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                  <text>The talents of Carlo Bossoli (1815-1884), a Swiss-born Italian artist who spent his youth in Odessa, attracted the attention of no less a figure than Count Mikhail Vorontsov, governor-general of New Russia and Bessarabia. Vorontsov commissed a series of views of Odessa, which Bossoli executed with success. Between 1840 and 1842 Bossoli lived on Vorontsov's estate at Alupka, using it as a base for exploring the peninsula in its entirety. He produced the album from which these watercolors are taken just as the Crimean War was breaking out in 1853. The timing was auspicious and Bossoli's publisher (Day &amp;amp; Son, lithographers to the Queen) was quite pleased with &lt;a title="the view from London" href="/items/show/615" target="_blank" rel="noopener"&gt;the resulting buzz&lt;/a&gt;.&lt;br /&gt;&lt;br /&gt;&lt;span&gt;Bossoli's album is a rarity: no more than 500 copies were printed in 1856. The album consisted of 52 watercolors and pastels. The images shown here were digitized and graciously made available by the &lt;strong&gt;Gordon Library at Worcester Polytechnic Institute&lt;/strong&gt;. They are available here for educational, non-commercial purposes only.&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Interestingly enough, a bilingual edition (Russian and English) was &lt;strong&gt;reproduced in Kiev in 2003&lt;/strong&gt;. The publication was made possible by 1) the Republican Committee for the Protection of Cultural Heritage, Council of Ministers of the Autonomous Republic of Crimea, 2) the Ministry of Culture of&amp;nbsp;the Autonomous Republic of Crimea, and 3) the vice-chairman of the Council of Ministers of&amp;nbsp;the Autonomous Republic of Crimea.&lt;br /&gt;&lt;br /&gt;The editors of the 2003 volume had high hopes that Crimea "should become an integral historical-cultural and natural preserve and prosper in the unity of nations living on its land." From their perspective, Bossoli's paintings "show the Crimea as an infinitely beautiful, well-developed, and happy land..."&amp;nbsp;&lt;br /&gt;&lt;br /&gt;See for yourself.&lt;hr /&gt;</text>
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              <text>Gordon Library, Worcester Polytechnic Institute [&lt;a href="http://gordonlibrary.wpi.edu/vwebv/holdingsInfo?bibId=6520" target="_blank"&gt;go to the record&lt;/a&gt;]</text>
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                <text>Crimean Tatars dance, play music, smoke pipes, and lounge in a remarkably lush landscape. &#13;
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                <text>Carlo Bossoli,&amp;nbsp;&lt;em&gt;The beautiful scenery and chief places of interest throughout the Crimea from paintings&amp;nbsp;&lt;/em&gt;(London: Day &amp;amp; Son, 1856)</text>
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                <text>Image courtesy of the Anne S.K. Brown Military Collection, Brown University Library</text>
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                <text>View of Count Mikhail Vorontsov's palace in the distance with Crimean Tatar men gathered in a circle in the foreground. According to Demidov, the (coastal) region around Alupka, "washed in sunlight and bathed by the sea," was quite the fashionable destination as a romantic realm of summer residences studded with "Gothic castles, English cottages, Swiss chalets, [and] American farms" [28]&lt;br /&gt;&lt;br /&gt;The image is dated 12 August 1837.</text>
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                <text>Image courtesy of the Anne S.K. Brown Military Collection, Brown University Library</text>
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                  <text>The talents of Carlo Bossoli (1815-1884), a Swiss-born Italian artist who spent his youth in Odessa, attracted the attention of no less a figure than Count Mikhail Vorontsov, governor-general of New Russia and Bessarabia. Vorontsov commissed a series of views of Odessa, which Bossoli executed with success. Between 1840 and 1842 Bossoli lived on Vorontsov's estate at Alupka, using it as a base for exploring the peninsula in its entirety. He produced the album from which these watercolors are taken just as the Crimean War was breaking out in 1853. The timing was auspicious and Bossoli's publisher (Day &amp;amp; Son, lithographers to the Queen) was quite pleased with &lt;a title="the view from London" href="/items/show/615" target="_blank" rel="noopener"&gt;the resulting buzz&lt;/a&gt;.&lt;br /&gt;&lt;br /&gt;&lt;span&gt;Bossoli's album is a rarity: no more than 500 copies were printed in 1856. The album consisted of 52 watercolors and pastels. The images shown here were digitized and graciously made available by the &lt;strong&gt;Gordon Library at Worcester Polytechnic Institute&lt;/strong&gt;. They are available here for educational, non-commercial purposes only.&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Interestingly enough, a bilingual edition (Russian and English) was &lt;strong&gt;reproduced in Kiev in 2003&lt;/strong&gt;. The publication was made possible by 1) the Republican Committee for the Protection of Cultural Heritage, Council of Ministers of the Autonomous Republic of Crimea, 2) the Ministry of Culture of&amp;nbsp;the Autonomous Republic of Crimea, and 3) the vice-chairman of the Council of Ministers of&amp;nbsp;the Autonomous Republic of Crimea.&lt;br /&gt;&lt;br /&gt;The editors of the 2003 volume had high hopes that Crimea "should become an integral historical-cultural and natural preserve and prosper in the unity of nations living on its land." From their perspective, Bossoli's paintings "show the Crimea as an infinitely beautiful, well-developed, and happy land..."&amp;nbsp;&lt;br /&gt;&lt;br /&gt;See for yourself.&lt;hr /&gt;</text>
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              <text>1 of 34 leaves of colored plates</text>
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              <text>Gordon Library, Worcester Polytechnic Institute [&lt;a href="http://gordonlibrary.wpi.edu/vwebv/holdingsInfo?bibId=6520" target="_blank"&gt;go to the record&lt;/a&gt;]</text>
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                <text>Interior view of a Tatar house. A Tatar family clusters close together around a glowing fire. </text>
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                <text>Carlo Bossoli,&amp;nbsp;&lt;em&gt;The beautiful scenery and chief places of interest throughout the Crimea from paintings&amp;nbsp;&lt;/em&gt;(London: Day &amp;amp; Son, 1856)</text>
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                <text>Image courtesy of Preservation, Curation and Archives, Gordon Library, Worcester Polytechnic Institute</text>
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