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                  <text>Abandoned Villages</text>
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                  <text>&lt;p&gt;At the moment, this collection presents the contents of a list of sites abandoned in 1778 by various elements of the Christian population of the Crimean Khanate.&lt;br /&gt;&lt;br /&gt;Between July and September 1778, a grand total of 31,098 people (half the Christian population of the khanate) deserted Crimea and moved to Russian territory on the shores of the Sea of Azov. Empress Catherine II and a handful of powerful men on the ground clearly engineered this relocation, which has been described as everything from an episode of deportation to one of voluntary migration.&amp;nbsp;&lt;br /&gt;&lt;br /&gt;Catherine II's government spent 130,000 rubles in the process, but the results were priceless. The loss of thousands of Greeks, Georgians, and Armenians dealt a heavy blow to the khanate's economy (they tended lucrative gardens and orchards, cultivated vineyards, and dominated maritime trade through the Black Sea and beyond). Sahin Girey Khan's position was weakened beyond repair (already perceived as a lackey of the empress, his inability to halt the migration made clear Russia's lack of concern for the khan's ability to rule). &lt;br /&gt;&lt;br /&gt;An anxious Ottoman government deployed a fleet to Aktiar (the future site of Sevastopol) in August, only to be repulsed. Negotiations for a new peace settlement between St. Petersburg and the Porte got underway soon thereafter. &lt;br /&gt;&lt;br /&gt;The resulting Treaty of Ainali-Kavak secured the independent status of the khanate and required the removal of all Russian troops. This was no favor to the khan however. His position was tenuous at best; without the support of the empress's troops, he had precious little support. It wasn't long before the political situation in Crimea deteriorated, necessitating the return of Prince Potemkin and, by April 1783, the annexation of the khanate to Russia.&lt;/p&gt;&#13;
&lt;hr /&gt;</text>
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                <text>1,228 Greeks abandoned this area in 1778.</text>
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                  <text>Dachas</text>
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                  <text>In simplest terms, a&amp;nbsp;dacha was a portion of land given out by the tsar. &lt;br /&gt;&lt;br /&gt;The apportioning of land to servitors and favorites was hardly an innovation, but over the course of the eighteenth century the dacha became ever more closely associated with the expansion of the empire. Early in the century, Peter I imbued the dacha with a distinctly strategic character, distributing grants both as a form of incentive and a coercive strategy for affecting the physical transformation of his new capital at St. Petersburg. &lt;br /&gt;&lt;br /&gt;Devoid of any associations with wellness, leisure, comfort, or domesticity – this came later in the nineteenth century – the earlier iteration of the dacha referred to a plot of uninhabited, unbuilt, uncultivated land located some distance away from the proprietor’s primary residence. A diligent proprietor might convert it into an &lt;i&gt;usad'ba&lt;/i&gt; (country estate), with formal or mature gardens and permanent dwellings, or into an agriculturally-productive site – a farm, an orchard, a cultivated woodland. &lt;br /&gt;&lt;br /&gt;The essence of the dacha was that it implied a dynamic relationship between owner and property and the conversion of empty spaces into usable, definable places.&lt;br /&gt;&#13;
&lt;p&gt;&lt;strong&gt;Related narration&lt;/strong&gt;: &lt;a href="http://dighist.fas.harvard.edu/projects/beautifulspaces/exhibits/show/dachageo" target="_self"&gt;Dacha Geography&lt;/a&gt;&lt;/p&gt;&#13;
&lt;hr /&gt;</text>
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              <text>1,409 desiatinas in the valley.</text>
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              <text>Titular Councillor Volkov</text>
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              <text>1794 Dacha Reports</text>
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                <text>Stepnaia</text>
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                  <text>Bossoli's Album</text>
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                  <text>The talents of Carlo Bossoli (1815-1884), a Swiss-born Italian artist who spent his youth in Odessa, attracted the attention of no less a figure than Count Mikhail Vorontsov, governor-general of New Russia and Bessarabia. Vorontsov commissed a series of views of Odessa, which Bossoli executed with success. Between 1840 and 1842 Bossoli lived on Vorontsov's estate at Alupka, using it as a base for exploring the peninsula in its entirety. He produced the album from which these watercolors are taken just as the Crimean War was breaking out in 1853. The timing was auspicious and Bossoli's publisher (Day &amp;amp; Son, lithographers to the Queen) was quite pleased with &lt;a title="the view from London" href="/items/show/615" target="_blank" rel="noopener"&gt;the resulting buzz&lt;/a&gt;.&lt;br /&gt;&lt;br /&gt;&lt;span&gt;Bossoli's album is a rarity: no more than 500 copies were printed in 1856. The album consisted of 52 watercolors and pastels. The images shown here were digitized and graciously made available by the &lt;strong&gt;Gordon Library at Worcester Polytechnic Institute&lt;/strong&gt;. They are available here for educational, non-commercial purposes only.&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Interestingly enough, a bilingual edition (Russian and English) was &lt;strong&gt;reproduced in Kiev in 2003&lt;/strong&gt;. The publication was made possible by 1) the Republican Committee for the Protection of Cultural Heritage, Council of Ministers of the Autonomous Republic of Crimea, 2) the Ministry of Culture of&amp;nbsp;the Autonomous Republic of Crimea, and 3) the vice-chairman of the Council of Ministers of&amp;nbsp;the Autonomous Republic of Crimea.&lt;br /&gt;&lt;br /&gt;The editors of the 2003 volume had high hopes that Crimea "should become an integral historical-cultural and natural preserve and prosper in the unity of nations living on its land." From their perspective, Bossoli's paintings "show the Crimea as an infinitely beautiful, well-developed, and happy land..."&amp;nbsp;&lt;br /&gt;&lt;br /&gt;See for yourself.&lt;hr /&gt;</text>
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                  <text>bossoli-paintings</text>
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              <text>1 of 34 leaves of colored plates</text>
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              <text>56 cm</text>
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              <text>Gordon Library, Worcester Polytechnic Institute [&lt;a href="http://gordonlibrary.wpi.edu/vwebv/holdingsInfo?bibId=6520" target="_blank"&gt;go to the record&lt;/a&gt;]</text>
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                <text>Steppes between Perekop and Simferopol</text>
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                <text>Crimean Tatars on foot, on horseback, and in camel-driven wagons travel along a flat landscape with a large ruin in the background. According to Bossoli's notes, this is the ruin of a mosque.&lt;br /&gt;&lt;br /&gt;Bossoli also draws our attention to the "mounds of earth, called Kourghour, which are seen in the distance, are generally supposed to have been used as indications of roads and distances." [Kurgans are burial mounds or barrows.]</text>
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                <text>Carlo Bossoli,&amp;nbsp;&lt;em&gt;The beautiful scenery and chief places of interest throughout the Crimea from paintings&amp;nbsp;&lt;/em&gt;(London: Day &amp;amp; Son, 1856)</text>
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                <text>Carlo Bossoli</text>
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                <text>1840-1844</text>
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                <text>Image courtesy of Preservation, Curation and Archives, Gordon Library, Worcester Polytechnic Institute</text>
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                  <text>In simplest terms, a&amp;nbsp;dacha was a portion of land given out by the tsar. &lt;br /&gt;&lt;br /&gt;The apportioning of land to servitors and favorites was hardly an innovation, but over the course of the eighteenth century the dacha became ever more closely associated with the expansion of the empire. Early in the century, Peter I imbued the dacha with a distinctly strategic character, distributing grants both as a form of incentive and a coercive strategy for affecting the physical transformation of his new capital at St. Petersburg. &lt;br /&gt;&lt;br /&gt;Devoid of any associations with wellness, leisure, comfort, or domesticity – this came later in the nineteenth century – the earlier iteration of the dacha referred to a plot of uninhabited, unbuilt, uncultivated land located some distance away from the proprietor’s primary residence. A diligent proprietor might convert it into an &lt;i&gt;usad'ba&lt;/i&gt; (country estate), with formal or mature gardens and permanent dwellings, or into an agriculturally-productive site – a farm, an orchard, a cultivated woodland. &lt;br /&gt;&lt;br /&gt;The essence of the dacha was that it implied a dynamic relationship between owner and property and the conversion of empty spaces into usable, definable places.&lt;br /&gt;&#13;
&lt;p&gt;&lt;strong&gt;Related narration&lt;/strong&gt;: &lt;a href="http://dighist.fas.harvard.edu/projects/beautifulspaces/exhibits/show/dachageo" target="_self"&gt;Dacha Geography&lt;/a&gt;&lt;/p&gt;&#13;
&lt;hr /&gt;</text>
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              <text>According to the 1794 report, this dacha consisted of 3904 desiatinas formerly owned by Prince Potemkin.</text>
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              <text>Supervisory Councillor Smirnov</text>
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                  <text>Portrait of Antiquity</text>
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                  <text>Crimea was (and still is) uniquely studded with fallen slabs, old foundations, ancient walls, gravestones, and mounds of earth that have grown incrementally over the years to cover the bones of past lives. On my first visit to Sevastopol a friend explained that every good rain dislodged chards of pottery, the occasional coin, and other sundry treasures. And sure enough, when we went trekking in the mountains above Laspi later that week - keeping a sharp eye out for wild boar - I found three small bits of pottery, the edges worn smooth but the greens and blues of their surfaces still vivid. My friend chuckled and dismissed them as insignificant - the pieces dated to the fourteenth or maybe fifteenth century, after all - but I savored the extraordinary feeling of that small weight in my palm, sun-warm and heavy with historical memory.&lt;br /&gt;&lt;br /&gt;In 1837 the Academy of Sciences in St. Petersburg published a remarkable study&amp;nbsp;&lt;em&gt;On the Antiquities of the Southern Coast of Crimea and the Tavridan Mountains&lt;/em&gt;. The book's author,&amp;nbsp;Peter Keppen, spent 5 years living in Crimea while serving as assistant to the chief of silk production (shelkovodstvo). During that time he traveled almost obsessively, collecting material for his geographical and archaeological projects.&lt;br /&gt;&lt;br /&gt;In the dedication (addressed, of course, to Tsar Nicholas I), Keppen describes Crimea as "the most charming of all the countries prospering" under Romanov rule. His book lovingly documents the location, history, and status of inscribed stones, marble columns, churches, and tombstones, but the bulk of material details defensive towers and walls. Keppen saw Crimea - in antiquity - as a territory divided between a savage, predatory north and a luxuriously beautiful south hemmed in by the Tauride (or Tavridan) mountains on one side and the Black Sea on the other. The fortified line that separated one from the other was, to him, one of the two organizing features of Crimean space (or of its antique space anyway).&lt;br /&gt;&lt;br /&gt;The second feature was sedimentation. Keppen was acutely aware of the way in which the passage of time imprinted itself on the landscape. At one point he describes finding the remains of an ancient fortification with thick walls of "wild stone" on the heights of Ayudag. "And is it surprising?" Keppen asks. "One must remember that this place has not been inhabited since 1475. And since then the spring sun has warmed the mountain tops and new growth has sprung from the depths of the earth no fewer than 360 times. 360 times over autumn storms have torn the leaves from trees and ripped the grasses, each year creating a new layer to cover any traces of human existence!"(170)&lt;br /&gt;&lt;br /&gt;Keppen would tell you that to see Crimea, one had to dig.&amp;nbsp;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;This collection contains all of the sites (though not all of the individual stones!) discussed in &lt;em&gt;On the Antiquities of the Southern Coast&lt;/em&gt;. &lt;/strong&gt;It includes 4 mausoleums, 9 Greek churches, and 58 fortifications. Each and every one was a ruin even before Keppen laid eyes on it.&amp;nbsp;&lt;br /&gt;&lt;strong&gt;&lt;br /&gt;Related gallery: &lt;/strong&gt;&lt;a href="http://dighist.fas.harvard.edu/projects/beautifulspaces/collections/show/19" target="_self"&gt;Uvarov's Antiquities&lt;/a&gt;&lt;strong&gt;&lt;br /&gt;Related narrations&lt;/strong&gt;: &lt;a href="http://dighist.fas.harvard.edu/projects/beautifulspaces/collections/show/37" target="_self"&gt;Among the Ruins&lt;/a&gt; &amp;amp; &lt;a href="http://dighist.fas.harvard.edu/projects/beautifulspaces/collections/show/40" target="_self"&gt;A Monumental Inscription&lt;br /&gt;&lt;/a&gt;&lt;strong&gt;Related source map&lt;/strong&gt;: &lt;a href="http://dighist.fas.harvard.edu/projects/beautifulspaces/item/898" target="_blank"&gt;Keppen's Antiquities&lt;/a&gt;&lt;hr /&gt;</text>
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      <description>Building or item from the past. In most contexts, an antiquity belongs to the ancient, classical, or possibly medieval period. In Crimea and in the Russian south more broadly, archaeologists and collectors used the term to describe the material legacy of the ancient Greeks, Byzantines, Genoese, Karaims, Ottomans, and Crimean Tatars who inhabited the region prior to Russian conquest. </description>
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                <text>Petr Keppen, &lt;em&gt;O drevnostiakh IUzhnago Berega Kryma i Gor Tavricheskikh&lt;/em&gt; (Sankt Peterburg, 1837): 17-19. [&lt;a href="https://books.google.com/books?id=-PAKAAAAIAAJ&amp;amp;lpg=PA51&amp;amp;ots=5dsqBqEsOO&amp;amp;dq=%D0%BE%20%D0%B4%D1%80%D0%B5%D0%B2%D0%BD%D0%BE%D1%81%D1%82%D1%8F%D1%85%20%D1%8E%D0%B6%D0%BD%D0%B0%D0%B3%D0%BE%20%D0%B1%D0%B5%D1%80%D0%B5%D0%B3%D0%B0&amp;amp;pg=PA18#v=twopage&amp;amp;q&amp;amp;f=true" target="_blank"&gt;go to the page&lt;/a&gt;]</text>
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                <text>The Stanford Library copy of Keppen's work was digitized by Google Books.</text>
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                <text>Ruins of a Greek church. Keppen found an inscription on the slab above the door with far more recent provenance than the church itself. The Russian translation of the Greek runs as follows: Gervasij Ieromonakh Sumely, puteshestvie 1754; 176.; 1765. Gervasij, a hieromonk from the famous Sumela monastery near Trabzon, apparently visited Crimea on several occasions in the middle of the eighteenth century. Keppen surmised that he sought alms for his home monastery.</text>
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              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Dachas</text>
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                  <text>In simplest terms, a&amp;nbsp;dacha was a portion of land given out by the tsar. &lt;br /&gt;&lt;br /&gt;The apportioning of land to servitors and favorites was hardly an innovation, but over the course of the eighteenth century the dacha became ever more closely associated with the expansion of the empire. Early in the century, Peter I imbued the dacha with a distinctly strategic character, distributing grants both as a form of incentive and a coercive strategy for affecting the physical transformation of his new capital at St. Petersburg. &lt;br /&gt;&lt;br /&gt;Devoid of any associations with wellness, leisure, comfort, or domesticity – this came later in the nineteenth century – the earlier iteration of the dacha referred to a plot of uninhabited, unbuilt, uncultivated land located some distance away from the proprietor’s primary residence. A diligent proprietor might convert it into an &lt;i&gt;usad'ba&lt;/i&gt; (country estate), with formal or mature gardens and permanent dwellings, or into an agriculturally-productive site – a farm, an orchard, a cultivated woodland. &lt;br /&gt;&lt;br /&gt;The essence of the dacha was that it implied a dynamic relationship between owner and property and the conversion of empty spaces into usable, definable places.&lt;br /&gt;&#13;
&lt;p&gt;&lt;strong&gt;Related narration&lt;/strong&gt;: &lt;a href="http://dighist.fas.harvard.edu/projects/beautifulspaces/exhibits/show/dachageo" target="_self"&gt;Dacha Geography&lt;/a&gt;&lt;/p&gt;&#13;
&lt;hr /&gt;</text>
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              <text>A dacha of 2,392 or 2,425 desiatinas on the Subash River.</text>
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              <text>Lt. General Denisov (1788); Prince Aleksandr Andreevich Bezborodko (senior privy councillor)</text>
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                  <text>&lt;p&gt;This collection describes 43 garden sites considered to be the property of the Russian state in the 1790s. The gardens described here contain&amp;nbsp;&lt;strong&gt;821 individually documented parcels&lt;/strong&gt;. Together they covered 351 acres along the prime southern coast and river valleys, and contained nearly 20,000 trees (19,193, to be precise).&amp;nbsp;&lt;br /&gt;&lt;br /&gt;17 species are documented in the reports: plum (слив), hazelnut (фундук), walnut (волошские орехи), pear (груш), European pear (дулина),&amp;nbsp;rowan (рябин), apple (яблон), cherry (черешен), cherry (вишне), aiva (айва), mulberry (щелковиц), olive (маслин), fig (инжер), date (фурма), medlar (мушмоль), peach (персик), and almond (миндал).&lt;/p&gt;&#13;
&lt;p&gt;The collection is based on a set of reports "&lt;a href="http://dighist.fas.harvard.edu/projects/beautifulspaces/items/show/939" target="_blank"&gt;on the composition of the lands and gardens of Tavrida Province held as quitrent properties&lt;/a&gt;" (freehold properties in return for which lessees paid a land tax) compiled between 1791 and 1794.&lt;/p&gt;&#13;
&lt;hr /&gt;</text>
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              <text>gardens: 39, parcels: 39</text>
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              <text>47109 square sazhens (53 acres)</text>
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              <text>plum, walnut, rowan, apple, cherry, European pear, aiva, medlar</text>
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            <name>Title</name>
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                <text>Sudak</text>
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                <text>&lt;a href="http://dighist.fas.harvard.edu/projects/beautifulspaces/items/show/939" target="_blank"&gt;Report on state-owned fruit gardens and vineyards along the Belbek, Kacha, and Alma rivers&lt;/a&gt;</text>
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        <name>aiva</name>
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      <tag tagId="177">
        <name>apple</name>
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      <tag tagId="178">
        <name>cherry</name>
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      <tag tagId="179">
        <name>European pear</name>
      </tag>
      <tag tagId="195">
        <name>gardens: state-owned</name>
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      <tag tagId="188">
        <name>medlar</name>
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      <tag tagId="172">
        <name>plum</name>
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      <tag tagId="176">
        <name>rowan</name>
      </tag>
      <tag tagId="20">
        <name>Sudak valley</name>
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      <tag tagId="193">
        <name>Tatar property</name>
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      <tag tagId="174">
        <name>walnut</name>
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                  <text>Crimea was (and still is) uniquely studded with fallen slabs, old foundations, ancient walls, gravestones, and mounds of earth that have grown incrementally over the years to cover the bones of past lives. On my first visit to Sevastopol a friend explained that every good rain dislodged chards of pottery, the occasional coin, and other sundry treasures. And sure enough, when we went trekking in the mountains above Laspi later that week - keeping a sharp eye out for wild boar - I found three small bits of pottery, the edges worn smooth but the greens and blues of their surfaces still vivid. My friend chuckled and dismissed them as insignificant - the pieces dated to the fourteenth or maybe fifteenth century, after all - but I savored the extraordinary feeling of that small weight in my palm, sun-warm and heavy with historical memory.&lt;br /&gt;&lt;br /&gt;In 1837 the Academy of Sciences in St. Petersburg published a remarkable study&amp;nbsp;&lt;em&gt;On the Antiquities of the Southern Coast of Crimea and the Tavridan Mountains&lt;/em&gt;. The book's author,&amp;nbsp;Peter Keppen, spent 5 years living in Crimea while serving as assistant to the chief of silk production (shelkovodstvo). During that time he traveled almost obsessively, collecting material for his geographical and archaeological projects.&lt;br /&gt;&lt;br /&gt;In the dedication (addressed, of course, to Tsar Nicholas I), Keppen describes Crimea as "the most charming of all the countries prospering" under Romanov rule. His book lovingly documents the location, history, and status of inscribed stones, marble columns, churches, and tombstones, but the bulk of material details defensive towers and walls. Keppen saw Crimea - in antiquity - as a territory divided between a savage, predatory north and a luxuriously beautiful south hemmed in by the Tauride (or Tavridan) mountains on one side and the Black Sea on the other. The fortified line that separated one from the other was, to him, one of the two organizing features of Crimean space (or of its antique space anyway).&lt;br /&gt;&lt;br /&gt;The second feature was sedimentation. Keppen was acutely aware of the way in which the passage of time imprinted itself on the landscape. At one point he describes finding the remains of an ancient fortification with thick walls of "wild stone" on the heights of Ayudag. "And is it surprising?" Keppen asks. "One must remember that this place has not been inhabited since 1475. And since then the spring sun has warmed the mountain tops and new growth has sprung from the depths of the earth no fewer than 360 times. 360 times over autumn storms have torn the leaves from trees and ripped the grasses, each year creating a new layer to cover any traces of human existence!"(170)&lt;br /&gt;&lt;br /&gt;Keppen would tell you that to see Crimea, one had to dig.&amp;nbsp;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;This collection contains all of the sites (though not all of the individual stones!) discussed in &lt;em&gt;On the Antiquities of the Southern Coast&lt;/em&gt;. &lt;/strong&gt;It includes 4 mausoleums, 9 Greek churches, and 58 fortifications. Each and every one was a ruin even before Keppen laid eyes on it.&amp;nbsp;&lt;br /&gt;&lt;strong&gt;&lt;br /&gt;Related gallery: &lt;/strong&gt;&lt;a href="http://dighist.fas.harvard.edu/projects/beautifulspaces/collections/show/19" target="_self"&gt;Uvarov's Antiquities&lt;/a&gt;&lt;strong&gt;&lt;br /&gt;Related narrations&lt;/strong&gt;: &lt;a href="http://dighist.fas.harvard.edu/projects/beautifulspaces/collections/show/37" target="_self"&gt;Among the Ruins&lt;/a&gt; &amp;amp; &lt;a href="http://dighist.fas.harvard.edu/projects/beautifulspaces/collections/show/40" target="_self"&gt;A Monumental Inscription&lt;br /&gt;&lt;/a&gt;&lt;strong&gt;Related source map&lt;/strong&gt;: &lt;a href="http://dighist.fas.harvard.edu/projects/beautifulspaces/item/898" target="_blank"&gt;Keppen's Antiquities&lt;/a&gt;&lt;hr /&gt;</text>
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      <name>Antiquity</name>
      <description>Building or item from the past. In most contexts, an antiquity belongs to the ancient, classical, or possibly medieval period. In Crimea and in the Russian south more broadly, archaeologists and collectors used the term to describe the material legacy of the ancient Greeks, Byzantines, Genoese, Karaims, Ottomans, and Crimean Tatars who inhabited the region prior to Russian conquest. </description>
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                <text>Sudak</text>
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                <text>Petr Keppen</text>
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                <text>Petr Keppen, &lt;em&gt;O drevnostiakh IUzhnago Berega Kryma i Gor Tavricheskikh&lt;/em&gt; (Sankt Peterburg, 1837)</text>
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            <description>An account of the resource</description>
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                <text>Keppen includes a suitably long discussion of the history of Sudak, which extends back to the 8th century CE. Along the way he mentions that while there were hundreds of churches in the second half of the sixteenth century, his study of the area leads him to conclude that they were quite small. </text>
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            <name>Contributor</name>
            <description>An entity responsible for making contributions to the resource</description>
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                <text>The Stanford Library copy of Keppen's work was digitized by Google Books.</text>
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      <tag tagId="74">
        <name>fortification</name>
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      <tag tagId="66">
        <name>ruin</name>
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        <name>Dublin Core</name>
        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Sudak vineyards</text>
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            <name>Description</name>
            <description>An account of the resource</description>
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                <text>According to Keppen, Sudak was not so much a town as it was a sprawling vineyard sewn with little houses occupied by their owners during the autumn harvest. (Keppen, 124)&#13;
&#13;
Writing at nearly the same time as Keppen, Bronevskii claimed that Sudak once had over 100,000 inhabitants. By 1815, in addition to the 100 invalids settled in poor quarters, there was no one. &#13;
&#13;
In spring though, and in autumn, approximately 2,000 workers and manufacturers came to work the land and harvest the grapes.(Bronevskii 1815, page 123)</text>
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  <item itemId="273" public="1" featured="0">
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          <name>Dublin Core</name>
          <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
          <elementContainer>
            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="19">
                  <text>The Many Lives of Mirzas</text>
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            <element elementId="41">
              <name>Description</name>
              <description>An account of the resource</description>
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                  <text>&lt;p&gt;This collection contains biographical sketches of the 39 members of the Crimean Tatar elite who were registered as members of the nobility of Tavrida Province and whose noble status was recognized by the imperial government in St. Petersburg.&amp;nbsp;&lt;br /&gt;&lt;br /&gt;Official recognition of noble status came via approval of the Heraldry Office and subsequent inscription in the noble register (rodoslovnaia kniga / родословная книга) of any given province of the empire. The&amp;nbsp;&lt;a href="http://dighist.fas.harvard.edu/projects/crimeaproject/items/show/312" target="_blank"&gt;Tavrida noble register&lt;/a&gt;&amp;nbsp;was compiled on an annual basis starting in 1804 by the provincial noble assembly. Between 1804 and 1853 there were 660 entries, only 39 of which described Crimean Tatars. The 39 entries, all of which are presented here, dealt with a total of 51 Crimean Tatar nobles (brothers and cousins often petitioned together for inclusion in the noble register), along with their families. &lt;br /&gt;&lt;br /&gt;Though they do little more than scratch the surface of Crimean Tatar (elite) life under Russian rule, they provide&amp;nbsp;&lt;strong&gt;compelling evidence of the ways in which kinship and service could be converted into enhanced social status&lt;/strong&gt;.&lt;/p&gt;&#13;
&lt;p&gt;&lt;strong&gt;A few notes before you dig in:&lt;/strong&gt;&lt;br /&gt;All names are transliterated from Russian, which was the language of the noble registers. This accounts for the odd spellings of Tatar and Turkic names.&lt;/p&gt;&#13;
&lt;p&gt;Each entry is a highly structured text, its format standardized across all the provinces of the Russian Empire.&lt;/p&gt;&#13;
&lt;p&gt;That structure is reflected in the way the information within each entry is presented here. As you move through this collection, pay attention to clan names, variations in title (murza, bey, aga), family structure (particularly the importance of lateral kinship), and the dramatic variation in service records and landownership.&lt;/p&gt;&#13;
&lt;p&gt;In order to get a full sense of the connections among individuals, 1) use the "Item Relations" (at the end of each entry), which mark kinship relations and connections to key archival sources that might remain opaque when going the material Item-by-Item; and 2), surf the tags!&lt;/p&gt;</text>
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              <name>Creator</name>
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                  <text>Kelly O'Neill</text>
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              <name>Date</name>
              <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                <elementText elementTextId="1051">
                  <text>1804-1853</text>
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    <itemType itemTypeId="20">
      <name>Member of the Crimean Tatar Elite</name>
      <description>limited to Crimean Tatars</description>
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        <element elementId="55">
          <name>Rank</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="1617">
              <text>[Grandfather held rank of Major.]</text>
            </elementText>
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        </element>
        <element elementId="56">
          <name>Year of Inscription</name>
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            <elementText elementTextId="1618">
              <text>1839</text>
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        <element elementId="57">
          <name>Inscription Note</name>
          <description>Display Description</description>
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            <elementText elementTextId="1619">
              <text>Inscribed in part 3 of the rodoslovnaia kniga (reserved for those who attained civil rank of 8 or higher).</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="31">
          <name>Birth Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="1620">
              <text>1814</text>
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        <element elementId="58">
          <name>Family &amp; Background</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="1621">
              <text>Suin Gazy Murza (25) had two legal wives: Kulsum and Epek, and sons aged 2 and 3. He was the grandson of Collegiate Councillor/Major Megmetsha Murza Kipchat and son of Sali Murza, who attained the rank of provincial secretery in 1808 as a result of his service to the Duke de Richelieu, Governor-General of Novorossiia.</text>
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        </element>
        <element elementId="59">
          <name>Service Record</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="1622">
              <text>[no notation]</text>
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        </element>
        <element elementId="60">
          <name>Residence &amp; Property</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="1623">
              <text>Suin Gazy Murza owned 5,000 desiatinas in Simferopol uezd, part of which was forest. He also owned 1,800 desiatinas in Perekop uezd.</text>
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        </element>
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    </itemType>
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        <name>Dublin Core</name>
        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="1615">
                <text>Suin Gazy Mirza Kipchat (Kipchatskii)</text>
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          </element>
          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="1616">
                <text>Tavrida noble register entry</text>
              </elementText>
            </elementTextContainer>
          </element>
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    </elementSetContainer>
    <tagContainer>
      <tag tagId="12">
        <name>elite clan</name>
      </tag>
      <tag tagId="59">
        <name>forests</name>
      </tag>
      <tag tagId="13">
        <name>landowner</name>
      </tag>
      <tag tagId="14">
        <name>Simferopol uezd</name>
      </tag>
      <tag tagId="33">
        <name>vertical kinship</name>
      </tag>
      <tag tagId="37">
        <name>women</name>
      </tag>
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