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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Dachas</text>
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              <name>Identifier</name>
              <description>An unambiguous reference to the resource within a given context</description>
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                  <text>gazetteer</text>
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              <name>Description</name>
              <description>An account of the resource</description>
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                  <text>In simplest terms, a&amp;nbsp;dacha was a portion of land given out by the tsar. &lt;br /&gt;&lt;br /&gt;The apportioning of land to servitors and favorites was hardly an innovation, but over the course of the eighteenth century the dacha became ever more closely associated with the expansion of the empire. Early in the century, Peter I imbued the dacha with a distinctly strategic character, distributing grants both as a form of incentive and a coercive strategy for affecting the physical transformation of his new capital at St. Petersburg. &lt;br /&gt;&lt;br /&gt;Devoid of any associations with wellness, leisure, comfort, or domesticity – this came later in the nineteenth century – the earlier iteration of the dacha referred to a plot of uninhabited, unbuilt, uncultivated land located some distance away from the proprietor’s primary residence. A diligent proprietor might convert it into an &lt;i&gt;usad'ba&lt;/i&gt; (country estate), with formal or mature gardens and permanent dwellings, or into an agriculturally-productive site – a farm, an orchard, a cultivated woodland. &lt;br /&gt;&lt;br /&gt;The essence of the dacha was that it implied a dynamic relationship between owner and property and the conversion of empty spaces into usable, definable places.&lt;br /&gt;&#13;
&lt;p&gt;&lt;strong&gt;Related narration&lt;/strong&gt;: &lt;a href="http://dighist.fas.harvard.edu/projects/beautifulspaces/exhibits/show/dachageo" target="_self"&gt;Dacha Geography&lt;/a&gt;&lt;/p&gt;&#13;
&lt;hr /&gt;</text>
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      <name>Dacha property</name>
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          <name>Property Note</name>
          <description>Display Description</description>
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              <text>This dacha consisted of 13,293 desiatinas (roughly 35,000 acres) in or near the villages of Enisala, Kamyshlyk, Kurtluk, Molbaj, Kishlan, Tama Bashi, Alchin, Sultan Sarai, Mambet Ulan. The vast majority (77%) was considered suitable for cultivation.</text>
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        <element elementId="74">
          <name>Ownership Note</name>
          <description/>
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            <elementText elementTextId="2324">
              <text>Originally granted to Over Provision Master Genadii; acquired by Privy Councillor Prince Aleksandr Andreevich Bezborodko</text>
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          <name>Dacha Grant Year</name>
          <description/>
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              <text>1787</text>
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        <element elementId="77">
          <name>Attestation</name>
          <description/>
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              <text>1794 Dacha Reports; 1802 Dacha Reports</text>
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        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="2322">
                <text>Aleksandrovskaia</text>
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      <tag tagId="53">
        <name>patchwork</name>
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          <name>Dublin Core</name>
          <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Biographical Sketches</text>
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              <name>Description</name>
              <description>An account of the resource</description>
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                  <text>&lt;em&gt;Brief biographies of men and women whose names crop up in the sources, in this project, and in the book. Please note that the mirzas described in the "mirza sketches" are not included here.&lt;/em&gt;&lt;hr /&gt;</text>
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      <name>Person</name>
      <description>An individual.</description>
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              <text>Taranov (1759-1819) was the son of a poor noble from Kharkov. He earned the rank of lieutenant before retiring from military service in 1779. Beginning in 1784 he held a variety of appointed and elected posts in Tavrida, including provincial procurator and marshal of the nobility, and accumulated property valued at 150,000 rubles. His main estate and residence was at Bazarchik (near Simferopol’), where he was buried in his English garden.</text>
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          <name>Bibliography</name>
          <description/>
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              <text>Russkii Biograficheskii Slovar', vol.20: 800.</text>
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        <name>Dublin Core</name>
        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="4142">
                <text>Alexander Taranov-Belozerov</text>
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        <name>settler noble</name>
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          <name>Dublin Core</name>
          <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
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                  <text>The Many Lives of Mirzas</text>
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              <name>Description</name>
              <description>An account of the resource</description>
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                  <text>&lt;p&gt;This collection contains biographical sketches of the 39 members of the Crimean Tatar elite who were registered as members of the nobility of Tavrida Province and whose noble status was recognized by the imperial government in St. Petersburg.&amp;nbsp;&lt;br /&gt;&lt;br /&gt;Official recognition of noble status came via approval of the Heraldry Office and subsequent inscription in the noble register (rodoslovnaia kniga / родословная книга) of any given province of the empire. The&amp;nbsp;&lt;a href="http://dighist.fas.harvard.edu/projects/crimeaproject/items/show/312" target="_blank"&gt;Tavrida noble register&lt;/a&gt;&amp;nbsp;was compiled on an annual basis starting in 1804 by the provincial noble assembly. Between 1804 and 1853 there were 660 entries, only 39 of which described Crimean Tatars. The 39 entries, all of which are presented here, dealt with a total of 51 Crimean Tatar nobles (brothers and cousins often petitioned together for inclusion in the noble register), along with their families. &lt;br /&gt;&lt;br /&gt;Though they do little more than scratch the surface of Crimean Tatar (elite) life under Russian rule, they provide&amp;nbsp;&lt;strong&gt;compelling evidence of the ways in which kinship and service could be converted into enhanced social status&lt;/strong&gt;.&lt;/p&gt;&#13;
&lt;p&gt;&lt;strong&gt;A few notes before you dig in:&lt;/strong&gt;&lt;br /&gt;All names are transliterated from Russian, which was the language of the noble registers. This accounts for the odd spellings of Tatar and Turkic names.&lt;/p&gt;&#13;
&lt;p&gt;Each entry is a highly structured text, its format standardized across all the provinces of the Russian Empire.&lt;/p&gt;&#13;
&lt;p&gt;That structure is reflected in the way the information within each entry is presented here. As you move through this collection, pay attention to clan names, variations in title (murza, bey, aga), family structure (particularly the importance of lateral kinship), and the dramatic variation in service records and landownership.&lt;/p&gt;&#13;
&lt;p&gt;In order to get a full sense of the connections among individuals, 1) use the "Item Relations" (at the end of each entry), which mark kinship relations and connections to key archival sources that might remain opaque when going the material Item-by-Item; and 2), surf the tags!&lt;/p&gt;</text>
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              <name>Creator</name>
              <description>An entity primarily responsible for making the resource</description>
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                  <text>Kelly O'Neill</text>
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              </elementTextContainer>
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              <name>Date</name>
              <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                <elementText elementTextId="1051">
                  <text>1804-1853</text>
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    <itemType itemTypeId="20">
      <name>Member of the Crimean Tatar Elite</name>
      <description>limited to Crimean Tatars</description>
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        <element elementId="55">
          <name>Rank</name>
          <description/>
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            <elementText elementTextId="1688">
              <text>Captain</text>
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        </element>
        <element elementId="56">
          <name>Year of Inscription</name>
          <description/>
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            <elementText elementTextId="1689">
              <text>1829</text>
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        <element elementId="57">
          <name>Inscription Note</name>
          <description>Display Description</description>
          <elementTextContainer>
            <elementText elementTextId="1690">
              <text>Inscribed in part 2 of the rodoslovnaia kniga (reserved for those whose noble status was defined by military service).</text>
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          </elementTextContainer>
        </element>
        <element elementId="31">
          <name>Birth Date</name>
          <description/>
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            <elementText elementTextId="1691">
              <text>1773</text>
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          <name>Family &amp; Background</name>
          <description/>
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              <text>Ali Mirza was 56 years old, married, and father to a son named Ametcha. The Şirin clan was second only to the Gireys before 1783, and after annexation rose to further prominence.</text>
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        </element>
        <element elementId="59">
          <name>Service Record</name>
          <description/>
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            <elementText elementTextId="1693">
              <text>Ali Mirza joined Platon Zubov's staff as a lieutenant in 1796. By 1807 he was a regimental commander, and attained the rank of captain in 1810. </text>
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        </element>
        <element elementId="60">
          <name>Residence &amp; Property</name>
          <description/>
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            <elementText elementTextId="1694">
              <text>He owned 3,500 desiatinas together with a mill and five desiatinas of vineyard at Sudak.</text>
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        </element>
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    </itemType>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="1686">
                <text>Ali Mirza Şirin (Shirinskii)</text>
              </elementText>
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          </element>
          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
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              <elementText elementTextId="1687">
                <text>Tavrida noble register entry</text>
              </elementText>
            </elementTextContainer>
          </element>
        </elementContainer>
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    <tagContainer>
      <tag tagId="12">
        <name>elite clan</name>
      </tag>
      <tag tagId="15">
        <name>Feodosiia uezd</name>
      </tag>
      <tag tagId="13">
        <name>landowner</name>
      </tag>
      <tag tagId="169">
        <name>military officer</name>
      </tag>
      <tag tagId="20">
        <name>Sudak valley</name>
      </tag>
      <tag tagId="7">
        <name>vineyards</name>
      </tag>
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          <name>Dublin Core</name>
          <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Dachas</text>
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            <element elementId="43">
              <name>Identifier</name>
              <description>An unambiguous reference to the resource within a given context</description>
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                  <text>gazetteer</text>
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              <name>Description</name>
              <description>An account of the resource</description>
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                  <text>In simplest terms, a&amp;nbsp;dacha was a portion of land given out by the tsar. &lt;br /&gt;&lt;br /&gt;The apportioning of land to servitors and favorites was hardly an innovation, but over the course of the eighteenth century the dacha became ever more closely associated with the expansion of the empire. Early in the century, Peter I imbued the dacha with a distinctly strategic character, distributing grants both as a form of incentive and a coercive strategy for affecting the physical transformation of his new capital at St. Petersburg. &lt;br /&gt;&lt;br /&gt;Devoid of any associations with wellness, leisure, comfort, or domesticity – this came later in the nineteenth century – the earlier iteration of the dacha referred to a plot of uninhabited, unbuilt, uncultivated land located some distance away from the proprietor’s primary residence. A diligent proprietor might convert it into an &lt;i&gt;usad'ba&lt;/i&gt; (country estate), with formal or mature gardens and permanent dwellings, or into an agriculturally-productive site – a farm, an orchard, a cultivated woodland. &lt;br /&gt;&lt;br /&gt;The essence of the dacha was that it implied a dynamic relationship between owner and property and the conversion of empty spaces into usable, definable places.&lt;br /&gt;&#13;
&lt;p&gt;&lt;strong&gt;Related narration&lt;/strong&gt;: &lt;a href="http://dighist.fas.harvard.edu/projects/beautifulspaces/exhibits/show/dachageo" target="_self"&gt;Dacha Geography&lt;/a&gt;&lt;/p&gt;&#13;
&lt;hr /&gt;</text>
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      <name>Dacha property</name>
      <description/>
      <elementContainer>
        <element elementId="73">
          <name>Property Note</name>
          <description>Display Description</description>
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              <text>According to the 1794 report, this dacha consisted of 654 desiatinas; land with gardens once the property of Isliam Mirza.</text>
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        <element elementId="74">
          <name>Ownership Note</name>
          <description/>
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            <elementText elementTextId="2329">
              <text>Admiral Joseph de Ribas</text>
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        </element>
        <element elementId="77">
          <name>Attestation</name>
          <description/>
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              <text>1794 Dacha Reports</text>
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        <elementContainer>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Alma Kermen</text>
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    <tagContainer>
      <tag tagId="199">
        <name>gardens: private</name>
      </tag>
    </tagContainer>
  </item>
  <item itemId="858" public="1" featured="0">
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          <name>Dublin Core</name>
          <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
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                <elementText elementTextId="4247">
                  <text>Gardens</text>
                </elementText>
              </elementTextContainer>
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            <element elementId="41">
              <name>Description</name>
              <description>An account of the resource</description>
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                  <text>&lt;p&gt;This collection describes 43 garden sites considered to be the property of the Russian state in the 1790s. The gardens described here contain&amp;nbsp;&lt;strong&gt;821 individually documented parcels&lt;/strong&gt;. Together they covered 351 acres along the prime southern coast and river valleys, and contained nearly 20,000 trees (19,193, to be precise).&amp;nbsp;&lt;br /&gt;&lt;br /&gt;17 species are documented in the reports: plum (слив), hazelnut (фундук), walnut (волошские орехи), pear (груш), European pear (дулина),&amp;nbsp;rowan (рябин), apple (яблон), cherry (черешен), cherry (вишне), aiva (айва), mulberry (щелковиц), olive (маслин), fig (инжер), date (фурма), medlar (мушмоль), peach (персик), and almond (миндал).&lt;/p&gt;&#13;
&lt;p&gt;The collection is based on a set of reports "&lt;a href="http://dighist.fas.harvard.edu/projects/beautifulspaces/items/show/939" target="_blank"&gt;on the composition of the lands and gardens of Tavrida Province held as quitrent properties&lt;/a&gt;" (freehold properties in return for which lessees paid a land tax) compiled between 1791 and 1794.&lt;/p&gt;&#13;
&lt;hr /&gt;</text>
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    <itemType itemTypeId="36">
      <name>Garden location</name>
      <description/>
      <elementContainer>
        <element elementId="238">
          <name>Ethnicity of owner</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="4657">
              <text>Armenian</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="239">
          <name>Arrangement</name>
          <description/>
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              <text>gardens: 1, parcels: 1</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="240">
          <name>Area</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="4659">
              <text>not recorded</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="241">
          <name>Trees</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="4660">
              <text>not recorded</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="242">
          <name>Species present</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="4661">
              <text>not recorded</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="4656">
                <text>Alma Kermen</text>
              </elementText>
            </elementTextContainer>
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            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
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                <text>&lt;a href="http://dighist.fas.harvard.edu/projects/beautifulspaces/items/show/939" target="_blank"&gt;Report on state-owned fruit gardens and vineyards along the Belbek, Kacha, and Alma rivers&lt;/a&gt;</text>
              </elementText>
            </elementTextContainer>
          </element>
        </elementContainer>
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    <tagContainer>
      <tag tagId="62">
        <name>Alma River</name>
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                  <text>Spatial Grammar</text>
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                <text>Alma River</text>
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                  <text>Estates</text>
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                  <text>From the 1830s onward Crimea was a favored venue for prominent displays of wealth by powerful members of the ruling elite generally associated with the gulf-side imperial capital far away to the north. Rather than recreate the architecture of St. Petersburg on the Black Sea, many of those well-connected and well-to-do landowners made a conscious effort to accentuate the foreignness – perhaps even the exotic nature – of Crimea in the architecture of their estates and palaces. &lt;br /&gt;&lt;br /&gt;For some, the distinctiveness of the landscape was rooted in its Greek legacy. Russians and foreigners alike, inspired by the classical revival in architecture sweeping across Europe, pointed excitedly to the tangible residue of this legacy which suddenly placed Tavrida on the intellectual and cultural map of western civilization. Grecian elements therefore dominated many early nineteenth-century buildings.&lt;br /&gt;&lt;br /&gt;Other landowners – particularly the most wealthy and well-connected – played up the more exotic “Asiatic” legacy of Tavrida in their domestic landscapes. These nobles found it not just aesthetically pleasing but also empowering to incorporate elements of the local architectural tradition and natural landscape. In this they were no different than imperial elites elsewhere. &lt;br /&gt;&lt;br /&gt;In Russia, private residences were of particular importance to the articulation of the imperial presence in the borderland precisely because they were anything but private. Country houses and palaces were essentially public spaces, meant to attract the gaze of peers and peasants alike. The dignitaries, travelers and other visitors who penned detailed descriptions of Alupka, Gaspra, and Gurzuf inscribed these structures into the symbolic landscape of the province, but even on their own, the usad’by served as daily reminders of the reality of imperial authority to those who inhabited neighboring villages and worked in estate orchards and vineyards. &lt;br /&gt;&lt;br /&gt;Of course, not all landowners were wealthy enough to build palaces or manor houses that could accommodate such lavish public spectacles. The majority of those who did command that level of wealth were not provincial nobles, but members of the ruling elite who owned estates but neither registered in the Tavrida noble register nor otherwise participated in daily life in the province. &lt;br /&gt;&lt;br /&gt;The bulk of Tavrida’s registered nobles were not part of the ruling elite, nor were they distinguished for their wealth. In 1789 Governor Zhegulin pointed out to Potemkin that many of the (non-Tatar) officials in Tavrida were quite small-time Little Russian nobles or Polish szlachta who owned between five and thirty-five serfs. The low population density of the province together with the freedom of the native population from serfdom prevented landowners from accumulating wealth in the form of souls until well into the nineteenth century. &lt;br /&gt;&lt;br /&gt;However, most nobles (96% of non-Tatars and 88% of mirzas) in 1815 for example did own land from which they presumably drew sufficient income to maintain an honorable lifestyle. Of the 225 nobles registered between 1830 and 1853 for whom I have property data, 65% owned either arable or pasture land, and another 12% owned land in the form of orchards, gardens or vineyards. The remaining 23% owned houses and/or household servants and peasants, but did not mention landholding in their entries. Among ennobled mirzas, 96% owned land of some kind. Interestingly enough, they enjoyed average holdings three times larger than those of others, and a number of mirzas accumulated (or maintained) considerable annual incomes.&lt;hr /&gt;</text>
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                <text>Alupka</text>
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                <text>Vorontsov acquired the land around Alupka piecemeal from 226 Tatar inhabitants between 1823 and 1825. He spent the equivalent of over 37,000 silver rubles in the process. Vorontsov developed the estate between 1828 and 1848 with revenues from the wine produced at Massandra. &lt;br /&gt;&lt;br /&gt;The celebrated Alupka palace, designed by Edward Blore, was perched amid a wild landscape of rock and cliff running down to the sea and surrounded by the houses of local Tatars (some of whom he convinced to resettle away from the palace grounds in exchange for his building them a new mosque). In 1837 this served as the setting in which Vorontsov entertained the tsar, his family and extended entourage in grand style, with fireworks displays and lavish dinners.&lt;br /&gt;&lt;br /&gt;The palace was by far the most spectacular demonstration of what contemporaries described as “oriental” or “asiatic” flair in Crimea. Alupka was “renowned far and wide,” according to Kohl, “for its architectural and Hesperian splendours,” the designs of which alone were rumored to have cost upwards of 60,000 rubles. But it was even more re&lt;st1:personname w:st="on"&gt;mark&lt;/st1:personname&gt;able for its marriage of Gothic and eastern elements. The western side of the palace resembled a medieval castle wall with fortifications, while the northern façade was done in the Tudor style. The southern and most famous façade meanwhile gained the nickname “&lt;st1:place w:st="on"&gt;&lt;st1:city w:st="on"&gt;Alhambra&lt;/st1:city&gt;&lt;/st1:place&gt;” because of its two-storey horseshoe arch, slender minarets, and a deeply-recessed niche with an Arabic inscription reading “There is no God but Allah.”&lt;br /&gt;&lt;br /&gt;The project, still incomplete in the early 1840s, was expected to run Vorontsov seven million rubles, but Kohl was not impressed. He faulted the local marble with which it was built for its “greenish cast,” the large windows that did not fit the Gothic styling, and the location of the castle itself with only the “gray desolate sea” for a view. Inside, he found some of the rooms splendid, but criticized the books and pictures which decorated them as “by no means re&lt;st1:personname w:st="on"&gt;mark&lt;/st1:personname&gt;able.”&amp;nbsp;</text>
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                <text>Vorontsov, Zapiski Gubernatora (Odessa: Optimum, 2003), 177; A.P. Pal’chikova, “Iz istorii Alupkinskogo majorata Vorontsovykh,” in ed. V. P. Kazarin, Rossiia i Krym v sud’be Vorontsovykh: II Krymskie Vorontsovskie Chteniia. Materialy (Simferopol: “Krymskij Arkhiv,” 2000): 67; Bragina &amp; Vasil’eva, Khoziaeva i gosti, 110-118 &amp; 122; Kohl, 463-464.</text>
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                  <text>&lt;p&gt;This collection describes 43 garden sites considered to be the property of the Russian state in the 1790s. The gardens described here contain&amp;nbsp;&lt;strong&gt;821 individually documented parcels&lt;/strong&gt;. Together they covered 351 acres along the prime southern coast and river valleys, and contained nearly 20,000 trees (19,193, to be precise).&amp;nbsp;&lt;br /&gt;&lt;br /&gt;17 species are documented in the reports: plum (слив), hazelnut (фундук), walnut (волошские орехи), pear (груш), European pear (дулина),&amp;nbsp;rowan (рябин), apple (яблон), cherry (черешен), cherry (вишне), aiva (айва), mulberry (щелковиц), olive (маслин), fig (инжер), date (фурма), medlar (мушмоль), peach (персик), and almond (миндал).&lt;/p&gt;&#13;
&lt;p&gt;The collection is based on a set of reports "&lt;a href="http://dighist.fas.harvard.edu/projects/beautifulspaces/items/show/939" target="_blank"&gt;on the composition of the lands and gardens of Tavrida Province held as quitrent properties&lt;/a&gt;" (freehold properties in return for which lessees paid a land tax) compiled between 1791 and 1794.&lt;/p&gt;&#13;
&lt;hr /&gt;</text>
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              <text>gardens: 1, parcels: 5</text>
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              <text>1010 square sazhens (1.14 acres)</text>
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              <text>81</text>
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              <text>plum, walnut, rowan, apple, cherry, European pear, fig</text>
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                <text>Alupka</text>
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                <text>&lt;a href="http://dighist.fas.harvard.edu/projects/beautifulspaces/items/show/939" target="_blank"&gt;Report on state-owned fruit gardens and vineyards along the Belbek, Kacha, and Alma rivers&lt;/a&gt;</text>
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        <name>apple</name>
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        <name>plum</name>
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        <name>rowan</name>
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        <name>southern coast</name>
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        <name>Tatar property</name>
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                  <text>Portrait of Antiquity</text>
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                  <text>Crimea was (and still is) uniquely studded with fallen slabs, old foundations, ancient walls, gravestones, and mounds of earth that have grown incrementally over the years to cover the bones of past lives. On my first visit to Sevastopol a friend explained that every good rain dislodged chards of pottery, the occasional coin, and other sundry treasures. And sure enough, when we went trekking in the mountains above Laspi later that week - keeping a sharp eye out for wild boar - I found three small bits of pottery, the edges worn smooth but the greens and blues of their surfaces still vivid. My friend chuckled and dismissed them as insignificant - the pieces dated to the fourteenth or maybe fifteenth century, after all - but I savored the extraordinary feeling of that small weight in my palm, sun-warm and heavy with historical memory.&lt;br /&gt;&lt;br /&gt;In 1837 the Academy of Sciences in St. Petersburg published a remarkable study&amp;nbsp;&lt;em&gt;On the Antiquities of the Southern Coast of Crimea and the Tavridan Mountains&lt;/em&gt;. The book's author,&amp;nbsp;Peter Keppen, spent 5 years living in Crimea while serving as assistant to the chief of silk production (shelkovodstvo). During that time he traveled almost obsessively, collecting material for his geographical and archaeological projects.&lt;br /&gt;&lt;br /&gt;In the dedication (addressed, of course, to Tsar Nicholas I), Keppen describes Crimea as "the most charming of all the countries prospering" under Romanov rule. His book lovingly documents the location, history, and status of inscribed stones, marble columns, churches, and tombstones, but the bulk of material details defensive towers and walls. Keppen saw Crimea - in antiquity - as a territory divided between a savage, predatory north and a luxuriously beautiful south hemmed in by the Tauride (or Tavridan) mountains on one side and the Black Sea on the other. The fortified line that separated one from the other was, to him, one of the two organizing features of Crimean space (or of its antique space anyway).&lt;br /&gt;&lt;br /&gt;The second feature was sedimentation. Keppen was acutely aware of the way in which the passage of time imprinted itself on the landscape. At one point he describes finding the remains of an ancient fortification with thick walls of "wild stone" on the heights of Ayudag. "And is it surprising?" Keppen asks. "One must remember that this place has not been inhabited since 1475. And since then the spring sun has warmed the mountain tops and new growth has sprung from the depths of the earth no fewer than 360 times. 360 times over autumn storms have torn the leaves from trees and ripped the grasses, each year creating a new layer to cover any traces of human existence!"(170)&lt;br /&gt;&lt;br /&gt;Keppen would tell you that to see Crimea, one had to dig.&amp;nbsp;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;This collection contains all of the sites (though not all of the individual stones!) discussed in &lt;em&gt;On the Antiquities of the Southern Coast&lt;/em&gt;. &lt;/strong&gt;It includes 4 mausoleums, 9 Greek churches, and 58 fortifications. Each and every one was a ruin even before Keppen laid eyes on it.&amp;nbsp;&lt;br /&gt;&lt;strong&gt;&lt;br /&gt;Related gallery: &lt;/strong&gt;&lt;a href="http://dighist.fas.harvard.edu/projects/beautifulspaces/collections/show/19" target="_self"&gt;Uvarov's Antiquities&lt;/a&gt;&lt;strong&gt;&lt;br /&gt;Related narrations&lt;/strong&gt;: &lt;a href="http://dighist.fas.harvard.edu/projects/beautifulspaces/collections/show/37" target="_self"&gt;Among the Ruins&lt;/a&gt; &amp;amp; &lt;a href="http://dighist.fas.harvard.edu/projects/beautifulspaces/collections/show/40" target="_self"&gt;A Monumental Inscription&lt;br /&gt;&lt;/a&gt;&lt;strong&gt;Related source map&lt;/strong&gt;: &lt;a href="http://dighist.fas.harvard.edu/projects/beautifulspaces/item/898" target="_blank"&gt;Keppen's Antiquities&lt;/a&gt;&lt;hr /&gt;</text>
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      <name>Antiquity</name>
      <description>Building or item from the past. In most contexts, an antiquity belongs to the ancient, classical, or possibly medieval period. In Crimea and in the Russian south more broadly, archaeologists and collectors used the term to describe the material legacy of the ancient Greeks, Byzantines, Genoese, Karaims, Ottomans, and Crimean Tatars who inhabited the region prior to Russian conquest. </description>
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                <text>Alupka Isar</text>
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                <text>Petr Keppen</text>
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                <text>Petr Keppen, &lt;em&gt;O drevnostiakh IUzhnago Berega Kryma i Gor Tavricheskikh&lt;/em&gt; (Sankt Peterburg, 1837)</text>
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                <text>1837</text>
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            <description>An account of the resource</description>
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                <text>The trip from Alupka to the fortification takes an hour and a half. There among the towering pines are the remains of various buildings.(196-198)</text>
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                <text>The Stanford Library copy of Keppen's work was digitized by Google Books.</text>
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                  <text>Bossoli's Album</text>
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                  <text>The talents of Carlo Bossoli (1815-1884), a Swiss-born Italian artist who spent his youth in Odessa, attracted the attention of no less a figure than Count Mikhail Vorontsov, governor-general of New Russia and Bessarabia. Vorontsov commissed a series of views of Odessa, which Bossoli executed with success. Between 1840 and 1842 Bossoli lived on Vorontsov's estate at Alupka, using it as a base for exploring the peninsula in its entirety. He produced the album from which these watercolors are taken just as the Crimean War was breaking out in 1853. The timing was auspicious and Bossoli's publisher (Day &amp;amp; Son, lithographers to the Queen) was quite pleased with &lt;a title="the view from London" href="/items/show/615" target="_blank" rel="noopener"&gt;the resulting buzz&lt;/a&gt;.&lt;br /&gt;&lt;br /&gt;&lt;span&gt;Bossoli's album is a rarity: no more than 500 copies were printed in 1856. The album consisted of 52 watercolors and pastels. The images shown here were digitized and graciously made available by the &lt;strong&gt;Gordon Library at Worcester Polytechnic Institute&lt;/strong&gt;. They are available here for educational, non-commercial purposes only.&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Interestingly enough, a bilingual edition (Russian and English) was &lt;strong&gt;reproduced in Kiev in 2003&lt;/strong&gt;. The publication was made possible by 1) the Republican Committee for the Protection of Cultural Heritage, Council of Ministers of the Autonomous Republic of Crimea, 2) the Ministry of Culture of&amp;nbsp;the Autonomous Republic of Crimea, and 3) the vice-chairman of the Council of Ministers of&amp;nbsp;the Autonomous Republic of Crimea.&lt;br /&gt;&lt;br /&gt;The editors of the 2003 volume had high hopes that Crimea "should become an integral historical-cultural and natural preserve and prosper in the unity of nations living on its land." From their perspective, Bossoli's paintings "show the Crimea as an infinitely beautiful, well-developed, and happy land..."&amp;nbsp;&lt;br /&gt;&lt;br /&gt;See for yourself.&lt;hr /&gt;</text>
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              <name>Identifier</name>
              <description>An unambiguous reference to the resource within a given context</description>
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                  <text>bossoli-paintings</text>
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      <name>Still Image</name>
      <description>A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials.</description>
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          <name>Original Format</name>
          <description>The type of object, such as painting, sculpture, paper, photo, and additional data</description>
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              <text>1 of 34 leaves of colored plates</text>
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          <name>Physical Dimensions</name>
          <description>The actual physical size of the original image</description>
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              <text>56 cm</text>
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              <text>Gordon Library, Worcester Polytechnic Institute [&lt;a href="http://gordonlibrary.wpi.edu/vwebv/holdingsInfo?bibId=6520" target="_blank"&gt;go to the record&lt;/a&gt;]</text>
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        <name>Dublin Core</name>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Alushta</text>
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            <name>Description</name>
            <description>An account of the resource</description>
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                <text>Panorama view of the city of Alushta, located on Crimea's southern coast with Crimean mountains in the background and Crimean Tatars on foot and on horseback in the foreground. </text>
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            <name>Source</name>
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                <text>Carlo Bossoli,&amp;nbsp;&lt;em&gt;The beautiful scenery and chief places of interest throughout the Crimea from paintings&amp;nbsp;&lt;/em&gt;(London: Day &amp;amp; Son, 1856)</text>
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                <text>Carlo Bossoli</text>
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            <name>Date</name>
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                <text>1840-1844</text>
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            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
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                <text>Image courtesy of Preservation, Curation and Archives, Gordon Library, Worcester Polytechnic Institute</text>
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        <name>Greek church</name>
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        <name>southern coast</name>
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