%D0%B0_%D0%B2_%D0%A0%D0%BE%D1%81%D1%81%D0%B8%D0%B8" target="_blank" rel="noopener"&gt;Imperial Archaeological Society&lt;/a&gt;. He was to conduct research at any and all sites "mentioned by the ancient writers" from the mouth of the Danube to the mouth of the Phasis (Rioni) in Georgia, and to pay attention to the disposition of burial mounds throughout the region.&lt;/p&gt;&#13;
&lt;p&gt;Points 4 though 10 of the expedition instruction are an excellent thumbnail sketch of the significance of the Black Sea littoral from the vantage point of mid-19th century archaeologists (and their patrons):&lt;/p&gt;&#13;
&lt;blockquote&gt;&lt;em&gt;4. To determine the elevation of ancient places for which there are no good plans;&lt;br /&gt;5. To study the remains and ruins to be found in the Crimean interior, notably along the Salgir, Belbek, and Mangush rivers;&lt;br /&gt;6. Apart from antiquities of the classical period, to make inquiries into the antiquities of all time periods, including those of the Scythians, Byzantines, Tatars, Genoese, and Russians;&lt;br /&gt;7. To collect all the ancient inscriptions, known or unknown, making copies or imprints of them;&lt;br /&gt;8. To verify [Paul] DuBrux's claims about Nymphaea (Kara Bouroum);&lt;br /&gt;9. To visit the museums at Nikolaief, Theodosie, and Odessa, and the antiquities found at the church at Taman;&lt;br /&gt;10. Sepulchres of several Scythian kings are said to exist along the north coast of the Putrid Sea: to see whether these claims have any foundation...&lt;/em&gt;&lt;a title="bibliographic citation" href="https://www.zotero.org/groups/beautiful_spaces/items/itemKey/CFKJ3VJZ" target="_blank" rel="noopener"&gt;&lt;br /&gt;&lt;/a&gt;&lt;/blockquote&gt;&#13;
&lt;p&gt;Uvarov did not fulfill the instruction. At least, not in print. His &lt;em&gt;Recherches&lt;/em&gt;, published in 1855,&lt;em&gt;&amp;nbsp;&lt;/em&gt;opens with allusions to extenuating circumstances but also to his decision to exercise discretion, before going on to describe the course of the Dnepr from the famous rapids to Nicopolis (chapter 1), and Olbia and the mouth of the Bug River (chapter 2). Uvarov spent a good deal of time on excavations in Tavrida province in 1853-1854, but the geogrpahical spread of the maps and views included in the volume of illustrations, which was published four years earlier, suggests that Uvarov had in fact made his way through the entire littoral as it was mapped out for him in the expedition instruction. &lt;br /&gt;&lt;br /&gt;Perhaps, when it came down to it, he simply preferred digging to writing.&lt;/p&gt;&#13;
&lt;span style="text-decoration: underline;"&gt;Contents of the 1851 &lt;em&gt;Collection&lt;/em&gt;:&lt;/span&gt;&lt;br /&gt;Dnepr River: 4 views, 1 map, 1 illustration of artifacts&lt;br /&gt;Ol'viia: 3 views, 2 maps, 11 illustrations&lt;br /&gt;Berezan: 1 map&lt;br /&gt;Koblevka:1 view, 1 map&lt;br /&gt;Odessa: 1 map&lt;br /&gt;Lusdorf: 1 map&lt;br /&gt;Dnestr (near Malakhovaia) 1 map&lt;br /&gt;Akkerman: 2 views, 1 illustration&lt;br /&gt;Ochakov:&amp;nbsp;1 illustration&lt;br /&gt;Kiliia: 1 illustration&lt;br /&gt;Kartal: 2 views,&amp;nbsp;1 map&amp;nbsp;&lt;br /&gt;Simferopol: 2 views&amp;nbsp;&lt;br /&gt;Bakla Kaia: 1&amp;nbsp;view&lt;br /&gt;Bakhchisarai:&amp;nbsp;2 views&lt;br /&gt;Chufut-Kale: 1&amp;nbsp;view, 1 illustration&lt;br /&gt;Tepekermen: 1 view&lt;br /&gt;Siuiren &amp;amp; Cherkes-Kermen:&amp;nbsp;1 illustration&lt;br /&gt;Mangup: 5 views, 2&amp;nbsp;illustrations&lt;br /&gt;Cherkes-Kermen: 3 views&lt;br /&gt;Khersones: 1 map,&amp;nbsp;2&amp;nbsp;illustrations&lt;br /&gt;Ai-Todor: 1 view&lt;br /&gt;Balaklava: 1 map&lt;br /&gt;Limena-Kale: 1 view&lt;br /&gt;Gurzuf: 1 view&lt;br /&gt;Eski-Krym: 2 views&lt;br /&gt;Temriuk: 1 view, 1 map&lt;br /&gt;Stantsiia Sennaia: 1 view&lt;br /&gt;Aftanizovka: 1 view&lt;br /&gt;Titarovka: 1 view&lt;br /&gt;&lt;br /&gt;Credit for the production of the illustrations goes not to Uvarov, but to the artist who travelled with him, M. Vebel'. The lithography is by François Joseph Dupressoir.&amp;nbsp;V. Darleng printed the images.&amp;nbsp;&lt;br /&gt;&lt;br /&gt;&lt;hr /&gt;</text>
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                <text>Aleksei Sergeevich Uvarov,&amp;nbsp;&lt;em&gt;Sobranie kart i risunkov k izledovaniam o drevnostiakh IUzhnnoi Rossii i beregov CHernago Moria&amp;nbsp;&lt;/em&gt;(1851)</text>
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                  <text>&lt;p&gt;This collection contains six images from the volume published by &lt;a href="/items/show/567" target="_self"&gt;Count A. S. Uvarov&lt;/a&gt; under the title&lt;a href="http://digitalcollections.nypl.org/collections/sobranie-kart-i-risunkov-k-izledovaniam-o-drevnostiakh-iuzhnoi-rossii-i-beregov#/?tab=about"&gt;&lt;img style="float: right;" src="http://images.nypl.org/index.php?id=1507200&amp;amp;t=w" alt="" height="300" /&gt;&lt;/a&gt; &lt;em&gt;&lt;a title="go to the Item" href="/items/show/585" target="_self"&gt;Collection of maps and drawings for the study of the antiquities of Southern Russia and the Shores of the Black Sea&lt;/a&gt;&lt;/em&gt;.&lt;/p&gt;&#13;
&lt;p&gt;In part, this was the illustrated companion to Uvarov's &lt;a title="bibliographic citation" href="https://www.zotero.org/groups/beautiful_spaces/items/itemKey/CFKJ3VJZ" target="_blank" rel="noopener"&gt;&lt;em&gt;Recherches sur les antiquités de la Russie méridionale et des côtes de la mer Noire&lt;/em&gt;&lt;/a&gt;&amp;nbsp;- the written result of the expedition commissioned in 1847. Uvarov's charge came from Maximilian, Duke of Leuchtenberg, President of the Imperial Academy of Arts and of the newly-established (1846) &lt;a title="read about the history of archaeological societies in Russia described in the Brokhaus-Efron Encyclopedia" href="https://ru.wikisource.org/wiki/%D0%AD%D0%A1%D0%91%D0%95/%D0%90%D1%80%D1%85%D0%B5%D0%BE%D0%BB%D0%BE%D0%B3%D0%B8%D1%87%D0%B5%D1%81%D0%BA%D0%B8%D0%B5_%D0%BE%D0%B1%D1%89%D0%B5%D1%81%D1%82%D0%B2%D0%B0_%D0%B2_%D0%A0%D0%BE%D1%81%D1%81%D0%B8%D0%B8" target="_blank" rel="noopener"&gt;Imperial Archaeological Society&lt;/a&gt;. He was to conduct research at any and all sites "mentioned by the ancient writers" from the mouth of the Danube to the mouth of the Phasis (Rioni) in Georgia, and to pay attention to the disposition of burial mounds throughout the region.&lt;/p&gt;&#13;
&lt;p&gt;Points 4 though 10 of the expedition instruction are an excellent thumbnail sketch of the significance of the Black Sea littoral from the vantage point of mid-19th century archaeologists (and their patrons):&lt;/p&gt;&#13;
&lt;blockquote&gt;&lt;em&gt;4. To determine the elevation of ancient places for which there are no good plans;&lt;br /&gt;5. To study the remains and ruins to be found in the Crimean interior, notably along the Salgir, Belbek, and Mangush rivers;&lt;br /&gt;6. Apart from antiquities of the classical period, to make inquiries into the antiquities of all time periods, including those of the Scythians, Byzantines, Tatars, Genoese, and Russians;&lt;br /&gt;7. To collect all the ancient inscriptions, known or unknown, making copies or imprints of them;&lt;br /&gt;8. To verify [Paul] DuBrux's claims about Nymphaea (Kara Bouroum);&lt;br /&gt;9. To visit the museums at Nikolaief, Theodosie, and Odessa, and the antiquities found at the church at Taman;&lt;br /&gt;10. Sepulchres of several Scythian kings are said to exist along the north coast of the Putrid Sea: to see whether these claims have any foundation...&lt;/em&gt;&lt;a title="bibliographic citation" href="https://www.zotero.org/groups/beautiful_spaces/items/itemKey/CFKJ3VJZ" target="_blank" rel="noopener"&gt;&lt;br /&gt;&lt;/a&gt;&lt;/blockquote&gt;&#13;
&lt;p&gt;Uvarov did not fulfill the instruction. At least, not in print. His &lt;em&gt;Recherches&lt;/em&gt;, published in 1855,&lt;em&gt;&amp;nbsp;&lt;/em&gt;opens with allusions to extenuating circumstances but also to his decision to exercise discretion, before going on to describe the course of the Dnepr from the famous rapids to Nicopolis (chapter 1), and Olbia and the mouth of the Bug River (chapter 2). Uvarov spent a good deal of time on excavations in Tavrida province in 1853-1854, but the geogrpahical spread of the maps and views included in the volume of illustrations, which was published four years earlier, suggests that Uvarov had in fact made his way through the entire littoral as it was mapped out for him in the expedition instruction. &lt;br /&gt;&lt;br /&gt;Perhaps, when it came down to it, he simply preferred digging to writing.&lt;/p&gt;&#13;
&lt;span style="text-decoration: underline;"&gt;Contents of the 1851 &lt;em&gt;Collection&lt;/em&gt;:&lt;/span&gt;&lt;br /&gt;Dnepr River: 4 views, 1 map, 1 illustration of artifacts&lt;br /&gt;Ol'viia: 3 views, 2 maps, 11 illustrations&lt;br /&gt;Berezan: 1 map&lt;br /&gt;Koblevka:1 view, 1 map&lt;br /&gt;Odessa: 1 map&lt;br /&gt;Lusdorf: 1 map&lt;br /&gt;Dnestr (near Malakhovaia) 1 map&lt;br /&gt;Akkerman: 2 views, 1 illustration&lt;br /&gt;Ochakov:&amp;nbsp;1 illustration&lt;br /&gt;Kiliia: 1 illustration&lt;br /&gt;Kartal: 2 views,&amp;nbsp;1 map&amp;nbsp;&lt;br /&gt;Simferopol: 2 views&amp;nbsp;&lt;br /&gt;Bakla Kaia: 1&amp;nbsp;view&lt;br /&gt;Bakhchisarai:&amp;nbsp;2 views&lt;br /&gt;Chufut-Kale: 1&amp;nbsp;view, 1 illustration&lt;br /&gt;Tepekermen: 1 view&lt;br /&gt;Siuiren &amp;amp; Cherkes-Kermen:&amp;nbsp;1 illustration&lt;br /&gt;Mangup: 5 views, 2&amp;nbsp;illustrations&lt;br /&gt;Cherkes-Kermen: 3 views&lt;br /&gt;Khersones: 1 map,&amp;nbsp;2&amp;nbsp;illustrations&lt;br /&gt;Ai-Todor: 1 view&lt;br /&gt;Balaklava: 1 map&lt;br /&gt;Limena-Kale: 1 view&lt;br /&gt;Gurzuf: 1 view&lt;br /&gt;Eski-Krym: 2 views&lt;br /&gt;Temriuk: 1 view, 1 map&lt;br /&gt;Stantsiia Sennaia: 1 view&lt;br /&gt;Aftanizovka: 1 view&lt;br /&gt;Titarovka: 1 view&lt;br /&gt;&lt;br /&gt;Credit for the production of the illustrations goes not to Uvarov, but to the artist who travelled with him, M. Vebel'. The lithography is by François Joseph Dupressoir.&amp;nbsp;V. Darleng printed the images.&amp;nbsp;&lt;br /&gt;&lt;br /&gt;&lt;hr /&gt;</text>
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                <text>Aleksei Sergeevich Uvarov,&amp;nbsp;&lt;em&gt;Sobranie kart i risunkov k izledovaniam o drevnostiakh IUzhnnoi Rossii i beregov CHernago Moria&amp;nbsp;&lt;/em&gt;(1851)</text>
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                <text>Chromolithograph of a mosque built by Sultan Baybars (d. 1277) of Egypt. Baybars, one of the great Mamluk sultans, was likely a Kipchak Turk born in the Pontic steppe. He maintained close diplomatic ties with the Kipchak Khanate (also known as the Golden Horde), which controlled Crimea from the late thirteenth century to the mid fifteenth century, and commissioned the building of this mosque in Solhat (as Eski Krym was then known).&lt;br /&gt;&lt;a href="http://dighist.fas.harvard.edu/projects/beautifulspaces/neatline/fullscreen/the-mosque-of-sultan-baybars" target="_blank"&gt;Go to the annotated image.&lt;/a&gt;</text>
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        <name>burial site</name>
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        <name>gravestones</name>
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        <name>Islam</name>
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        <name>lithograph</name>
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      <tag tagId="73">
        <name>mosque</name>
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        <name>ruin</name>
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      <tag tagId="67">
        <name>Tatar culture</name>
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              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Annotations</text>
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              <name>Description</name>
              <description>An account of the resource</description>
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                  <text>Collections of the annotations used to reflect upon, expand upon, contextualize, link, or question the content of the site. Each annotation is linked to the material that inspired it via Item Relations.</text>
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              <name>Identifier</name>
              <description>An unambiguous reference to the resource within a given context</description>
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                  <text>annotations</text>
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      <name>Annotation</name>
      <description>notes on Items, Pages, etc.</description>
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        <name>Dublin Core</name>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Ruins repurposed</text>
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                <text>On June 28, 1784 Potemkin ordered Governor Igelstrom to build a house for him in Akmechet using every salvageable bit of the pleasure palace of Aşlama (Я оный вашему попечению препоручаю, рекомендуя употребить для сего построения, все что можно из Ашламыа). &lt;br /&gt;&lt;br /&gt;Aşlama was the khan's residence outside Bahcesaray, built by Christian laborers at the order of Krym Giray Khan. (See ZOOID I, 377.) &lt;br /&gt;&lt;br /&gt;Potemkin also ordered the construction of a house in Karasubazar, in which Baron Igel'strom was to live. It was to be large, with a gallery and strong floors. It is to be built "in the Asian manner."</text>
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            <description>A related resource from which the described resource is derived</description>
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                <text>ZOOID 12: 301-302</text>
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        <name>Karasubazar</name>
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        <name>ruin</name>
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        <name>Simferopol</name>
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  <item itemId="1069" public="1" featured="0">
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          <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Portrait of Antiquity</text>
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              <description>An account of the resource</description>
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                  <text>Crimea was (and still is) uniquely studded with fallen slabs, old foundations, ancient walls, gravestones, and mounds of earth that have grown incrementally over the years to cover the bones of past lives. On my first visit to Sevastopol a friend explained that every good rain dislodged chards of pottery, the occasional coin, and other sundry treasures. And sure enough, when we went trekking in the mountains above Laspi later that week - keeping a sharp eye out for wild boar - I found three small bits of pottery, the edges worn smooth but the greens and blues of their surfaces still vivid. My friend chuckled and dismissed them as insignificant - the pieces dated to the fourteenth or maybe fifteenth century, after all - but I savored the extraordinary feeling of that small weight in my palm, sun-warm and heavy with historical memory.&lt;br /&gt;&lt;br /&gt;In 1837 the Academy of Sciences in St. Petersburg published a remarkable study&amp;nbsp;&lt;em&gt;On the Antiquities of the Southern Coast of Crimea and the Tavridan Mountains&lt;/em&gt;. The book's author,&amp;nbsp;Peter Keppen, spent 5 years living in Crimea while serving as assistant to the chief of silk production (shelkovodstvo). During that time he traveled almost obsessively, collecting material for his geographical and archaeological projects.&lt;br /&gt;&lt;br /&gt;In the dedication (addressed, of course, to Tsar Nicholas I), Keppen describes Crimea as "the most charming of all the countries prospering" under Romanov rule. His book lovingly documents the location, history, and status of inscribed stones, marble columns, churches, and tombstones, but the bulk of material details defensive towers and walls. Keppen saw Crimea - in antiquity - as a territory divided between a savage, predatory north and a luxuriously beautiful south hemmed in by the Tauride (or Tavridan) mountains on one side and the Black Sea on the other. The fortified line that separated one from the other was, to him, one of the two organizing features of Crimean space (or of its antique space anyway).&lt;br /&gt;&lt;br /&gt;The second feature was sedimentation. Keppen was acutely aware of the way in which the passage of time imprinted itself on the landscape. At one point he describes finding the remains of an ancient fortification with thick walls of "wild stone" on the heights of Ayudag. "And is it surprising?" Keppen asks. "One must remember that this place has not been inhabited since 1475. And since then the spring sun has warmed the mountain tops and new growth has sprung from the depths of the earth no fewer than 360 times. 360 times over autumn storms have torn the leaves from trees and ripped the grasses, each year creating a new layer to cover any traces of human existence!"(170)&lt;br /&gt;&lt;br /&gt;Keppen would tell you that to see Crimea, one had to dig.&amp;nbsp;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;This collection contains all of the sites (though not all of the individual stones!) discussed in &lt;em&gt;On the Antiquities of the Southern Coast&lt;/em&gt;. &lt;/strong&gt;It includes 4 mausoleums, 9 Greek churches, and 58 fortifications. Each and every one was a ruin even before Keppen laid eyes on it.&amp;nbsp;&lt;br /&gt;&lt;strong&gt;&lt;br /&gt;Related gallery: &lt;/strong&gt;&lt;a href="http://dighist.fas.harvard.edu/projects/beautifulspaces/collections/show/19" target="_self"&gt;Uvarov's Antiquities&lt;/a&gt;&lt;strong&gt;&lt;br /&gt;Related narrations&lt;/strong&gt;: &lt;a href="http://dighist.fas.harvard.edu/projects/beautifulspaces/collections/show/37" target="_self"&gt;Among the Ruins&lt;/a&gt; &amp;amp; &lt;a href="http://dighist.fas.harvard.edu/projects/beautifulspaces/collections/show/40" target="_self"&gt;A Monumental Inscription&lt;br /&gt;&lt;/a&gt;&lt;strong&gt;Related source map&lt;/strong&gt;: &lt;a href="http://dighist.fas.harvard.edu/projects/beautifulspaces/item/898" target="_blank"&gt;Keppen's Antiquities&lt;/a&gt;&lt;hr /&gt;</text>
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      <name>Antiquity</name>
      <description>Building or item from the past. In most contexts, an antiquity belongs to the ancient, classical, or possibly medieval period. In Crimea and in the Russian south more broadly, archaeologists and collectors used the term to describe the material legacy of the ancient Greeks, Byzantines, Genoese, Karaims, Ottomans, and Crimean Tatars who inhabited the region prior to Russian conquest. </description>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="5558">
                <text>Ruskofil Kale</text>
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            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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                <text>Petr Keppen</text>
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                <text>Petr Keppen, &lt;em&gt;O drevnostiakh IUzhnago Berega Kryma i Gor Tavricheskikh&lt;/em&gt; (Sankt Peterburg, 1837)</text>
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                <text>1837</text>
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            <description>An account of the resource</description>
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                <text>Keppen's Tatar companions told him that this was the site (on the Nikita mys) of a monastery. Keppen approached from the state garden to the east and immediately saw the remains of a wall and further down the cave known as Khale Khoba (Kale Koba), 10 sazhens above the water line. Interested, Keppen consulted "old and new" plans of Nikita dacha, both of which named the ruin Ruskofil Kale. Keppen conjectures that the key to the whereabouts of the lost site of Fulla, mentioned in church sources as having been incorporated into the diocese of Sudak in the 12th century, was here, embedded in the name Ruskofil/Ruskoful. The site also bears the name Kastropulo. (178-179)</text>
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              <elementText elementTextId="5563">
                <text>The Stanford Library copy of Keppen's work was digitized by Google Books.</text>
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      <tag tagId="231">
        <name>cartographic evidence</name>
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        <name>cave</name>
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        <name>church</name>
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        <name>fortification</name>
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      <name>Event</name>
      <description>A non-persistent, time-based occurrence. Metadata for an event provides descriptive information that is the basis for discovery of the purpose, location, duration, and responsible agents associated with an event. Examples include an exhibition, webcast, conference, workshop, open day, performance, battle, trial, wedding, tea party, conflagration.</description>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Russia annexes the Crimean Khanate</text>
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                <text>On April 8, 1783, Empress Catherine II announced the annexation of the Khanate of Crimea to the Russian Empire</text>
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            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                <text>1783-04-08</text>
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