6 10 510 https://s3.amazonaws.com/atg-prod-oaas-files/beautifulspaces/original/f98b16193cae2a342f746303021f4884.png 7c219230951628308a10026dabb2822a Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Khan Palace scheme Source A related resource from which the described resource is derived http://www.hansaray.org.ua/e_schema.html Creator An entity primarily responsible for making the resource Oleksa Haiworonski Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Essential Published Sources Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource O drevnostiakh iuzhnago berega Kryma i gor Tavricheskikh Type The nature or genre of the resource Book Creator An entity primarily responsible for making the resource Petr Keppen Publisher An entity responsible for making the resource available Pechatano pri Imp. akademīi nauk Date A point or period of time associated with an event in the lifecycle of the resource 1837 Source A related resource from which the described resource is derived Yudin Collection, Library of Congress Zotero Title O drevnosti︠a︡kh i︠u︡zhnago berega Kryma i gor Tavricheskikh Item Type Book Author Petr Keppen Collection (Library of Congress) Yudin Place Sanktpeterburg Publisher Pechatano pri Imp. akademīi nauk Date 1837 Call Number DK508.9.K78 K46 1837 Library Catalog lms01.harvard.edu Library Catalog Num Pages 409 Note Cover title: Krymskīĭ sbornik Accompanied by: Ukazatelʹ k Karti︠e︡ i︠u︡zhnago Kryma prinadlezhashcheĭ k Krymskomu sborniku Petra Keppena. Sanktpeterburg : Pri Imperatorskoĭ Akademīi nauk, 1836. 68 p. + 1 map on 4 sheets ; 62 x 107 cm., sheets 35 x 57 cm., folded to 29 x 18 cm antiquities fortification maps southern coast https://s3.amazonaws.com/atg-prod-oaas-files/beautifulspaces/original/d4dc38df88259f5e4735eb2dbef8b1d8.jpg 6340871ae0b17f314abf0c8fe95bb4b0 https://s3.amazonaws.com/atg-prod-oaas-files/beautifulspaces/original/d66132c1ed5b92c7753914162db7d385.jpg 24c64f9e6b73f65794fde7294be20b96 https://s3.amazonaws.com/atg-prod-oaas-files/beautifulspaces/original/848560e7bb17f82db2f9be32b8b33553.jpg ed61fafef68c6b5bb03c1e2a56e46c54 https://s3.amazonaws.com/atg-prod-oaas-files/beautifulspaces/original/2c6ef6d012d01388394bf76c5e3c6d03.jpg 007786b24cb714cf7a031f72e76544f6 https://s3.amazonaws.com/atg-prod-oaas-files/beautifulspaces/original/d3ce7cbeed50f34ed3e6e55b4d68672b.jpg 3e0a1ed9d71164abf5f97824910c5ea9 https://s3.amazonaws.com/atg-prod-oaas-files/beautifulspaces/original/6f79f469291b470fb3415a8e45c9afc9.jpg c2b6ecaf87247a292188ceb3483d9bca https://s3.amazonaws.com/atg-prod-oaas-files/beautifulspaces/original/248950e0f95b88afcf723d37fbe0c2d9.jpg f850ae8032c8718a078f91439981a48d https://s3.amazonaws.com/atg-prod-oaas-files/beautifulspaces/original/3b608e9e8e2588fc81ffe1951752f9c9.jpg 5e608677815b7be8d2a0452a0cf2a72f Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Source Maps Description An account of the resource These are the core historical maps which I have mined for spatial data. I have used them to help me locate places that no longer exist, as well as to think about how Crimean space was conceptualized - and how places were defined in relation to one another - in the 19th century. Historical Map Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Keppen's map of Southern Crimea Description An account of the resource This digital copy of Keppen's map was made from a copy of an edition of the map held by the library of the Soviet Academy of Sciences. The map has four sheets; the digital version contains 8 images. Source A related resource from which the described resource is derived Karta iuzhnago Kryma, prinadlezhashchaia k Krymskomu Sborniku Petra Keppena (S. Peterburg: Graf M. S. Vorontsov, 1836) Creator An entity primarily responsible for making the resource Petr Keppen Publisher An entity responsible for making the resource available Originally published by the Governor-General of Novorossiia and Bessarabia, Count M. S. Vorontsov. Digital images made available by Sergei L'vovich Smekalov (archmap.ru). Date A point or period of time associated with an event in the lifecycle of the resource 1836 Language A language of the resource Russian Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Portrait of Antiquity Description An account of the resource Crimea was (and still is) uniquely studded with fallen slabs, old foundations, ancient walls, gravestones, and mounds of earth that have grown incrementally over the years to cover the bones of past lives. On my first visit to Sevastopol a friend explained that every good rain dislodged chards of pottery, the occasional coin, and other sundry treasures. And sure enough, when we went trekking in the mountains above Laspi later that week - keeping a sharp eye out for wild boar - I found three small bits of pottery, the edges worn smooth but the greens and blues of their surfaces still vivid. My friend chuckled and dismissed them as insignificant - the pieces dated to the fourteenth or maybe fifteenth century, after all - but I savored the extraordinary feeling of that small weight in my palm, sun-warm and heavy with historical memory. In 1837 the Academy of Sciences in St. Petersburg published a remarkable study On the Antiquities of the Southern Coast of Crimea and the Tavridan Mountains. The book's author, Peter Keppen, spent 5 years living in Crimea while serving as assistant to the chief of silk production (shelkovodstvo). During that time he traveled almost obsessively, collecting material for his geographical and archaeological projects. In the dedication (addressed, of course, to Tsar Nicholas I), Keppen describes Crimea as "the most charming of all the countries prospering" under Romanov rule. His book lovingly documents the location, history, and status of inscribed stones, marble columns, churches, and tombstones, but the bulk of material details defensive towers and walls. Keppen saw Crimea - in antiquity - as a territory divided between a savage, predatory north and a luxuriously beautiful south hemmed in by the Tauride (or Tavridan) mountains on one side and the Black Sea on the other. The fortified line that separated one from the other was, to him, one of the two organizing features of Crimean space (or of its antique space anyway). The second feature was sedimentation. Keppen was acutely aware of the way in which the passage of time imprinted itself on the landscape. At one point he describes finding the remains of an ancient fortification with thick walls of "wild stone" on the heights of Ayudag. "And is it surprising?" Keppen asks. "One must remember that this place has not been inhabited since 1475. And since then the spring sun has warmed the mountain tops and new growth has sprung from the depths of the earth no fewer than 360 times. 360 times over autumn storms have torn the leaves from trees and ripped the grasses, each year creating a new layer to cover any traces of human existence!"(170) Keppen would tell you that to see Crimea, one had to dig.  This collection contains all of the sites (though not all of the individual stones!) discussed in On the Antiquities of the Southern Coast. It includes 4 mausoleums, 9 Greek churches, and 58 fortifications. Each and every one was a ruin even before Keppen laid eyes on it.  Related gallery: <a href="http://dighist.fas.harvard.edu/projects/beautifulspaces/collections/show/19" target="_self">Uvarov's Antiquities</a> Related narrations: <a href="http://dighist.fas.harvard.edu/projects/beautifulspaces/collections/show/37" target="_self">Among the Ruins</a> & <a href="http://dighist.fas.harvard.edu/projects/beautifulspaces/collections/show/40" target="_self">A Monumental Inscription </a>Related source map: <a href="http://dighist.fas.harvard.edu/projects/beautifulspaces/item/898" target="_blank">Keppen's Antiquities</a><hr /> Antiquity Building or item from the past. In most contexts, an antiquity belongs to the ancient, classical, or possibly medieval period. In Crimea and in the Russian south more broadly, archaeologists and collectors used the term to describe the material legacy of the ancient Greeks, Byzantines, Genoese, Karaims, Ottomans, and Crimean Tatars who inhabited the region prior to Russian conquest. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Otuz Creator An entity primarily responsible for making the resource Petr Keppen Source A related resource from which the described resource is derived Petr Keppen, O drevnostiakh IUzhnago Berega Kryma i Gor Tavricheskikh (Sankt Peterburg, 1837) Date A point or period of time associated with an event in the lifecycle of the resource 1837 Description An account of the resource The Otuz fortification is situated on a substantial hill three-quarters of an hour from the village of Otuz, down near the sea. Its significance lies in the fact that it is the most easterly of the fortifications on the coastal side of the mountains. The ruins here, Keppen explains, are indicative of the presence of a great many other foritifications along the coast.(103) Contributor An entity responsible for making contributions to the resource The Stanford Library copy of Keppen's work was digitized by Google Books. fortification ruin Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Portrait of Antiquity Description An account of the resource Crimea was (and still is) uniquely studded with fallen slabs, old foundations, ancient walls, gravestones, and mounds of earth that have grown incrementally over the years to cover the bones of past lives. On my first visit to Sevastopol a friend explained that every good rain dislodged chards of pottery, the occasional coin, and other sundry treasures. And sure enough, when we went trekking in the mountains above Laspi later that week - keeping a sharp eye out for wild boar - I found three small bits of pottery, the edges worn smooth but the greens and blues of their surfaces still vivid. My friend chuckled and dismissed them as insignificant - the pieces dated to the fourteenth or maybe fifteenth century, after all - but I savored the extraordinary feeling of that small weight in my palm, sun-warm and heavy with historical memory. In 1837 the Academy of Sciences in St. Petersburg published a remarkable study On the Antiquities of the Southern Coast of Crimea and the Tavridan Mountains. The book's author, Peter Keppen, spent 5 years living in Crimea while serving as assistant to the chief of silk production (shelkovodstvo). During that time he traveled almost obsessively, collecting material for his geographical and archaeological projects. In the dedication (addressed, of course, to Tsar Nicholas I), Keppen describes Crimea as "the most charming of all the countries prospering" under Romanov rule. His book lovingly documents the location, history, and status of inscribed stones, marble columns, churches, and tombstones, but the bulk of material details defensive towers and walls. Keppen saw Crimea - in antiquity - as a territory divided between a savage, predatory north and a luxuriously beautiful south hemmed in by the Tauride (or Tavridan) mountains on one side and the Black Sea on the other. The fortified line that separated one from the other was, to him, one of the two organizing features of Crimean space (or of its antique space anyway). The second feature was sedimentation. Keppen was acutely aware of the way in which the passage of time imprinted itself on the landscape. At one point he describes finding the remains of an ancient fortification with thick walls of "wild stone" on the heights of Ayudag. "And is it surprising?" Keppen asks. "One must remember that this place has not been inhabited since 1475. And since then the spring sun has warmed the mountain tops and new growth has sprung from the depths of the earth no fewer than 360 times. 360 times over autumn storms have torn the leaves from trees and ripped the grasses, each year creating a new layer to cover any traces of human existence!"(170) Keppen would tell you that to see Crimea, one had to dig.  This collection contains all of the sites (though not all of the individual stones!) discussed in On the Antiquities of the Southern Coast. It includes 4 mausoleums, 9 Greek churches, and 58 fortifications. Each and every one was a ruin even before Keppen laid eyes on it.  Related gallery: <a href="http://dighist.fas.harvard.edu/projects/beautifulspaces/collections/show/19" target="_self">Uvarov's Antiquities</a> Related narrations: <a href="http://dighist.fas.harvard.edu/projects/beautifulspaces/collections/show/37" target="_self">Among the Ruins</a> & <a href="http://dighist.fas.harvard.edu/projects/beautifulspaces/collections/show/40" target="_self">A Monumental Inscription </a>Related source map: <a href="http://dighist.fas.harvard.edu/projects/beautifulspaces/item/898" target="_blank">Keppen's Antiquities</a><hr /> Antiquity Building or item from the past. In most contexts, an antiquity belongs to the ancient, classical, or possibly medieval period. In Crimea and in the Russian south more broadly, archaeologists and collectors used the term to describe the material legacy of the ancient Greeks, Byzantines, Genoese, Karaims, Ottomans, and Crimean Tatars who inhabited the region prior to Russian conquest. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Tash Kapu / Khabakh Tash Creator An entity primarily responsible for making the resource Petr Keppen Source A related resource from which the described resource is derived Petr Keppen, O drevnostiakh IUzhnago Berega Kryma i Gor Tavricheskikh (Sankt Peterburg, 1837) Date A point or period of time associated with an event in the lifecycle of the resource 1837 Description An account of the resource Located one and one-quarter hours travel from Otuz on the road to Staryi Krym. On Mukhin's map, Khabakh Tash is called "ruins of Otuz". Contributor An entity responsible for making contributions to the resource The Stanford Library copy of Keppen's work was digitized by Google Books. fortification Mukhin map ruin travel time Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Portrait of Antiquity Description An account of the resource Crimea was (and still is) uniquely studded with fallen slabs, old foundations, ancient walls, gravestones, and mounds of earth that have grown incrementally over the years to cover the bones of past lives. On my first visit to Sevastopol a friend explained that every good rain dislodged chards of pottery, the occasional coin, and other sundry treasures. And sure enough, when we went trekking in the mountains above Laspi later that week - keeping a sharp eye out for wild boar - I found three small bits of pottery, the edges worn smooth but the greens and blues of their surfaces still vivid. My friend chuckled and dismissed them as insignificant - the pieces dated to the fourteenth or maybe fifteenth century, after all - but I savored the extraordinary feeling of that small weight in my palm, sun-warm and heavy with historical memory. In 1837 the Academy of Sciences in St. Petersburg published a remarkable study On the Antiquities of the Southern Coast of Crimea and the Tavridan Mountains. The book's author, Peter Keppen, spent 5 years living in Crimea while serving as assistant to the chief of silk production (shelkovodstvo). During that time he traveled almost obsessively, collecting material for his geographical and archaeological projects. In the dedication (addressed, of course, to Tsar Nicholas I), Keppen describes Crimea as "the most charming of all the countries prospering" under Romanov rule. His book lovingly documents the location, history, and status of inscribed stones, marble columns, churches, and tombstones, but the bulk of material details defensive towers and walls. Keppen saw Crimea - in antiquity - as a territory divided between a savage, predatory north and a luxuriously beautiful south hemmed in by the Tauride (or Tavridan) mountains on one side and the Black Sea on the other. The fortified line that separated one from the other was, to him, one of the two organizing features of Crimean space (or of its antique space anyway). The second feature was sedimentation. Keppen was acutely aware of the way in which the passage of time imprinted itself on the landscape. At one point he describes finding the remains of an ancient fortification with thick walls of "wild stone" on the heights of Ayudag. "And is it surprising?" Keppen asks. "One must remember that this place has not been inhabited since 1475. And since then the spring sun has warmed the mountain tops and new growth has sprung from the depths of the earth no fewer than 360 times. 360 times over autumn storms have torn the leaves from trees and ripped the grasses, each year creating a new layer to cover any traces of human existence!"(170) Keppen would tell you that to see Crimea, one had to dig.  This collection contains all of the sites (though not all of the individual stones!) discussed in On the Antiquities of the Southern Coast. It includes 4 mausoleums, 9 Greek churches, and 58 fortifications. Each and every one was a ruin even before Keppen laid eyes on it.  Related gallery: <a href="http://dighist.fas.harvard.edu/projects/beautifulspaces/collections/show/19" target="_self">Uvarov's Antiquities</a> Related narrations: <a href="http://dighist.fas.harvard.edu/projects/beautifulspaces/collections/show/37" target="_self">Among the Ruins</a> & <a href="http://dighist.fas.harvard.edu/projects/beautifulspaces/collections/show/40" target="_self">A Monumental Inscription </a>Related source map: <a href="http://dighist.fas.harvard.edu/projects/beautifulspaces/item/898" target="_blank">Keppen's Antiquities</a><hr /> Antiquity Building or item from the past. In most contexts, an antiquity belongs to the ancient, classical, or possibly medieval period. In Crimea and in the Russian south more broadly, archaeologists and collectors used the term to describe the material legacy of the ancient Greeks, Byzantines, Genoese, Karaims, Ottomans, and Crimean Tatars who inhabited the region prior to Russian conquest. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Eltigen Creator An entity primarily responsible for making the resource Petr Keppen Source A related resource from which the described resource is derived Petr Keppen, O drevnostiakh IUzhnago Berega Kryma i Gor Tavricheskikh (Sankt Peterburg, 1837) Date A point or period of time associated with an event in the lifecycle of the resource 1837 Description An account of the resource 10 minutes north of the village of Kozy along the Otuz road. The site includes the remains of ancient limestone walls 18 vershki (31.5 inches) thick and nearly 2 sazhens high, and a Greek church. Contributor An entity responsible for making contributions to the resource The Stanford Library copy of Keppen's work was digitized by Google Books. church fortification ruin travel time Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Portrait of Antiquity Description An account of the resource Crimea was (and still is) uniquely studded with fallen slabs, old foundations, ancient walls, gravestones, and mounds of earth that have grown incrementally over the years to cover the bones of past lives. On my first visit to Sevastopol a friend explained that every good rain dislodged chards of pottery, the occasional coin, and other sundry treasures. And sure enough, when we went trekking in the mountains above Laspi later that week - keeping a sharp eye out for wild boar - I found three small bits of pottery, the edges worn smooth but the greens and blues of their surfaces still vivid. My friend chuckled and dismissed them as insignificant - the pieces dated to the fourteenth or maybe fifteenth century, after all - but I savored the extraordinary feeling of that small weight in my palm, sun-warm and heavy with historical memory. In 1837 the Academy of Sciences in St. Petersburg published a remarkable study On the Antiquities of the Southern Coast of Crimea and the Tavridan Mountains. The book's author, Peter Keppen, spent 5 years living in Crimea while serving as assistant to the chief of silk production (shelkovodstvo). During that time he traveled almost obsessively, collecting material for his geographical and archaeological projects. In the dedication (addressed, of course, to Tsar Nicholas I), Keppen describes Crimea as "the most charming of all the countries prospering" under Romanov rule. His book lovingly documents the location, history, and status of inscribed stones, marble columns, churches, and tombstones, but the bulk of material details defensive towers and walls. Keppen saw Crimea - in antiquity - as a territory divided between a savage, predatory north and a luxuriously beautiful south hemmed in by the Tauride (or Tavridan) mountains on one side and the Black Sea on the other. The fortified line that separated one from the other was, to him, one of the two organizing features of Crimean space (or of its antique space anyway). The second feature was sedimentation. Keppen was acutely aware of the way in which the passage of time imprinted itself on the landscape. At one point he describes finding the remains of an ancient fortification with thick walls of "wild stone" on the heights of Ayudag. "And is it surprising?" Keppen asks. "One must remember that this place has not been inhabited since 1475. And since then the spring sun has warmed the mountain tops and new growth has sprung from the depths of the earth no fewer than 360 times. 360 times over autumn storms have torn the leaves from trees and ripped the grasses, each year creating a new layer to cover any traces of human existence!"(170) Keppen would tell you that to see Crimea, one had to dig.  This collection contains all of the sites (though not all of the individual stones!) discussed in On the Antiquities of the Southern Coast. It includes 4 mausoleums, 9 Greek churches, and 58 fortifications. Each and every one was a ruin even before Keppen laid eyes on it.  Related gallery: <a href="http://dighist.fas.harvard.edu/projects/beautifulspaces/collections/show/19" target="_self">Uvarov's Antiquities</a> Related narrations: <a href="http://dighist.fas.harvard.edu/projects/beautifulspaces/collections/show/37" target="_self">Among the Ruins</a> & <a href="http://dighist.fas.harvard.edu/projects/beautifulspaces/collections/show/40" target="_self">A Monumental Inscription </a>Related source map: <a href="http://dighist.fas.harvard.edu/projects/beautifulspaces/item/898" target="_blank">Keppen's Antiquities</a><hr /> Antiquity Building or item from the past. In most contexts, an antiquity belongs to the ancient, classical, or possibly medieval period. In Crimea and in the Russian south more broadly, archaeologists and collectors used the term to describe the material legacy of the ancient Greeks, Byzantines, Genoese, Karaims, Ottomans, and Crimean Tatars who inhabited the region prior to Russian conquest. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Tash Khabakh Creator An entity primarily responsible for making the resource Petr Keppen Source A related resource from which the described resource is derived Petr Keppen, O drevnostiakh IUzhnago Berega Kryma i Gor Tavricheskikh (Sankt Peterburg, 1837) Date A point or period of time associated with an event in the lifecycle of the resource 1837 Description An account of the resource "Stone gate". The site is located on the way from Kozy to Taraktash; on the right, and about a verst from the road. Contributor An entity responsible for making contributions to the resource The Stanford Library copy of Keppen's work was digitized by Google Books. fortification ruin Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Portrait of Antiquity Description An account of the resource Crimea was (and still is) uniquely studded with fallen slabs, old foundations, ancient walls, gravestones, and mounds of earth that have grown incrementally over the years to cover the bones of past lives. On my first visit to Sevastopol a friend explained that every good rain dislodged chards of pottery, the occasional coin, and other sundry treasures. And sure enough, when we went trekking in the mountains above Laspi later that week - keeping a sharp eye out for wild boar - I found three small bits of pottery, the edges worn smooth but the greens and blues of their surfaces still vivid. My friend chuckled and dismissed them as insignificant - the pieces dated to the fourteenth or maybe fifteenth century, after all - but I savored the extraordinary feeling of that small weight in my palm, sun-warm and heavy with historical memory. In 1837 the Academy of Sciences in St. Petersburg published a remarkable study On the Antiquities of the Southern Coast of Crimea and the Tavridan Mountains. The book's author, Peter Keppen, spent 5 years living in Crimea while serving as assistant to the chief of silk production (shelkovodstvo). During that time he traveled almost obsessively, collecting material for his geographical and archaeological projects. In the dedication (addressed, of course, to Tsar Nicholas I), Keppen describes Crimea as "the most charming of all the countries prospering" under Romanov rule. His book lovingly documents the location, history, and status of inscribed stones, marble columns, churches, and tombstones, but the bulk of material details defensive towers and walls. Keppen saw Crimea - in antiquity - as a territory divided between a savage, predatory north and a luxuriously beautiful south hemmed in by the Tauride (or Tavridan) mountains on one side and the Black Sea on the other. The fortified line that separated one from the other was, to him, one of the two organizing features of Crimean space (or of its antique space anyway). The second feature was sedimentation. Keppen was acutely aware of the way in which the passage of time imprinted itself on the landscape. At one point he describes finding the remains of an ancient fortification with thick walls of "wild stone" on the heights of Ayudag. "And is it surprising?" Keppen asks. "One must remember that this place has not been inhabited since 1475. And since then the spring sun has warmed the mountain tops and new growth has sprung from the depths of the earth no fewer than 360 times. 360 times over autumn storms have torn the leaves from trees and ripped the grasses, each year creating a new layer to cover any traces of human existence!"(170) Keppen would tell you that to see Crimea, one had to dig.  This collection contains all of the sites (though not all of the individual stones!) discussed in On the Antiquities of the Southern Coast. It includes 4 mausoleums, 9 Greek churches, and 58 fortifications. Each and every one was a ruin even before Keppen laid eyes on it.  Related gallery: <a href="http://dighist.fas.harvard.edu/projects/beautifulspaces/collections/show/19" target="_self">Uvarov's Antiquities</a> Related narrations: <a href="http://dighist.fas.harvard.edu/projects/beautifulspaces/collections/show/37" target="_self">Among the Ruins</a> & <a href="http://dighist.fas.harvard.edu/projects/beautifulspaces/collections/show/40" target="_self">A Monumental Inscription </a>Related source map: <a href="http://dighist.fas.harvard.edu/projects/beautifulspaces/item/898" target="_blank">Keppen's Antiquities</a><hr /> Antiquity Building or item from the past. In most contexts, an antiquity belongs to the ancient, classical, or possibly medieval period. In Crimea and in the Russian south more broadly, archaeologists and collectors used the term to describe the material legacy of the ancient Greeks, Byzantines, Genoese, Karaims, Ottomans, and Crimean Tatars who inhabited the region prior to Russian conquest. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Khaplaryn Bogaz Creator An entity primarily responsible for making the resource Petr Keppen Source A related resource from which the described resource is derived Petr Keppen, O drevnostiakh IUzhnago Berega Kryma i Gor Tavricheskikh (Sankt Peterburg, 1837) Date A point or period of time associated with an event in the lifecycle of the resource 1837 Description An account of the resource A gorge on the road leading from Taraktash to Kutly in the Karagach forest (about an hour from Kutly, less than two hours from Suuk-Su, 6 or 7 versts from Taraktash and 10 versts from the Karagach forest). When it comes down to it, Keppen isn't quite sure this site contains the remnants of any fortification at all. He reports seeing a row of stones that might have once been part of a wall, but hedges his bets. "I say maybe however, because in truth this is nothing more than a guess that cannot be confirmed."(112-113) Contributor An entity responsible for making contributions to the resource The Stanford Library copy of Keppen's work was digitized by Google Books. fortification ruin travel time Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Portrait of Antiquity Description An account of the resource Crimea was (and still is) uniquely studded with fallen slabs, old foundations, ancient walls, gravestones, and mounds of earth that have grown incrementally over the years to cover the bones of past lives. On my first visit to Sevastopol a friend explained that every good rain dislodged chards of pottery, the occasional coin, and other sundry treasures. And sure enough, when we went trekking in the mountains above Laspi later that week - keeping a sharp eye out for wild boar - I found three small bits of pottery, the edges worn smooth but the greens and blues of their surfaces still vivid. My friend chuckled and dismissed them as insignificant - the pieces dated to the fourteenth or maybe fifteenth century, after all - but I savored the extraordinary feeling of that small weight in my palm, sun-warm and heavy with historical memory. In 1837 the Academy of Sciences in St. Petersburg published a remarkable study On the Antiquities of the Southern Coast of Crimea and the Tavridan Mountains. The book's author, Peter Keppen, spent 5 years living in Crimea while serving as assistant to the chief of silk production (shelkovodstvo). During that time he traveled almost obsessively, collecting material for his geographical and archaeological projects. In the dedication (addressed, of course, to Tsar Nicholas I), Keppen describes Crimea as "the most charming of all the countries prospering" under Romanov rule. His book lovingly documents the location, history, and status of inscribed stones, marble columns, churches, and tombstones, but the bulk of material details defensive towers and walls. Keppen saw Crimea - in antiquity - as a territory divided between a savage, predatory north and a luxuriously beautiful south hemmed in by the Tauride (or Tavridan) mountains on one side and the Black Sea on the other. The fortified line that separated one from the other was, to him, one of the two organizing features of Crimean space (or of its antique space anyway). The second feature was sedimentation. Keppen was acutely aware of the way in which the passage of time imprinted itself on the landscape. At one point he describes finding the remains of an ancient fortification with thick walls of "wild stone" on the heights of Ayudag. "And is it surprising?" Keppen asks. "One must remember that this place has not been inhabited since 1475. And since then the spring sun has warmed the mountain tops and new growth has sprung from the depths of the earth no fewer than 360 times. 360 times over autumn storms have torn the leaves from trees and ripped the grasses, each year creating a new layer to cover any traces of human existence!"(170) Keppen would tell you that to see Crimea, one had to dig.  This collection contains all of the sites (though not all of the individual stones!) discussed in On the Antiquities of the Southern Coast. It includes 4 mausoleums, 9 Greek churches, and 58 fortifications. Each and every one was a ruin even before Keppen laid eyes on it.  Related gallery: <a href="http://dighist.fas.harvard.edu/projects/beautifulspaces/collections/show/19" target="_self">Uvarov's Antiquities</a> Related narrations: <a href="http://dighist.fas.harvard.edu/projects/beautifulspaces/collections/show/37" target="_self">Among the Ruins</a> & <a href="http://dighist.fas.harvard.edu/projects/beautifulspaces/collections/show/40" target="_self">A Monumental Inscription </a>Related source map: <a href="http://dighist.fas.harvard.edu/projects/beautifulspaces/item/898" target="_blank">Keppen's Antiquities</a><hr /> Antiquity Building or item from the past. In most contexts, an antiquity belongs to the ancient, classical, or possibly medieval period. In Crimea and in the Russian south more broadly, archaeologists and collectors used the term to describe the material legacy of the ancient Greeks, Byzantines, Genoese, Karaims, Ottomans, and Crimean Tatars who inhabited the region prior to Russian conquest. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Sudak Creator An entity primarily responsible for making the resource Petr Keppen Source A related resource from which the described resource is derived Petr Keppen, O drevnostiakh IUzhnago Berega Kryma i Gor Tavricheskikh (Sankt Peterburg, 1837) Date A point or period of time associated with an event in the lifecycle of the resource 1837 Description An account of the resource Keppen includes a suitably long discussion of the history of Sudak, which extends back to the 8th century CE. Along the way he mentions that while there were hundreds of churches in the second half of the sixteenth century, his study of the area leads him to conclude that they were quite small. Contributor An entity responsible for making contributions to the resource The Stanford Library copy of Keppen's work was digitized by Google Books. fortification ruin Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Portrait of Antiquity Description An account of the resource Crimea was (and still is) uniquely studded with fallen slabs, old foundations, ancient walls, gravestones, and mounds of earth that have grown incrementally over the years to cover the bones of past lives. On my first visit to Sevastopol a friend explained that every good rain dislodged chards of pottery, the occasional coin, and other sundry treasures. And sure enough, when we went trekking in the mountains above Laspi later that week - keeping a sharp eye out for wild boar - I found three small bits of pottery, the edges worn smooth but the greens and blues of their surfaces still vivid. My friend chuckled and dismissed them as insignificant - the pieces dated to the fourteenth or maybe fifteenth century, after all - but I savored the extraordinary feeling of that small weight in my palm, sun-warm and heavy with historical memory. In 1837 the Academy of Sciences in St. Petersburg published a remarkable study On the Antiquities of the Southern Coast of Crimea and the Tavridan Mountains. The book's author, Peter Keppen, spent 5 years living in Crimea while serving as assistant to the chief of silk production (shelkovodstvo). During that time he traveled almost obsessively, collecting material for his geographical and archaeological projects. In the dedication (addressed, of course, to Tsar Nicholas I), Keppen describes Crimea as "the most charming of all the countries prospering" under Romanov rule. His book lovingly documents the location, history, and status of inscribed stones, marble columns, churches, and tombstones, but the bulk of material details defensive towers and walls. Keppen saw Crimea - in antiquity - as a territory divided between a savage, predatory north and a luxuriously beautiful south hemmed in by the Tauride (or Tavridan) mountains on one side and the Black Sea on the other. The fortified line that separated one from the other was, to him, one of the two organizing features of Crimean space (or of its antique space anyway). The second feature was sedimentation. Keppen was acutely aware of the way in which the passage of time imprinted itself on the landscape. At one point he describes finding the remains of an ancient fortification with thick walls of "wild stone" on the heights of Ayudag. "And is it surprising?" Keppen asks. "One must remember that this place has not been inhabited since 1475. And since then the spring sun has warmed the mountain tops and new growth has sprung from the depths of the earth no fewer than 360 times. 360 times over autumn storms have torn the leaves from trees and ripped the grasses, each year creating a new layer to cover any traces of human existence!"(170) Keppen would tell you that to see Crimea, one had to dig.  This collection contains all of the sites (though not all of the individual stones!) discussed in On the Antiquities of the Southern Coast. It includes 4 mausoleums, 9 Greek churches, and 58 fortifications. Each and every one was a ruin even before Keppen laid eyes on it.  Related gallery: <a href="http://dighist.fas.harvard.edu/projects/beautifulspaces/collections/show/19" target="_self">Uvarov's Antiquities</a> Related narrations: <a href="http://dighist.fas.harvard.edu/projects/beautifulspaces/collections/show/37" target="_self">Among the Ruins</a> & <a href="http://dighist.fas.harvard.edu/projects/beautifulspaces/collections/show/40" target="_self">A Monumental Inscription </a>Related source map: <a href="http://dighist.fas.harvard.edu/projects/beautifulspaces/item/898" target="_blank">Keppen's Antiquities</a><hr /> Antiquity Building or item from the past. In most contexts, an antiquity belongs to the ancient, classical, or possibly medieval period. In Crimea and in the Russian south more broadly, archaeologists and collectors used the term to describe the material legacy of the ancient Greeks, Byzantines, Genoese, Karaims, Ottomans, and Crimean Tatars who inhabited the region prior to Russian conquest. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Kaskule and Kalepartash Creator An entity primarily responsible for making the resource Petr Keppen Source A related resource from which the described resource is derived Petr Keppen, O drevnostiakh IUzhnago Berega Kryma i Gor Tavricheskikh (Sankt Peterburg, 1837) Date A point or period of time associated with an event in the lifecycle of the resource 1837 Description An account of the resource Keppen found no antiquities at Kaskule or Kalepartash despite the promise of their names ("kule" means tower and "kale" means fortification). He also notes that on November 25, 1834, he spent half a day slogging through miserable weather from Kutly to the cliff at Isarly Burun only to find there were no ruins there either. (137) Contributor An entity responsible for making contributions to the resource The Stanford Library copy of Keppen's work was digitized by Google Books. disappointment fortification ruin weather