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              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Dachas</text>
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              <description>An unambiguous reference to the resource within a given context</description>
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                  <text>In simplest terms, a&amp;nbsp;dacha was a portion of land given out by the tsar. &lt;br /&gt;&lt;br /&gt;The apportioning of land to servitors and favorites was hardly an innovation, but over the course of the eighteenth century the dacha became ever more closely associated with the expansion of the empire. Early in the century, Peter I imbued the dacha with a distinctly strategic character, distributing grants both as a form of incentive and a coercive strategy for affecting the physical transformation of his new capital at St. Petersburg. &lt;br /&gt;&lt;br /&gt;Devoid of any associations with wellness, leisure, comfort, or domesticity – this came later in the nineteenth century – the earlier iteration of the dacha referred to a plot of uninhabited, unbuilt, uncultivated land located some distance away from the proprietor’s primary residence. A diligent proprietor might convert it into an &lt;i&gt;usad'ba&lt;/i&gt; (country estate), with formal or mature gardens and permanent dwellings, or into an agriculturally-productive site – a farm, an orchard, a cultivated woodland. &lt;br /&gt;&lt;br /&gt;The essence of the dacha was that it implied a dynamic relationship between owner and property and the conversion of empty spaces into usable, definable places.&lt;br /&gt;&#13;
&lt;p&gt;&lt;strong&gt;Related narration&lt;/strong&gt;: &lt;a href="http://dighist.fas.harvard.edu/projects/beautifulspaces/exhibits/show/dachageo" target="_self"&gt;Dacha Geography&lt;/a&gt;&lt;/p&gt;&#13;
&lt;hr /&gt;</text>
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      <name>Dacha property</name>
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          <name>Property Note</name>
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              <text>No notes on the size or characteristics of the property included in the 1794 document.</text>
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          <name>Ownership Note</name>
          <description/>
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              <text>Lt. Colonel Megmetsha Bey Kantakuzin</text>
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          <name>Attestation</name>
          <description/>
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              <text>1794 Dacha Reports</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Sultan Sala</text>
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        <name>Neatline Display</name>
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                <text>39</text>
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            <name>Neatline Record</name>
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                <text>220</text>
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        <name>Tatar property</name>
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              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Abandoned Villages</text>
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              <name>Description</name>
              <description>An account of the resource</description>
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                  <text>&lt;p&gt;At the moment, this collection presents the contents of a list of sites abandoned in 1778 by various elements of the Christian population of the Crimean Khanate.&lt;br /&gt;&lt;br /&gt;Between July and September 1778, a grand total of 31,098 people (half the Christian population of the khanate) deserted Crimea and moved to Russian territory on the shores of the Sea of Azov. Empress Catherine II and a handful of powerful men on the ground clearly engineered this relocation, which has been described as everything from an episode of deportation to one of voluntary migration.&amp;nbsp;&lt;br /&gt;&lt;br /&gt;Catherine II's government spent 130,000 rubles in the process, but the results were priceless. The loss of thousands of Greeks, Georgians, and Armenians dealt a heavy blow to the khanate's economy (they tended lucrative gardens and orchards, cultivated vineyards, and dominated maritime trade through the Black Sea and beyond). Sahin Girey Khan's position was weakened beyond repair (already perceived as a lackey of the empress, his inability to halt the migration made clear Russia's lack of concern for the khan's ability to rule). &lt;br /&gt;&lt;br /&gt;An anxious Ottoman government deployed a fleet to Aktiar (the future site of Sevastopol) in August, only to be repulsed. Negotiations for a new peace settlement between St. Petersburg and the Porte got underway soon thereafter. &lt;br /&gt;&lt;br /&gt;The resulting Treaty of Ainali-Kavak secured the independent status of the khanate and required the removal of all Russian troops. This was no favor to the khan however. His position was tenuous at best; without the support of the empress's troops, he had precious little support. It wasn't long before the political situation in Crimea deteriorated, necessitating the return of Prince Potemkin and, by April 1783, the annexation of the khanate to Russia.&lt;/p&gt;&#13;
&lt;hr /&gt;</text>
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      <name>Abandoned place</name>
      <description/>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Sultan-Sala</text>
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            <description>An account of the resource</description>
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                <text>15 Georgians and 57 Armenians abandoned this area in 1778.</text>
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        <name>Armenian settlement</name>
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        <name>Georgian settlement</name>
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              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Dachas</text>
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              <name>Identifier</name>
              <description>An unambiguous reference to the resource within a given context</description>
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                  <text>gazetteer</text>
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              <name>Description</name>
              <description>An account of the resource</description>
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                  <text>In simplest terms, a&amp;nbsp;dacha was a portion of land given out by the tsar. &lt;br /&gt;&lt;br /&gt;The apportioning of land to servitors and favorites was hardly an innovation, but over the course of the eighteenth century the dacha became ever more closely associated with the expansion of the empire. Early in the century, Peter I imbued the dacha with a distinctly strategic character, distributing grants both as a form of incentive and a coercive strategy for affecting the physical transformation of his new capital at St. Petersburg. &lt;br /&gt;&lt;br /&gt;Devoid of any associations with wellness, leisure, comfort, or domesticity – this came later in the nineteenth century – the earlier iteration of the dacha referred to a plot of uninhabited, unbuilt, uncultivated land located some distance away from the proprietor’s primary residence. A diligent proprietor might convert it into an &lt;i&gt;usad'ba&lt;/i&gt; (country estate), with formal or mature gardens and permanent dwellings, or into an agriculturally-productive site – a farm, an orchard, a cultivated woodland. &lt;br /&gt;&lt;br /&gt;The essence of the dacha was that it implied a dynamic relationship between owner and property and the conversion of empty spaces into usable, definable places.&lt;br /&gt;&#13;
&lt;p&gt;&lt;strong&gt;Related narration&lt;/strong&gt;: &lt;a href="http://dighist.fas.harvard.edu/projects/beautifulspaces/exhibits/show/dachageo" target="_self"&gt;Dacha Geography&lt;/a&gt;&lt;/p&gt;&#13;
&lt;hr /&gt;</text>
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          <name>Property Note</name>
          <description>Display Description</description>
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              <text>This dacha consisted of 1,216 desiatinas.</text>
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          <name>Ownership Note</name>
          <description/>
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              <text>Settlers from among the meshchane and clergy</text>
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          <name>Attestation</name>
          <description/>
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              <text>1794 Dacha Reports; 1802 Dacha Reports</text>
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        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Suuk-Sala</text>
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        <name>settler property</name>
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              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Dachas</text>
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              <name>Identifier</name>
              <description>An unambiguous reference to the resource within a given context</description>
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                  <text>gazetteer</text>
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              <name>Description</name>
              <description>An account of the resource</description>
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                  <text>In simplest terms, a&amp;nbsp;dacha was a portion of land given out by the tsar. &lt;br /&gt;&lt;br /&gt;The apportioning of land to servitors and favorites was hardly an innovation, but over the course of the eighteenth century the dacha became ever more closely associated with the expansion of the empire. Early in the century, Peter I imbued the dacha with a distinctly strategic character, distributing grants both as a form of incentive and a coercive strategy for affecting the physical transformation of his new capital at St. Petersburg. &lt;br /&gt;&lt;br /&gt;Devoid of any associations with wellness, leisure, comfort, or domesticity – this came later in the nineteenth century – the earlier iteration of the dacha referred to a plot of uninhabited, unbuilt, uncultivated land located some distance away from the proprietor’s primary residence. A diligent proprietor might convert it into an &lt;i&gt;usad'ba&lt;/i&gt; (country estate), with formal or mature gardens and permanent dwellings, or into an agriculturally-productive site – a farm, an orchard, a cultivated woodland. &lt;br /&gt;&lt;br /&gt;The essence of the dacha was that it implied a dynamic relationship between owner and property and the conversion of empty spaces into usable, definable places.&lt;br /&gt;&#13;
&lt;p&gt;&lt;strong&gt;Related narration&lt;/strong&gt;: &lt;a href="http://dighist.fas.harvard.edu/projects/beautifulspaces/exhibits/show/dachageo" target="_self"&gt;Dacha Geography&lt;/a&gt;&lt;/p&gt;&#13;
&lt;hr /&gt;</text>
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      <name>Dacha property</name>
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          <name>Property Note</name>
          <description>Display Description</description>
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              <text>According to the 1794 report, this dacha consisted of 1678 desiatinas.</text>
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          <name>Ownership Note</name>
          <description/>
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              <text>Admiral Mordvinov; Commissar Fabra</text>
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          <name>Attestation</name>
          <description/>
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              <text>1794 Dacha Reports</text>
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            <description>A name given to the resource</description>
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                <text>Suuk-Su</text>
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        <name>settler property</name>
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              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Dachas</text>
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              <name>Identifier</name>
              <description>An unambiguous reference to the resource within a given context</description>
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              <description>An account of the resource</description>
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                  <text>In simplest terms, a&amp;nbsp;dacha was a portion of land given out by the tsar. &lt;br /&gt;&lt;br /&gt;The apportioning of land to servitors and favorites was hardly an innovation, but over the course of the eighteenth century the dacha became ever more closely associated with the expansion of the empire. Early in the century, Peter I imbued the dacha with a distinctly strategic character, distributing grants both as a form of incentive and a coercive strategy for affecting the physical transformation of his new capital at St. Petersburg. &lt;br /&gt;&lt;br /&gt;Devoid of any associations with wellness, leisure, comfort, or domesticity – this came later in the nineteenth century – the earlier iteration of the dacha referred to a plot of uninhabited, unbuilt, uncultivated land located some distance away from the proprietor’s primary residence. A diligent proprietor might convert it into an &lt;i&gt;usad'ba&lt;/i&gt; (country estate), with formal or mature gardens and permanent dwellings, or into an agriculturally-productive site – a farm, an orchard, a cultivated woodland. &lt;br /&gt;&lt;br /&gt;The essence of the dacha was that it implied a dynamic relationship between owner and property and the conversion of empty spaces into usable, definable places.&lt;br /&gt;&#13;
&lt;p&gt;&lt;strong&gt;Related narration&lt;/strong&gt;: &lt;a href="http://dighist.fas.harvard.edu/projects/beautifulspaces/exhibits/show/dachageo" target="_self"&gt;Dacha Geography&lt;/a&gt;&lt;/p&gt;&#13;
&lt;hr /&gt;</text>
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      <name>Dacha property</name>
      <description/>
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          <name>Property Note</name>
          <description>Display Description</description>
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              <text>A dacha composed of 16,732 desiatinas (45,177 acres), of which 92% was considered suitable for cultivation.</text>
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        <element elementId="74">
          <name>Ownership Note</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2800">
              <text>Privy Councillor Popov</text>
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        <element elementId="75">
          <name>Dacha Grant Year</name>
          <description/>
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              <text>1789</text>
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          <name>Attestation</name>
          <description/>
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              <text>1802 Dacha Reports</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Tarkhan-Sarigol</text>
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        <name>patchwork</name>
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        <name>settler property</name>
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              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Dachas</text>
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              <name>Identifier</name>
              <description>An unambiguous reference to the resource within a given context</description>
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                  <text>gazetteer</text>
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              <name>Description</name>
              <description>An account of the resource</description>
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                  <text>In simplest terms, a&amp;nbsp;dacha was a portion of land given out by the tsar. &lt;br /&gt;&lt;br /&gt;The apportioning of land to servitors and favorites was hardly an innovation, but over the course of the eighteenth century the dacha became ever more closely associated with the expansion of the empire. Early in the century, Peter I imbued the dacha with a distinctly strategic character, distributing grants both as a form of incentive and a coercive strategy for affecting the physical transformation of his new capital at St. Petersburg. &lt;br /&gt;&lt;br /&gt;Devoid of any associations with wellness, leisure, comfort, or domesticity – this came later in the nineteenth century – the earlier iteration of the dacha referred to a plot of uninhabited, unbuilt, uncultivated land located some distance away from the proprietor’s primary residence. A diligent proprietor might convert it into an &lt;i&gt;usad'ba&lt;/i&gt; (country estate), with formal or mature gardens and permanent dwellings, or into an agriculturally-productive site – a farm, an orchard, a cultivated woodland. &lt;br /&gt;&lt;br /&gt;The essence of the dacha was that it implied a dynamic relationship between owner and property and the conversion of empty spaces into usable, definable places.&lt;br /&gt;&#13;
&lt;p&gt;&lt;strong&gt;Related narration&lt;/strong&gt;: &lt;a href="http://dighist.fas.harvard.edu/projects/beautifulspaces/exhibits/show/dachageo" target="_self"&gt;Dacha Geography&lt;/a&gt;&lt;/p&gt;&#13;
&lt;hr /&gt;</text>
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              <text>According to the 1794 report, this dacha consisted of 22,489 desiatinas in or near the villages of Arbatzhi, Kel'sheikh, Kir Abzlar, Abla hadji Karmysh, Eli Abzlar. Land for grazing livestock.</text>
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                  <text>Demidov's Voyage Illustrations</text>
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                  <text>Illustrations from a volume held at the John Hay Library, Brown University</text>
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                  <text>Anatole de Demidoff</text>
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                  <text>Voyage dans la Russie Meridionale et la Crimee</text>
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                <text>Tartar [sic] Peasants' Homes in the Village of Déré-Koui</text>
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                <text>View of Crimean Tatar peasants's homes, which were often built into the sides of hills. A man and a small boy stand on a terrace looking into the distance. Demidov notes that the terrace is the most important part of the house because it serves many functions: it serves as a space where the family can make grain products, dried fruit goods, and clothing. It also serves as an observatory from which members of the family can look out on the town and surrounding area. Finally, it is the place from which the family can hear orders from local authorities.&#13;
&#13;
31 August 1837</text>
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                <text>Anatolii Demidov, &lt;em&gt;Album du Voyage dans la Russie méridionale et la Crimée, par la Hongrie, La Valachie et la Moldavie&amp;gt;, ed. Ernest Bourdin (Paris, 1838)&lt;/em&gt;</text>
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                <text>Denis Auguste Marie Raffet</text>
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                <text>1837</text>
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                <text>Image courtesy of the Anne S.K. Brown Military Collection, Brown University Library</text>
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        <name>Tatar culture</name>
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                  <text>The talents of Carlo Bossoli (1815-1884), a Swiss-born Italian artist who spent his youth in Odessa, attracted the attention of no less a figure than Count Mikhail Vorontsov, governor-general of New Russia and Bessarabia. Vorontsov commissed a series of views of Odessa, which Bossoli executed with success. Between 1840 and 1842 Bossoli lived on Vorontsov's estate at Alupka, using it as a base for exploring the peninsula in its entirety. He produced the album from which these watercolors are taken just as the Crimean War was breaking out in 1853. The timing was auspicious and Bossoli's publisher (Day &amp;amp; Son, lithographers to the Queen) was quite pleased with &lt;a title="the view from London" href="/items/show/615" target="_blank" rel="noopener"&gt;the resulting buzz&lt;/a&gt;.&lt;br /&gt;&lt;br /&gt;&lt;span&gt;Bossoli's album is a rarity: no more than 500 copies were printed in 1856. The album consisted of 52 watercolors and pastels. The images shown here were digitized and graciously made available by the &lt;strong&gt;Gordon Library at Worcester Polytechnic Institute&lt;/strong&gt;. They are available here for educational, non-commercial purposes only.&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Interestingly enough, a bilingual edition (Russian and English) was &lt;strong&gt;reproduced in Kiev in 2003&lt;/strong&gt;. The publication was made possible by 1) the Republican Committee for the Protection of Cultural Heritage, Council of Ministers of the Autonomous Republic of Crimea, 2) the Ministry of Culture of&amp;nbsp;the Autonomous Republic of Crimea, and 3) the vice-chairman of the Council of Ministers of&amp;nbsp;the Autonomous Republic of Crimea.&lt;br /&gt;&lt;br /&gt;The editors of the 2003 volume had high hopes that Crimea "should become an integral historical-cultural and natural preserve and prosper in the unity of nations living on its land." From their perspective, Bossoli's paintings "show the Crimea as an infinitely beautiful, well-developed, and happy land..."&amp;nbsp;&lt;br /&gt;&lt;br /&gt;See for yourself.&lt;hr /&gt;</text>
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                  <text>bossoli-paintings</text>
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              <text>1 of 34 leaves of colored plates</text>
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              <text>Gordon Library, Worcester Polytechnic Institute [&lt;a href="http://gordonlibrary.wpi.edu/vwebv/holdingsInfo?bibId=6520" target="_blank"&gt;go to the record&lt;/a&gt;]</text>
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                <text>Tartar Children's School</text>
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                <text>Interior view of a Tatar school. Crimean Tatar children of all ages cluster in groups listening to their teachers or reading. Books lie on low tables and on the floor. </text>
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                <text>Carlo Bossoli,&amp;nbsp;&lt;em&gt;The beautiful scenery and chief places of interest throughout the Crimea from paintings&amp;nbsp;&lt;/em&gt;(London: Day &amp;amp; Son, 1856)</text>
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                <text>Carlo Bossoli</text>
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                <text>1840-1844</text>
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              <elementText elementTextId="3206">
                <text>Image courtesy of Preservation, Curation and Archives, Gordon Library, Worcester Polytechnic Institute</text>
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                  <text>Portrait of Antiquity</text>
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                  <text>Crimea was (and still is) uniquely studded with fallen slabs, old foundations, ancient walls, gravestones, and mounds of earth that have grown incrementally over the years to cover the bones of past lives. On my first visit to Sevastopol a friend explained that every good rain dislodged chards of pottery, the occasional coin, and other sundry treasures. And sure enough, when we went trekking in the mountains above Laspi later that week - keeping a sharp eye out for wild boar - I found three small bits of pottery, the edges worn smooth but the greens and blues of their surfaces still vivid. My friend chuckled and dismissed them as insignificant - the pieces dated to the fourteenth or maybe fifteenth century, after all - but I savored the extraordinary feeling of that small weight in my palm, sun-warm and heavy with historical memory.&lt;br /&gt;&lt;br /&gt;In 1837 the Academy of Sciences in St. Petersburg published a remarkable study&amp;nbsp;&lt;em&gt;On the Antiquities of the Southern Coast of Crimea and the Tavridan Mountains&lt;/em&gt;. The book's author,&amp;nbsp;Peter Keppen, spent 5 years living in Crimea while serving as assistant to the chief of silk production (shelkovodstvo). During that time he traveled almost obsessively, collecting material for his geographical and archaeological projects.&lt;br /&gt;&lt;br /&gt;In the dedication (addressed, of course, to Tsar Nicholas I), Keppen describes Crimea as "the most charming of all the countries prospering" under Romanov rule. His book lovingly documents the location, history, and status of inscribed stones, marble columns, churches, and tombstones, but the bulk of material details defensive towers and walls. Keppen saw Crimea - in antiquity - as a territory divided between a savage, predatory north and a luxuriously beautiful south hemmed in by the Tauride (or Tavridan) mountains on one side and the Black Sea on the other. The fortified line that separated one from the other was, to him, one of the two organizing features of Crimean space (or of its antique space anyway).&lt;br /&gt;&lt;br /&gt;The second feature was sedimentation. Keppen was acutely aware of the way in which the passage of time imprinted itself on the landscape. At one point he describes finding the remains of an ancient fortification with thick walls of "wild stone" on the heights of Ayudag. "And is it surprising?" Keppen asks. "One must remember that this place has not been inhabited since 1475. And since then the spring sun has warmed the mountain tops and new growth has sprung from the depths of the earth no fewer than 360 times. 360 times over autumn storms have torn the leaves from trees and ripped the grasses, each year creating a new layer to cover any traces of human existence!"(170)&lt;br /&gt;&lt;br /&gt;Keppen would tell you that to see Crimea, one had to dig.&amp;nbsp;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;This collection contains all of the sites (though not all of the individual stones!) discussed in &lt;em&gt;On the Antiquities of the Southern Coast&lt;/em&gt;. &lt;/strong&gt;It includes 4 mausoleums, 9 Greek churches, and 58 fortifications. Each and every one was a ruin even before Keppen laid eyes on it.&amp;nbsp;&lt;br /&gt;&lt;strong&gt;&lt;br /&gt;Related gallery: &lt;/strong&gt;&lt;a href="http://dighist.fas.harvard.edu/projects/beautifulspaces/collections/show/19" target="_self"&gt;Uvarov's Antiquities&lt;/a&gt;&lt;strong&gt;&lt;br /&gt;Related narrations&lt;/strong&gt;: &lt;a href="http://dighist.fas.harvard.edu/projects/beautifulspaces/collections/show/37" target="_self"&gt;Among the Ruins&lt;/a&gt; &amp;amp; &lt;a href="http://dighist.fas.harvard.edu/projects/beautifulspaces/collections/show/40" target="_self"&gt;A Monumental Inscription&lt;br /&gt;&lt;/a&gt;&lt;strong&gt;Related source map&lt;/strong&gt;: &lt;a href="http://dighist.fas.harvard.edu/projects/beautifulspaces/item/898" target="_blank"&gt;Keppen's Antiquities&lt;/a&gt;&lt;hr /&gt;</text>
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                <text>Tash Kapu / Khabakh Tash</text>
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                <text>Petr Keppen, &lt;em&gt;O drevnostiakh IUzhnago Berega Kryma i Gor Tavricheskikh&lt;/em&gt; (Sankt Peterburg, 1837)</text>
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                <text>Located one and one-quarter hours travel from Otuz on the road to Staryi Krym. On Mukhin's map, Khabakh Tash is called "ruins of Otuz".</text>
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                <text>The Stanford Library copy of Keppen's work was digitized by Google Books.</text>
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                  <text>Crimea was (and still is) uniquely studded with fallen slabs, old foundations, ancient walls, gravestones, and mounds of earth that have grown incrementally over the years to cover the bones of past lives. On my first visit to Sevastopol a friend explained that every good rain dislodged chards of pottery, the occasional coin, and other sundry treasures. And sure enough, when we went trekking in the mountains above Laspi later that week - keeping a sharp eye out for wild boar - I found three small bits of pottery, the edges worn smooth but the greens and blues of their surfaces still vivid. My friend chuckled and dismissed them as insignificant - the pieces dated to the fourteenth or maybe fifteenth century, after all - but I savored the extraordinary feeling of that small weight in my palm, sun-warm and heavy with historical memory.&lt;br /&gt;&lt;br /&gt;In 1837 the Academy of Sciences in St. Petersburg published a remarkable study&amp;nbsp;&lt;em&gt;On the Antiquities of the Southern Coast of Crimea and the Tavridan Mountains&lt;/em&gt;. The book's author,&amp;nbsp;Peter Keppen, spent 5 years living in Crimea while serving as assistant to the chief of silk production (shelkovodstvo). During that time he traveled almost obsessively, collecting material for his geographical and archaeological projects.&lt;br /&gt;&lt;br /&gt;In the dedication (addressed, of course, to Tsar Nicholas I), Keppen describes Crimea as "the most charming of all the countries prospering" under Romanov rule. His book lovingly documents the location, history, and status of inscribed stones, marble columns, churches, and tombstones, but the bulk of material details defensive towers and walls. Keppen saw Crimea - in antiquity - as a territory divided between a savage, predatory north and a luxuriously beautiful south hemmed in by the Tauride (or Tavridan) mountains on one side and the Black Sea on the other. The fortified line that separated one from the other was, to him, one of the two organizing features of Crimean space (or of its antique space anyway).&lt;br /&gt;&lt;br /&gt;The second feature was sedimentation. Keppen was acutely aware of the way in which the passage of time imprinted itself on the landscape. At one point he describes finding the remains of an ancient fortification with thick walls of "wild stone" on the heights of Ayudag. "And is it surprising?" Keppen asks. "One must remember that this place has not been inhabited since 1475. And since then the spring sun has warmed the mountain tops and new growth has sprung from the depths of the earth no fewer than 360 times. 360 times over autumn storms have torn the leaves from trees and ripped the grasses, each year creating a new layer to cover any traces of human existence!"(170)&lt;br /&gt;&lt;br /&gt;Keppen would tell you that to see Crimea, one had to dig.&amp;nbsp;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;This collection contains all of the sites (though not all of the individual stones!) discussed in &lt;em&gt;On the Antiquities of the Southern Coast&lt;/em&gt;. &lt;/strong&gt;It includes 4 mausoleums, 9 Greek churches, and 58 fortifications. Each and every one was a ruin even before Keppen laid eyes on it.&amp;nbsp;&lt;br /&gt;&lt;strong&gt;&lt;br /&gt;Related gallery: &lt;/strong&gt;&lt;a href="http://dighist.fas.harvard.edu/projects/beautifulspaces/collections/show/19" target="_self"&gt;Uvarov's Antiquities&lt;/a&gt;&lt;strong&gt;&lt;br /&gt;Related narrations&lt;/strong&gt;: &lt;a href="http://dighist.fas.harvard.edu/projects/beautifulspaces/collections/show/37" target="_self"&gt;Among the Ruins&lt;/a&gt; &amp;amp; &lt;a href="http://dighist.fas.harvard.edu/projects/beautifulspaces/collections/show/40" target="_self"&gt;A Monumental Inscription&lt;br /&gt;&lt;/a&gt;&lt;strong&gt;Related source map&lt;/strong&gt;: &lt;a href="http://dighist.fas.harvard.edu/projects/beautifulspaces/item/898" target="_blank"&gt;Keppen's Antiquities&lt;/a&gt;&lt;hr /&gt;</text>
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      <name>Antiquity</name>
      <description>Building or item from the past. In most contexts, an antiquity belongs to the ancient, classical, or possibly medieval period. In Crimea and in the Russian south more broadly, archaeologists and collectors used the term to describe the material legacy of the ancient Greeks, Byzantines, Genoese, Karaims, Ottomans, and Crimean Tatars who inhabited the region prior to Russian conquest. </description>
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        <name>Dublin Core</name>
        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="5438">
                <text>Tash Khabakh</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
            <elementTextContainer>
              <elementText elementTextId="5439">
                <text>Petr Keppen</text>
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            </elementTextContainer>
          </element>
          <element elementId="48">
            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
            <elementTextContainer>
              <elementText elementTextId="5440">
                <text>Petr Keppen, &lt;em&gt;O drevnostiakh IUzhnago Berega Kryma i Gor Tavricheskikh&lt;/em&gt; (Sankt Peterburg, 1837)</text>
              </elementText>
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          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="5441">
                <text>1837</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="5442">
                <text>"Stone gate". The site is located on the way from Kozy to Taraktash; on the right, and about a verst from the road.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="37">
            <name>Contributor</name>
            <description>An entity responsible for making contributions to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="5443">
                <text>The Stanford Library copy of Keppen's work was digitized by Google Books.</text>
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            </elementTextContainer>
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      <tag tagId="74">
        <name>fortification</name>
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      <tag tagId="66">
        <name>ruin</name>
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