4
10
510
-
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f52ccba9ac6470e961fff3691033db12
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Demidov's Voyage Illustrations
Description
An account of the resource
Illustrations from a volume held at the John Hay Library, Brown University
Creator
An entity primarily responsible for making the resource
Anatole de Demidoff
Source
A related resource from which the described resource is derived
Voyage dans la Russie Meridionale et la Crimee
Identifier
An unambiguous reference to the resource within a given context
demidov-voyage
Still Image
A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials.
Physical Dimensions
The actual physical size of the original image
56 cm
Repository
John Hay Library, Brown University
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Tatar Family, Domestic Interior
Description
An account of the resource
Interior view of a Tatar home near Kapsikhor. A large family is gathered around the father. Food and drink rest on the ground and on a low table. Small tapestries cover the floor. Plates, pitchers, and cloths are are displayed on a high shelf.
21 October 1837
Source
A related resource from which the described resource is derived
Anatolii Demidov, <em>Album du Voyage dans la Russie méridionale et la Crimée, par la Hongrie, La Valachie et la Moldavie>, ed. Ernest Bourdin (Paris, 1838)</em>
Creator
An entity primarily responsible for making the resource
Denis Auguste Marie Raffet
Date
A point or period of time associated with an event in the lifecycle of the resource
1837
Rights
Information about rights held in and over the resource
Image courtesy of the Anne S.K. Brown Military Collection, Brown University Library
domestic life
lithograph
Tatar culture
Tatar house
-
https://s3.amazonaws.com/atg-prod-oaas-files/beautifulspaces/original/16412f8369bcf7a4238879a0425df566.jpg
b9553605febefa5552f2f5ef5e46a859
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Demidov's Voyage Illustrations
Description
An account of the resource
Illustrations from a volume held at the John Hay Library, Brown University
Creator
An entity primarily responsible for making the resource
Anatole de Demidoff
Source
A related resource from which the described resource is derived
Voyage dans la Russie Meridionale et la Crimee
Identifier
An unambiguous reference to the resource within a given context
demidov-voyage
Still Image
A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials.
Physical Dimensions
The actual physical size of the original image
56 cm
Repository
John Hay Library, Brown University
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
View of the Tatar Village of Alushta
Description
An account of the resource
Panorama of Alushta on Crimea's southern coast. In the foreground, a shepherd herds goats with the help of a few dogs. Crimean mountains (the high peak is Demirdzhi) and the Black Sea, complete with a vessel with furled sails, can be seen in the background.
23 October 1837
Source
A related resource from which the described resource is derived
Anatolii Demidov, <em>Album du Voyage dans la Russie méridionale et la Crimée, par la Hongrie, La Valachie et la Moldavie>, ed. Ernest Bourdin (Paris, 1838)</em>
Creator
An entity primarily responsible for making the resource
Denis Auguste Marie Raffet
Date
A point or period of time associated with an event in the lifecycle of the resource
1837
Rights
Information about rights held in and over the resource
Image courtesy of the Anne S.K. Brown Military Collection, Brown University Library
landscape
lithograph
livestock
mountains
southern coast
-
https://s3.amazonaws.com/atg-prod-oaas-files/beautifulspaces/original/fa31f4884765bc82eb6e472c832acfae.jpg
c52d7fa23ee3921c3859c3a9d327ba4a
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Demidov's Voyage Illustrations
Description
An account of the resource
Illustrations from a volume held at the John Hay Library, Brown University
Creator
An entity primarily responsible for making the resource
Anatole de Demidoff
Source
A related resource from which the described resource is derived
Voyage dans la Russie Meridionale et la Crimee
Identifier
An unambiguous reference to the resource within a given context
demidov-voyage
Still Image
A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials.
Physical Dimensions
The actual physical size of the original image
56 cm
Repository
John Hay Library, Brown University
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Return from the Fountain
Description
An account of the resource
Crimean Tatar women walk with jugs of water toward a house in the distance. A pregnant woman in the foreground wears a head covering; the younger women wear skullcaps (tiubeteikas) - all but the bareheaded women with a jug balanced on her right shoulder. All are barefoot but adorned with belts and embroidered garments. <br /><br />A second group of women remains at the fountain, deep in conversation.<br /><br />Derekoi (near Yalta); 26 October 1837
Source
A related resource from which the described resource is derived
Anatolii Demidov, <em>Album du Voyage dans la Russie méridionale et la Crimée, par la Hongrie, La Valachie et la Moldavie>, ed. Ernest Bourdin (Paris, 1838)</em>
Creator
An entity primarily responsible for making the resource
Denis Auguste Marie Raffet
Date
A point or period of time associated with an event in the lifecycle of the resource
1837
Rights
Information about rights held in and over the resource
Image courtesy of the Anne S.K. Brown Military Collection, Brown University Library
domestic life
fountains
landscape
lithograph
Tatar culture
water
women
-
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96099cf7a9ab2bd6d523dec6a4cec4d2
https://s3.amazonaws.com/atg-prod-oaas-files/beautifulspaces/original/9b0726cacca687d4d950f48d0091b548.png
9f5f4c284058dbf1dbd268a877fdd58c
https://s3.amazonaws.com/atg-prod-oaas-files/beautifulspaces/original/cb18af7c10132e38a03a9474a42095bd.jpg
7e3ad62240b32ba0fe1060101aaaceb1
https://s3.amazonaws.com/atg-prod-oaas-files/beautifulspaces/original/2250a8ab8ebfbe86a2ef52af29ab81cb.jpg
6dc1865fa2dcfa7cd0fe15eeb92879f1
https://s3.amazonaws.com/atg-prod-oaas-files/beautifulspaces/original/8ba1cb36f227e4b559bf817ea08643bb.JPG
0445ec3fa2809737239ad0fea6ce8374
https://s3.amazonaws.com/atg-prod-oaas-files/beautifulspaces/original/319d78565c443daa40423323fc808a02.png
f1872694841151c564736e24f9034597
https://s3.amazonaws.com/atg-prod-oaas-files/beautifulspaces/original/b16233c0aa8b980f9e70fa3d51e49666.png
d70fd4a095c9120a41e86ec12064aa8b
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Uvarov's Antiquities
Description
An account of the resource
<p>This collection contains six images from the volume published by <a href="/items/show/567" target="_self">Count A. S. Uvarov</a> under the title<a href="http://digitalcollections.nypl.org/collections/sobranie-kart-i-risunkov-k-izledovaniam-o-drevnostiakh-iuzhnoi-rossii-i-beregov#/?tab=about"><img style="float: right;" src="http://images.nypl.org/index.php?id=1507200&t=w" alt="" height="300" /></a> <em><a title="go to the Item" href="/items/show/585" target="_self">Collection of maps and drawings for the study of the antiquities of Southern Russia and the Shores of the Black Sea</a></em>.</p>
<p>In part, this was the illustrated companion to Uvarov's <a title="bibliographic citation" href="https://www.zotero.org/groups/beautiful_spaces/items/itemKey/CFKJ3VJZ" target="_blank" rel="noopener"><em>Recherches sur les antiquités de la Russie méridionale et des côtes de la mer Noire</em></a> - the written result of the expedition commissioned in 1847. Uvarov's charge came from Maximilian, Duke of Leuchtenberg, President of the Imperial Academy of Arts and of the newly-established (1846) <a title="read about the history of archaeological societies in Russia described in the Brokhaus-Efron Encyclopedia" href="https://ru.wikisource.org/wiki/%D0%AD%D0%A1%D0%91%D0%95/%D0%90%D1%80%D1%85%D0%B5%D0%BE%D0%BB%D0%BE%D0%B3%D0%B8%D1%87%D0%B5%D1%81%D0%BA%D0%B8%D0%B5_%D0%BE%D0%B1%D1%89%D0%B5%D1%81%D1%82%D0%B2%D0%B0_%D0%B2_%D0%A0%D0%BE%D1%81%D1%81%D0%B8%D0%B8" target="_blank" rel="noopener">Imperial Archaeological Society</a>. He was to conduct research at any and all sites "mentioned by the ancient writers" from the mouth of the Danube to the mouth of the Phasis (Rioni) in Georgia, and to pay attention to the disposition of burial mounds throughout the region.</p>
<p>Points 4 though 10 of the expedition instruction are an excellent thumbnail sketch of the significance of the Black Sea littoral from the vantage point of mid-19th century archaeologists (and their patrons):</p>
<blockquote><em>4. To determine the elevation of ancient places for which there are no good plans;<br />5. To study the remains and ruins to be found in the Crimean interior, notably along the Salgir, Belbek, and Mangush rivers;<br />6. Apart from antiquities of the classical period, to make inquiries into the antiquities of all time periods, including those of the Scythians, Byzantines, Tatars, Genoese, and Russians;<br />7. To collect all the ancient inscriptions, known or unknown, making copies or imprints of them;<br />8. To verify [Paul] DuBrux's claims about Nymphaea (Kara Bouroum);<br />9. To visit the museums at Nikolaief, Theodosie, and Odessa, and the antiquities found at the church at Taman;<br />10. Sepulchres of several Scythian kings are said to exist along the north coast of the Putrid Sea: to see whether these claims have any foundation...</em><a title="bibliographic citation" href="https://www.zotero.org/groups/beautiful_spaces/items/itemKey/CFKJ3VJZ" target="_blank" rel="noopener"><br /></a></blockquote>
<p>Uvarov did not fulfill the instruction. At least, not in print. His <em>Recherches</em>, published in 1855,<em> </em>opens with allusions to extenuating circumstances but also to his decision to exercise discretion, before going on to describe the course of the Dnepr from the famous rapids to Nicopolis (chapter 1), and Olbia and the mouth of the Bug River (chapter 2). Uvarov spent a good deal of time on excavations in Tavrida province in 1853-1854, but the geogrpahical spread of the maps and views included in the volume of illustrations, which was published four years earlier, suggests that Uvarov had in fact made his way through the entire littoral as it was mapped out for him in the expedition instruction. <br /><br />Perhaps, when it came down to it, he simply preferred digging to writing.</p>
<span style="text-decoration: underline;">Contents of the 1851 <em>Collection</em>:</span><br />Dnepr River: 4 views, 1 map, 1 illustration of artifacts<br />Ol'viia: 3 views, 2 maps, 11 illustrations<br />Berezan: 1 map<br />Koblevka:1 view, 1 map<br />Odessa: 1 map<br />Lusdorf: 1 map<br />Dnestr (near Malakhovaia) 1 map<br />Akkerman: 2 views, 1 illustration<br />Ochakov: 1 illustration<br />Kiliia: 1 illustration<br />Kartal: 2 views, 1 map <br />Simferopol: 2 views <br />Bakla Kaia: 1 view<br />Bakhchisarai: 2 views<br />Chufut-Kale: 1 view, 1 illustration<br />Tepekermen: 1 view<br />Siuiren & Cherkes-Kermen: 1 illustration<br />Mangup: 5 views, 2 illustrations<br />Cherkes-Kermen: 3 views<br />Khersones: 1 map, 2 illustrations<br />Ai-Todor: 1 view<br />Balaklava: 1 map<br />Limena-Kale: 1 view<br />Gurzuf: 1 view<br />Eski-Krym: 2 views<br />Temriuk: 1 view, 1 map<br />Stantsiia Sennaia: 1 view<br />Aftanizovka: 1 view<br />Titarovka: 1 view<br /><br />Credit for the production of the illustrations goes not to Uvarov, but to the artist who travelled with him, M. Vebel'. The lithography is by François Joseph Dupressoir. V. Darleng printed the images. <br /><br /><hr />
Identifier
An unambiguous reference to the resource within a given context
uvarov-antiquities
Still Image
A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials.
Physical Dimensions
The actual physical size of the original image
71 cm
Repository
Slavic and East European Collections, The New York Public Library; New York Public Library Digital Collections (<a href="http://digitalcollections.nypl.org/items/510d47de-7abf-a3d9-e040-e00a18064a99" target="_blank" rel="noopener">go to the record</a>)
Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
1 of 69 plates
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Tomb of Mengli Giray
Гробница Менгли-Гирея
Source
A related resource from which the described resource is derived
Aleksei Sergeevich Uvarov, <em>Sobranie kart i risunkov k izledovaniam o drevnostiakh IUzhnnoi Rossii i beregov CHernago Moria </em>(1851)
Date
A point or period of time associated with an event in the lifecycle of the resource
1848-1851
Rights
Information about rights held in and over the resource
Digital image courtesy of the New York Public Library
Description
An account of the resource
Chromolithograph of the mausoleum of the founder of the Giray dynasty and his successor, Mengli Giray (d.1515), who commissioned the building.<a href="http://dighist.fas.harvard.edu/projects/beautifulspaces/neatline/show/tomb-of-mengli-giray#records/74" target="_self"><br />Examine the image in more detail here</a>.
Creator
An entity primarily responsible for making the resource
Drawn from nature by M. Vebel' <br />Lithography by François Joseph Dupressoir <br />Printed by V. Darleng
lithograph
monument
ruin
Tatar culture
-
https://s3.amazonaws.com/atg-prod-oaas-files/beautifulspaces/original/300043382e1a4ac385d676c779cea3ea.jpg
c2740e4fb377cfafb36dd8d624aeb04f
https://s3.amazonaws.com/atg-prod-oaas-files/beautifulspaces/original/92439ccf67cd7e7cc6421f553be39daf.jpg
22523eca696d52a50fef34f95bc85955
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Uvarov's Antiquities
Description
An account of the resource
<p>This collection contains six images from the volume published by <a href="/items/show/567" target="_self">Count A. S. Uvarov</a> under the title<a href="http://digitalcollections.nypl.org/collections/sobranie-kart-i-risunkov-k-izledovaniam-o-drevnostiakh-iuzhnoi-rossii-i-beregov#/?tab=about"><img style="float: right;" src="http://images.nypl.org/index.php?id=1507200&t=w" alt="" height="300" /></a> <em><a title="go to the Item" href="/items/show/585" target="_self">Collection of maps and drawings for the study of the antiquities of Southern Russia and the Shores of the Black Sea</a></em>.</p>
<p>In part, this was the illustrated companion to Uvarov's <a title="bibliographic citation" href="https://www.zotero.org/groups/beautiful_spaces/items/itemKey/CFKJ3VJZ" target="_blank" rel="noopener"><em>Recherches sur les antiquités de la Russie méridionale et des côtes de la mer Noire</em></a> - the written result of the expedition commissioned in 1847. Uvarov's charge came from Maximilian, Duke of Leuchtenberg, President of the Imperial Academy of Arts and of the newly-established (1846) <a title="read about the history of archaeological societies in Russia described in the Brokhaus-Efron Encyclopedia" href="https://ru.wikisource.org/wiki/%D0%AD%D0%A1%D0%91%D0%95/%D0%90%D1%80%D1%85%D0%B5%D0%BE%D0%BB%D0%BE%D0%B3%D0%B8%D1%87%D0%B5%D1%81%D0%BA%D0%B8%D0%B5_%D0%BE%D0%B1%D1%89%D0%B5%D1%81%D1%82%D0%B2%D0%B0_%D0%B2_%D0%A0%D0%BE%D1%81%D1%81%D0%B8%D0%B8" target="_blank" rel="noopener">Imperial Archaeological Society</a>. He was to conduct research at any and all sites "mentioned by the ancient writers" from the mouth of the Danube to the mouth of the Phasis (Rioni) in Georgia, and to pay attention to the disposition of burial mounds throughout the region.</p>
<p>Points 4 though 10 of the expedition instruction are an excellent thumbnail sketch of the significance of the Black Sea littoral from the vantage point of mid-19th century archaeologists (and their patrons):</p>
<blockquote><em>4. To determine the elevation of ancient places for which there are no good plans;<br />5. To study the remains and ruins to be found in the Crimean interior, notably along the Salgir, Belbek, and Mangush rivers;<br />6. Apart from antiquities of the classical period, to make inquiries into the antiquities of all time periods, including those of the Scythians, Byzantines, Tatars, Genoese, and Russians;<br />7. To collect all the ancient inscriptions, known or unknown, making copies or imprints of them;<br />8. To verify [Paul] DuBrux's claims about Nymphaea (Kara Bouroum);<br />9. To visit the museums at Nikolaief, Theodosie, and Odessa, and the antiquities found at the church at Taman;<br />10. Sepulchres of several Scythian kings are said to exist along the north coast of the Putrid Sea: to see whether these claims have any foundation...</em><a title="bibliographic citation" href="https://www.zotero.org/groups/beautiful_spaces/items/itemKey/CFKJ3VJZ" target="_blank" rel="noopener"><br /></a></blockquote>
<p>Uvarov did not fulfill the instruction. At least, not in print. His <em>Recherches</em>, published in 1855,<em> </em>opens with allusions to extenuating circumstances but also to his decision to exercise discretion, before going on to describe the course of the Dnepr from the famous rapids to Nicopolis (chapter 1), and Olbia and the mouth of the Bug River (chapter 2). Uvarov spent a good deal of time on excavations in Tavrida province in 1853-1854, but the geogrpahical spread of the maps and views included in the volume of illustrations, which was published four years earlier, suggests that Uvarov had in fact made his way through the entire littoral as it was mapped out for him in the expedition instruction. <br /><br />Perhaps, when it came down to it, he simply preferred digging to writing.</p>
<span style="text-decoration: underline;">Contents of the 1851 <em>Collection</em>:</span><br />Dnepr River: 4 views, 1 map, 1 illustration of artifacts<br />Ol'viia: 3 views, 2 maps, 11 illustrations<br />Berezan: 1 map<br />Koblevka:1 view, 1 map<br />Odessa: 1 map<br />Lusdorf: 1 map<br />Dnestr (near Malakhovaia) 1 map<br />Akkerman: 2 views, 1 illustration<br />Ochakov: 1 illustration<br />Kiliia: 1 illustration<br />Kartal: 2 views, 1 map <br />Simferopol: 2 views <br />Bakla Kaia: 1 view<br />Bakhchisarai: 2 views<br />Chufut-Kale: 1 view, 1 illustration<br />Tepekermen: 1 view<br />Siuiren & Cherkes-Kermen: 1 illustration<br />Mangup: 5 views, 2 illustrations<br />Cherkes-Kermen: 3 views<br />Khersones: 1 map, 2 illustrations<br />Ai-Todor: 1 view<br />Balaklava: 1 map<br />Limena-Kale: 1 view<br />Gurzuf: 1 view<br />Eski-Krym: 2 views<br />Temriuk: 1 view, 1 map<br />Stantsiia Sennaia: 1 view<br />Aftanizovka: 1 view<br />Titarovka: 1 view<br /><br />Credit for the production of the illustrations goes not to Uvarov, but to the artist who travelled with him, M. Vebel'. The lithography is by François Joseph Dupressoir. V. Darleng printed the images. <br /><br /><hr />
Identifier
An unambiguous reference to the resource within a given context
uvarov-antiquities
Still Image
A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials.
Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
1 of 69 plates
Physical Dimensions
The actual physical size of the original image
71 cm
Repository
Slavic and East European Collections, The New York Public Library; New York Public Library Digital Collections (<a href="http://digitalcollections.nypl.org/items/510d47de-7abf-a3d9-e040-e00a18064a99" target="_blank">go to the record</a>)
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Ruins of the Khan's Crypt
Source
A related resource from which the described resource is derived
Aleksei Sergeevich Uvarov, <em>Sobranie kart i risunkov k izledovaniam o drevnostiakh IUzhnnoi Rossii i beregov CHernago Moria </em>(1851)
Creator
An entity primarily responsible for making the resource
Drawn from nature by M. Vebel' <br />Lithography by François Joseph Dupressoir <br />Printed by V. Darleng
Date
A point or period of time associated with an event in the lifecycle of the resource
1848-1851
Rights
Information about rights held in and over the resource
Digital image courtesy of the New York Public Library
Description
An account of the resource
Chromolithograph of a crypt of an unknown khan. French title: "Ruins of the sepulchral cave of the khans".
burial site
crypt
lithograph
monument
ruin
Tatar culture
-
https://s3.amazonaws.com/atg-prod-oaas-files/beautifulspaces/original/9517a0c1e2bb0c5a45e044308bee5866.jpg
f5f45b8b3782da94bf82db9cdd0ed377
https://s3.amazonaws.com/atg-prod-oaas-files/beautifulspaces/original/41a96deca24c5485ec50be8d928b3cb7.jpg
57f14885c7e09a80ac0abc9ebf407c8d
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Uvarov's Antiquities
Description
An account of the resource
<p>This collection contains six images from the volume published by <a href="/items/show/567" target="_self">Count A. S. Uvarov</a> under the title<a href="http://digitalcollections.nypl.org/collections/sobranie-kart-i-risunkov-k-izledovaniam-o-drevnostiakh-iuzhnoi-rossii-i-beregov#/?tab=about"><img style="float: right;" src="http://images.nypl.org/index.php?id=1507200&t=w" alt="" height="300" /></a> <em><a title="go to the Item" href="/items/show/585" target="_self">Collection of maps and drawings for the study of the antiquities of Southern Russia and the Shores of the Black Sea</a></em>.</p>
<p>In part, this was the illustrated companion to Uvarov's <a title="bibliographic citation" href="https://www.zotero.org/groups/beautiful_spaces/items/itemKey/CFKJ3VJZ" target="_blank" rel="noopener"><em>Recherches sur les antiquités de la Russie méridionale et des côtes de la mer Noire</em></a> - the written result of the expedition commissioned in 1847. Uvarov's charge came from Maximilian, Duke of Leuchtenberg, President of the Imperial Academy of Arts and of the newly-established (1846) <a title="read about the history of archaeological societies in Russia described in the Brokhaus-Efron Encyclopedia" href="https://ru.wikisource.org/wiki/%D0%AD%D0%A1%D0%91%D0%95/%D0%90%D1%80%D1%85%D0%B5%D0%BE%D0%BB%D0%BE%D0%B3%D0%B8%D1%87%D0%B5%D1%81%D0%BA%D0%B8%D0%B5_%D0%BE%D0%B1%D1%89%D0%B5%D1%81%D1%82%D0%B2%D0%B0_%D0%B2_%D0%A0%D0%BE%D1%81%D1%81%D0%B8%D0%B8" target="_blank" rel="noopener">Imperial Archaeological Society</a>. He was to conduct research at any and all sites "mentioned by the ancient writers" from the mouth of the Danube to the mouth of the Phasis (Rioni) in Georgia, and to pay attention to the disposition of burial mounds throughout the region.</p>
<p>Points 4 though 10 of the expedition instruction are an excellent thumbnail sketch of the significance of the Black Sea littoral from the vantage point of mid-19th century archaeologists (and their patrons):</p>
<blockquote><em>4. To determine the elevation of ancient places for which there are no good plans;<br />5. To study the remains and ruins to be found in the Crimean interior, notably along the Salgir, Belbek, and Mangush rivers;<br />6. Apart from antiquities of the classical period, to make inquiries into the antiquities of all time periods, including those of the Scythians, Byzantines, Tatars, Genoese, and Russians;<br />7. To collect all the ancient inscriptions, known or unknown, making copies or imprints of them;<br />8. To verify [Paul] DuBrux's claims about Nymphaea (Kara Bouroum);<br />9. To visit the museums at Nikolaief, Theodosie, and Odessa, and the antiquities found at the church at Taman;<br />10. Sepulchres of several Scythian kings are said to exist along the north coast of the Putrid Sea: to see whether these claims have any foundation...</em><a title="bibliographic citation" href="https://www.zotero.org/groups/beautiful_spaces/items/itemKey/CFKJ3VJZ" target="_blank" rel="noopener"><br /></a></blockquote>
<p>Uvarov did not fulfill the instruction. At least, not in print. His <em>Recherches</em>, published in 1855,<em> </em>opens with allusions to extenuating circumstances but also to his decision to exercise discretion, before going on to describe the course of the Dnepr from the famous rapids to Nicopolis (chapter 1), and Olbia and the mouth of the Bug River (chapter 2). Uvarov spent a good deal of time on excavations in Tavrida province in 1853-1854, but the geogrpahical spread of the maps and views included in the volume of illustrations, which was published four years earlier, suggests that Uvarov had in fact made his way through the entire littoral as it was mapped out for him in the expedition instruction. <br /><br />Perhaps, when it came down to it, he simply preferred digging to writing.</p>
<span style="text-decoration: underline;">Contents of the 1851 <em>Collection</em>:</span><br />Dnepr River: 4 views, 1 map, 1 illustration of artifacts<br />Ol'viia: 3 views, 2 maps, 11 illustrations<br />Berezan: 1 map<br />Koblevka:1 view, 1 map<br />Odessa: 1 map<br />Lusdorf: 1 map<br />Dnestr (near Malakhovaia) 1 map<br />Akkerman: 2 views, 1 illustration<br />Ochakov: 1 illustration<br />Kiliia: 1 illustration<br />Kartal: 2 views, 1 map <br />Simferopol: 2 views <br />Bakla Kaia: 1 view<br />Bakhchisarai: 2 views<br />Chufut-Kale: 1 view, 1 illustration<br />Tepekermen: 1 view<br />Siuiren & Cherkes-Kermen: 1 illustration<br />Mangup: 5 views, 2 illustrations<br />Cherkes-Kermen: 3 views<br />Khersones: 1 map, 2 illustrations<br />Ai-Todor: 1 view<br />Balaklava: 1 map<br />Limena-Kale: 1 view<br />Gurzuf: 1 view<br />Eski-Krym: 2 views<br />Temriuk: 1 view, 1 map<br />Stantsiia Sennaia: 1 view<br />Aftanizovka: 1 view<br />Titarovka: 1 view<br /><br />Credit for the production of the illustrations goes not to Uvarov, but to the artist who travelled with him, M. Vebel'. The lithography is by François Joseph Dupressoir. V. Darleng printed the images. <br /><br /><hr />
Identifier
An unambiguous reference to the resource within a given context
uvarov-antiquities
Still Image
A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials.
Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
1 of 69 plates
Physical Dimensions
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71 cm
Repository
Slavic and East European Collections, The New York Public Library; New York Public Library Digital Collections (<a href="http://digitalcollections.nypl.org/items/510d47de-7abf-a3d9-e040-e00a18064a99" target="_blank">go to the record</a>)
Dublin Core
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Title
A name given to the resource
Ruins of the Mosque of Sultan Baybars
View of the Mosque of Sultan Bibars
Source
A related resource from which the described resource is derived
Aleksei Sergeevich Uvarov, <em>Sobranie kart i risunkov k izledovaniam o drevnostiakh IUzhnnoi Rossii i beregov CHernago Moria </em>(1851)
Creator
An entity primarily responsible for making the resource
Drawn from nature by M. Vebel' <br />Lithography by François Joseph Dupressoir <br />Printed by V. Darleng
Date
A point or period of time associated with an event in the lifecycle of the resource
1848-1851
Rights
Information about rights held in and over the resource
Digital image courtesy of the New York Public Library
Description
An account of the resource
Chromolithograph of a mosque built by Sultan Baybars (d. 1277) of Egypt. Baybars, one of the great Mamluk sultans, was likely a Kipchak Turk born in the Pontic steppe. He maintained close diplomatic ties with the Kipchak Khanate (also known as the Golden Horde), which controlled Crimea from the late thirteenth century to the mid fifteenth century, and commissioned the building of this mosque in Solhat (as Eski Krym was then known).<br /><a href="http://dighist.fas.harvard.edu/projects/beautifulspaces/neatline/fullscreen/the-mosque-of-sultan-baybars" target="_blank">Go to the annotated image.</a>
architecture
burial site
gravestones
Islam
lithograph
mosque
ruin
Tatar culture
-
https://s3.amazonaws.com/atg-prod-oaas-files/beautifulspaces/original/9d96b0d15ae39bd4f6df8cf3244b029e.jpg
fd4f762fae1ed4af289836d137541a8c
https://s3.amazonaws.com/atg-prod-oaas-files/beautifulspaces/original/e889eb4ddc346230028d3b8109c729e4.jpg
3247b11b3aa31a1b07ff6c8479e47689
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Uvarov's Antiquities
Description
An account of the resource
<p>This collection contains six images from the volume published by <a href="/items/show/567" target="_self">Count A. S. Uvarov</a> under the title<a href="http://digitalcollections.nypl.org/collections/sobranie-kart-i-risunkov-k-izledovaniam-o-drevnostiakh-iuzhnoi-rossii-i-beregov#/?tab=about"><img style="float: right;" src="http://images.nypl.org/index.php?id=1507200&t=w" alt="" height="300" /></a> <em><a title="go to the Item" href="/items/show/585" target="_self">Collection of maps and drawings for the study of the antiquities of Southern Russia and the Shores of the Black Sea</a></em>.</p>
<p>In part, this was the illustrated companion to Uvarov's <a title="bibliographic citation" href="https://www.zotero.org/groups/beautiful_spaces/items/itemKey/CFKJ3VJZ" target="_blank" rel="noopener"><em>Recherches sur les antiquités de la Russie méridionale et des côtes de la mer Noire</em></a> - the written result of the expedition commissioned in 1847. Uvarov's charge came from Maximilian, Duke of Leuchtenberg, President of the Imperial Academy of Arts and of the newly-established (1846) <a title="read about the history of archaeological societies in Russia described in the Brokhaus-Efron Encyclopedia" href="https://ru.wikisource.org/wiki/%D0%AD%D0%A1%D0%91%D0%95/%D0%90%D1%80%D1%85%D0%B5%D0%BE%D0%BB%D0%BE%D0%B3%D0%B8%D1%87%D0%B5%D1%81%D0%BA%D0%B8%D0%B5_%D0%BE%D0%B1%D1%89%D0%B5%D1%81%D1%82%D0%B2%D0%B0_%D0%B2_%D0%A0%D0%BE%D1%81%D1%81%D0%B8%D0%B8" target="_blank" rel="noopener">Imperial Archaeological Society</a>. He was to conduct research at any and all sites "mentioned by the ancient writers" from the mouth of the Danube to the mouth of the Phasis (Rioni) in Georgia, and to pay attention to the disposition of burial mounds throughout the region.</p>
<p>Points 4 though 10 of the expedition instruction are an excellent thumbnail sketch of the significance of the Black Sea littoral from the vantage point of mid-19th century archaeologists (and their patrons):</p>
<blockquote><em>4. To determine the elevation of ancient places for which there are no good plans;<br />5. To study the remains and ruins to be found in the Crimean interior, notably along the Salgir, Belbek, and Mangush rivers;<br />6. Apart from antiquities of the classical period, to make inquiries into the antiquities of all time periods, including those of the Scythians, Byzantines, Tatars, Genoese, and Russians;<br />7. To collect all the ancient inscriptions, known or unknown, making copies or imprints of them;<br />8. To verify [Paul] DuBrux's claims about Nymphaea (Kara Bouroum);<br />9. To visit the museums at Nikolaief, Theodosie, and Odessa, and the antiquities found at the church at Taman;<br />10. Sepulchres of several Scythian kings are said to exist along the north coast of the Putrid Sea: to see whether these claims have any foundation...</em><a title="bibliographic citation" href="https://www.zotero.org/groups/beautiful_spaces/items/itemKey/CFKJ3VJZ" target="_blank" rel="noopener"><br /></a></blockquote>
<p>Uvarov did not fulfill the instruction. At least, not in print. His <em>Recherches</em>, published in 1855,<em> </em>opens with allusions to extenuating circumstances but also to his decision to exercise discretion, before going on to describe the course of the Dnepr from the famous rapids to Nicopolis (chapter 1), and Olbia and the mouth of the Bug River (chapter 2). Uvarov spent a good deal of time on excavations in Tavrida province in 1853-1854, but the geogrpahical spread of the maps and views included in the volume of illustrations, which was published four years earlier, suggests that Uvarov had in fact made his way through the entire littoral as it was mapped out for him in the expedition instruction. <br /><br />Perhaps, when it came down to it, he simply preferred digging to writing.</p>
<span style="text-decoration: underline;">Contents of the 1851 <em>Collection</em>:</span><br />Dnepr River: 4 views, 1 map, 1 illustration of artifacts<br />Ol'viia: 3 views, 2 maps, 11 illustrations<br />Berezan: 1 map<br />Koblevka:1 view, 1 map<br />Odessa: 1 map<br />Lusdorf: 1 map<br />Dnestr (near Malakhovaia) 1 map<br />Akkerman: 2 views, 1 illustration<br />Ochakov: 1 illustration<br />Kiliia: 1 illustration<br />Kartal: 2 views, 1 map <br />Simferopol: 2 views <br />Bakla Kaia: 1 view<br />Bakhchisarai: 2 views<br />Chufut-Kale: 1 view, 1 illustration<br />Tepekermen: 1 view<br />Siuiren & Cherkes-Kermen: 1 illustration<br />Mangup: 5 views, 2 illustrations<br />Cherkes-Kermen: 3 views<br />Khersones: 1 map, 2 illustrations<br />Ai-Todor: 1 view<br />Balaklava: 1 map<br />Limena-Kale: 1 view<br />Gurzuf: 1 view<br />Eski-Krym: 2 views<br />Temriuk: 1 view, 1 map<br />Stantsiia Sennaia: 1 view<br />Aftanizovka: 1 view<br />Titarovka: 1 view<br /><br />Credit for the production of the illustrations goes not to Uvarov, but to the artist who travelled with him, M. Vebel'. The lithography is by François Joseph Dupressoir. V. Darleng printed the images. <br /><br /><hr />
Identifier
An unambiguous reference to the resource within a given context
uvarov-antiquities
Still Image
A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials.
Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
1 of 69 plates
Physical Dimensions
The actual physical size of the original image
71 cm
Repository
Slavic and East European Collections, The New York Public Library; New York Public Library Digital Collections (<a href="http://digitalcollections.nypl.org/items/510d47de-7abf-a3d9-e040-e00a18064a99" target="_blank">go to the record</a>)
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
View of the Nave in the Cave Church
Source
A related resource from which the described resource is derived
Aleksei Sergeevich Uvarov, <em>Sobranie kart i risunkov k izledovaniam o drevnostiakh IUzhnnoi Rossii i beregov CHernago Moria </em>(1851)
Creator
An entity primarily responsible for making the resource
Drawn from nature by M. Vebel'<br /> Chromolithography by Semechkin<br />Printed by V. Darleng
Date
A point or period of time associated with an event in the lifecycle of the resource
1848-1851
Rights
Information about rights held in and over the resource
Digital image courtesy of the New York Public Library
Description
An account of the resource
Chromolithograph of a "cave church" at Mangup. Churches and monasteries were often built into the sides of cliffs in the Crimean mountains.
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
POINT(3763464.29732969 5557883.88991366)
altar
architecture
cave
Greek church
iconography
lithograph
Orthodoxy
ruin
-
https://s3.amazonaws.com/atg-prod-oaas-files/beautifulspaces/original/dee4d30f3f389b71ffdb546ab5023655.jpg
bba00f506cd84f1cb7aa0343aab8cf56
https://s3.amazonaws.com/atg-prod-oaas-files/beautifulspaces/original/a90e576658cbad84c28ad6e3183cab15.jpg
852ed6e3031696da6f0806012ce86eb0
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Uvarov's Antiquities
Description
An account of the resource
<p>This collection contains six images from the volume published by <a href="/items/show/567" target="_self">Count A. S. Uvarov</a> under the title<a href="http://digitalcollections.nypl.org/collections/sobranie-kart-i-risunkov-k-izledovaniam-o-drevnostiakh-iuzhnoi-rossii-i-beregov#/?tab=about"><img style="float: right;" src="http://images.nypl.org/index.php?id=1507200&t=w" alt="" height="300" /></a> <em><a title="go to the Item" href="/items/show/585" target="_self">Collection of maps and drawings for the study of the antiquities of Southern Russia and the Shores of the Black Sea</a></em>.</p>
<p>In part, this was the illustrated companion to Uvarov's <a title="bibliographic citation" href="https://www.zotero.org/groups/beautiful_spaces/items/itemKey/CFKJ3VJZ" target="_blank" rel="noopener"><em>Recherches sur les antiquités de la Russie méridionale et des côtes de la mer Noire</em></a> - the written result of the expedition commissioned in 1847. Uvarov's charge came from Maximilian, Duke of Leuchtenberg, President of the Imperial Academy of Arts and of the newly-established (1846) <a title="read about the history of archaeological societies in Russia described in the Brokhaus-Efron Encyclopedia" href="https://ru.wikisource.org/wiki/%D0%AD%D0%A1%D0%91%D0%95/%D0%90%D1%80%D1%85%D0%B5%D0%BE%D0%BB%D0%BE%D0%B3%D0%B8%D1%87%D0%B5%D1%81%D0%BA%D0%B8%D0%B5_%D0%BE%D0%B1%D1%89%D0%B5%D1%81%D1%82%D0%B2%D0%B0_%D0%B2_%D0%A0%D0%BE%D1%81%D1%81%D0%B8%D0%B8" target="_blank" rel="noopener">Imperial Archaeological Society</a>. He was to conduct research at any and all sites "mentioned by the ancient writers" from the mouth of the Danube to the mouth of the Phasis (Rioni) in Georgia, and to pay attention to the disposition of burial mounds throughout the region.</p>
<p>Points 4 though 10 of the expedition instruction are an excellent thumbnail sketch of the significance of the Black Sea littoral from the vantage point of mid-19th century archaeologists (and their patrons):</p>
<blockquote><em>4. To determine the elevation of ancient places for which there are no good plans;<br />5. To study the remains and ruins to be found in the Crimean interior, notably along the Salgir, Belbek, and Mangush rivers;<br />6. Apart from antiquities of the classical period, to make inquiries into the antiquities of all time periods, including those of the Scythians, Byzantines, Tatars, Genoese, and Russians;<br />7. To collect all the ancient inscriptions, known or unknown, making copies or imprints of them;<br />8. To verify [Paul] DuBrux's claims about Nymphaea (Kara Bouroum);<br />9. To visit the museums at Nikolaief, Theodosie, and Odessa, and the antiquities found at the church at Taman;<br />10. Sepulchres of several Scythian kings are said to exist along the north coast of the Putrid Sea: to see whether these claims have any foundation...</em><a title="bibliographic citation" href="https://www.zotero.org/groups/beautiful_spaces/items/itemKey/CFKJ3VJZ" target="_blank" rel="noopener"><br /></a></blockquote>
<p>Uvarov did not fulfill the instruction. At least, not in print. His <em>Recherches</em>, published in 1855,<em> </em>opens with allusions to extenuating circumstances but also to his decision to exercise discretion, before going on to describe the course of the Dnepr from the famous rapids to Nicopolis (chapter 1), and Olbia and the mouth of the Bug River (chapter 2). Uvarov spent a good deal of time on excavations in Tavrida province in 1853-1854, but the geogrpahical spread of the maps and views included in the volume of illustrations, which was published four years earlier, suggests that Uvarov had in fact made his way through the entire littoral as it was mapped out for him in the expedition instruction. <br /><br />Perhaps, when it came down to it, he simply preferred digging to writing.</p>
<span style="text-decoration: underline;">Contents of the 1851 <em>Collection</em>:</span><br />Dnepr River: 4 views, 1 map, 1 illustration of artifacts<br />Ol'viia: 3 views, 2 maps, 11 illustrations<br />Berezan: 1 map<br />Koblevka:1 view, 1 map<br />Odessa: 1 map<br />Lusdorf: 1 map<br />Dnestr (near Malakhovaia) 1 map<br />Akkerman: 2 views, 1 illustration<br />Ochakov: 1 illustration<br />Kiliia: 1 illustration<br />Kartal: 2 views, 1 map <br />Simferopol: 2 views <br />Bakla Kaia: 1 view<br />Bakhchisarai: 2 views<br />Chufut-Kale: 1 view, 1 illustration<br />Tepekermen: 1 view<br />Siuiren & Cherkes-Kermen: 1 illustration<br />Mangup: 5 views, 2 illustrations<br />Cherkes-Kermen: 3 views<br />Khersones: 1 map, 2 illustrations<br />Ai-Todor: 1 view<br />Balaklava: 1 map<br />Limena-Kale: 1 view<br />Gurzuf: 1 view<br />Eski-Krym: 2 views<br />Temriuk: 1 view, 1 map<br />Stantsiia Sennaia: 1 view<br />Aftanizovka: 1 view<br />Titarovka: 1 view<br /><br />Credit for the production of the illustrations goes not to Uvarov, but to the artist who travelled with him, M. Vebel'. The lithography is by François Joseph Dupressoir. V. Darleng printed the images. <br /><br /><hr />
Identifier
An unambiguous reference to the resource within a given context
uvarov-antiquities
Still Image
A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials.
Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
1 of 69 plates
Physical Dimensions
The actual physical size of the original image
71 cm
Repository
Slavic and East European Collections, The New York Public Library; New York Public Library Digital Collections (<a href="http://digitalcollections.nypl.org/items/510d47de-7abf-a3d9-e040-e00a18064a99" target="_blank">go to the record</a>)
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Interior View of the Lower Church
Source
A related resource from which the described resource is derived
Aleksei Sergeevich Uvarov, <em>Sobranie kart i risunkov k izledovaniam o drevnostiakh IUzhnnoi Rossii i beregov CHernago Moria </em>(1851)
Creator
An entity primarily responsible for making the resource
Drawn from nature by M. Vebel'<br />Lithography by<span>François Joseph Dupressoir </span><br /> Printed by V. Darleng
Date
A point or period of time associated with an event in the lifecycle of the resource
1848-1851
Rights
Information about rights held in and over the resource
Digital image courtesy of the New York Public Library
Description
An account of the resource
Chromolithograph. The French title of this lithograph ("view of the church at the foot of the mountain") makes no reference to the fact that this is, according to the Russian-language title, an interior view of the <em>lower</em> church. In Crimea, the most famous example of a church with "lower" and "upper churches" is the cathedral of St. Vladimir at Khersones, where the subterranean lower church marks the supposed site of the baptism of Prince Vladimir of Kiev in 988.
architecture
Greek church
lithograph
Orthodoxy
ruin
-
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Vignettes
Description
An account of the resource
Descriptions of the places and spaces of Crimea culled from the accounts of the women and men who traveled through and settled down on the peninsula.
Contemporary account
Text
Any textual data included in the document
“[A]fter going about twelve miles among the most beautiful mountains imaginable, a small valley appeared a little to the right of us infinitely pretty. We crossed that and went through a thick wood, which led to the valley of Baydar; a most enchanting and magnificent spot, intended by nature for some industrious and happy nation to enjoy in peace. A few Tartar villages lessen the wildness of the scene, but, in such a place, the meadow part should be covered with herds, and the mountainous with sheep. When we were come into this valley we found the mountains to the left less high, and less rocky than those to the right, which run in a line with those to Soudak, and form the coast. When we were in the valley we could not have imagined that we were so near the sea; as the rocks which are above it are covered with wood of every sort, wild vine, pomegranate, and many sweet shrubs; I rode up to an elevation, which is, for as much as I can guess, the centre of the valley, and sat there with my companions contemplating the beautiful scene. The valley is above twenty miles long, wide enough to form it into a graceful oval---two or three small rivers run through it, and there are fine clear springs in every village.”
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Lady Craven describes the Baydar Valley
Description
An account of the resource
“[A]fter going about twelve miles among the most beautiful mountains imaginable, a small valley appeared a little to the right of us infinitely pretty. We crossed that and went through a thick wood, which led to the valley of Baydar; a most enchanting and magnificent spot, intended by nature for some industrious and happy nation to enjoy in peace. A few Tartar villages lessen the wildness of the scene, but, in such a place, the meadow part should be covered with herds, and the mountainous with sheep. When we were come into this valley we found the mountains to the left less high, and less rocky than those to the right, which run in a line with those to Soudak, and form the coast. When we were in the valley we could not have imagined that we were so near the sea; as the rocks which are above it are covered with wood of every sort, wild vine, pomegranate, and many sweet shrubs; I rode up to an elevation, which is, for as much as I can guess, the centre of the valley, and sat there with my companions contemplating the beautiful scene. The valley is above twenty miles long, wide enough to form it into a graceful oval---two or three small rivers run through it, and there are fine clear springs in every village.”
Creator
An entity primarily responsible for making the resource
Elizabeth Craven
Source
A related resource from which the described resource is derived
Craven, Elizabeth. <em>A journey through the Crimea to Constantinople. In a series of letters ... to his Serene Highness the Margrave of Brandebourg, Ansbach and Bareith</em>. 2nd edition. London, G.G.J. and J. Robinson, 1789. Pages 252-253.
Date
A point or period of time associated with an event in the lifecycle of the resource
1786
Subject
The topic of the resource
Excerpt from the letters composed during and after Craven's trip through the Black Sea region in 1786
-
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Essential Published Sources
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Recherches sur les antiquités de la Russie méridionale et des côtes de la mer Noire
Type
The nature or genre of the resource
Book
Creator
An entity primarily responsible for making the resource
graf Alekseĭ Sergeevich Uvarov
M. Vebel
Publisher
An entity responsible for making the resource available
V. Didron
Date
A point or period of time associated with an event in the lifecycle of the resource
1855
Language
A language of the resource
fr
Zotero
Title
Recherches sur les antiquités de la Russie méridionale et des côtes de la mer Noire
Item Type
Book
Author
graf Alekseĭ Sergeevich Uvarov
M. Vebel
Publisher
V. Didron
Date
1855
Library Catalog
Google Books
Language
fr
Num Pages
146
Attachment Title
Google Books Link
Attachment URL
https://play.google.com/books?id=GMVaAAAAcAAJ